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La Maison du diable

Original title: The Haunting
  • 1963
  • Tous publics
  • 1h 52m
IMDb RATING
7.4/10
45K
YOUR RATING
Julie Harris in La Maison du diable (1963)
A scientist doing research on the paranormal invites two women to a haunted mansion. One of the participants soon starts losing her mind.
Play trailer1:08
2 Videos
99+ Photos
Psychological HorrorSupernatural HorrorHorror

Hill House has stood for about 90 years and appears haunted: its inhabitants have always met strange, tragic ends. Now Dr. John Markway has assembled a team of people who he thinks will prov... Read allHill House has stood for about 90 years and appears haunted: its inhabitants have always met strange, tragic ends. Now Dr. John Markway has assembled a team of people who he thinks will prove whether or not the house is haunted.Hill House has stood for about 90 years and appears haunted: its inhabitants have always met strange, tragic ends. Now Dr. John Markway has assembled a team of people who he thinks will prove whether or not the house is haunted.

  • Director
    • Robert Wise
  • Writers
    • Nelson Gidding
    • Shirley Jackson
  • Stars
    • Julie Harris
    • Claire Bloom
    • Richard Johnson
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    45K
    YOUR RATING
    • Director
      • Robert Wise
    • Writers
      • Nelson Gidding
      • Shirley Jackson
    • Stars
      • Julie Harris
      • Claire Bloom
      • Richard Johnson
    • 497User reviews
    • 107Critic reviews
    • 74Metascore
  • See production info at IMDbPro
    • Awards
      • 2 wins & 2 nominations total

    Videos2

    Trailer
    Trailer 1:08
    Trailer
    The Haunting (1963)
    Trailer 2:14
    The Haunting (1963)
    The Haunting (1963)
    Trailer 2:14
    The Haunting (1963)

    Photos145

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    Top cast21

    Edit
    Julie Harris
    Julie Harris
    • Eleanor Lance
    Claire Bloom
    Claire Bloom
    • Theodora
    Richard Johnson
    Richard Johnson
    • Dr. John Markway
    Russ Tamblyn
    Russ Tamblyn
    • Luke Sannerson
    Fay Compton
    Fay Compton
    • Mrs. Sannerson
    Rosalie Crutchley
    Rosalie Crutchley
    • Mrs. Dudley
    Lois Maxwell
    Lois Maxwell
    • Grace Markway
    Valentine Dyall
    Valentine Dyall
    • Mr. Dudley
    Diane Clare
    Diane Clare
    • Carrie Fredericks
    Ronald Adam
    Ronald Adam
    • Eldridge Harper
    Pamela Buckley
    • First Mrs. Crain
    • (uncredited)
    Amy Dalby
    Amy Dalby
    • Abigail Crain - Age 80
    • (uncredited)
    Rosemary Dorken
    • Abigail Crain's Nurse-Companion
    • (uncredited)
    Verina Greenlaw
    Verina Greenlaw
    • Dora Fredericks
    • (uncredited)
    Claude Jones
    • Garage Attendant
    • (uncredited)
    Frieda Knorr
    • Second Mrs. Crain
    • (uncredited)
    Howard Lang
    • Hugh Crain
    • (uncredited)
    Janet Mansell
    • Abigail Crain - Age 6
    • (uncredited)
    • Director
      • Robert Wise
    • Writers
      • Nelson Gidding
      • Shirley Jackson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews497

    7.444.6K
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    Featured reviews

    8AlsExGal

    Great implied and psychological horror

    When director Robert Wise works on a small scale, with oppressive and/or claustrophobic settings, and uses less than mega box office actors, his films are usually good. Examples of this would be "The Set Up," "House On Telegraph Hill," "Andromeda Strain," "Odds Against Tomorrow" and "Born To Kill". It's also the case that when this director decides to go all "epic" on us he's a windy bore. I won't name those films, but you know who you are. Fortunately, this film is in the former category. It's just five characters in a creepy house and it grabs you from the get go with an effective montage of the house's macabre history and keeps your interest with acute examinations of the personalities of the main characters and the fear of the unseen.

    What makes "The Haunting" so genuinely terrifying is the subtly expressed theme: that the house gradually devours Eleanor because her sad, pathetic life encapsulates the history of Hill House. This is made even clearer in the novel, where Hugh Crain had two daughters, who hated each other, and whose lifelong feud mirrors Eleanor's loathing of her own sister. Eleanor really has had no life up to this point - as a result she is emotionally all of thirteen. She doesn't get Theo's not so subtle hints that she is attracted to her. She also doesn't get that just because Professor Markway talks to her like a human being does not mean he is attracted to her. She's like the junior high kid in love with her teacher.

    It has superb performances, a credible atmosphere, and gorgeous direction and cinematography. If you are after a body count ala John Carpenter look elsewhere, but if you like your horror implied this is worth your while.
    10Holmesister

    One of my all-time favorite horror flicks

    I saw this movie the summer I got out of high school. I went with a date and he about dug a hole in the arm of my sweater, it scared him that much. What makes the movie really scary is the fact that it does not have any slashers, monsters, blood and/or gore. Robert Wise scared you with camera angles, the unknown "presences" that seemed to be always lurking behind every door, and the sound effects were very effective. Filming it in black and white also made it creepier. The audiences imaginations and their own personal fears make the movie very effective. We have all experienced a frightening event at some time in our lives (dark closets, what's under the bed, what's outside the window after dark, did you hear that?, etc.) This movie plays on those feelings as you watch it. The remake was disappointing at the least. It had a great cast, but the producers/directors were trying too hard. These days, it seems that special effects can sometimes ruin a movie. There's nothing to play on ones imagination. That's why the book is usually much better than the movie. I purchased this movie on VHS a few years ago and I watch it every once in awhile in the dark (of course) when my husband is here. I don't think I could watch it alone - in the dark - in the night....
    7Xstal

    The Mysterious Mansion...

    There's a house that sits atop an elevation, 90 years old, riven with cold, crooked damnation, uninhabited by the living, but surrounded by misgiving, not really sure, what's behind doors, but there's suspicion.

    A curious anthropologist researching the paranormal gathers three souls who are sensitive to such things and envelopes them in surroundings simmering with the supernatural in the form of a haunted house on a hill (what more do you need). The cinematography is spectacular, all the performances outstanding, but you may struggle to keep your eyes off Claire Bloom in her prime. Watch it on a stormy night, on your own, with the lights out - if you dare!
    10Vanillaheart

    The only movie that truly frightened me.

    After watching "The Haunting" 1963, I slept with my hands under the covers for 3 weeks.

    I was alone in the house, very late at night. Every sound amplified.. I was a full grown woman. For Pete's sake, I have watched almost every monster movie made. Even the original "Wolfman." Hummm, I could handle this.

    Wrong! I have never been so frightened in my life. Who or What was holding her hand??...

    The door at the top of the spiral stair almost gave me a stroke.

    This movie made a believer out of me. The sound effects, the lighting, the "breathing door", plus the fact it was Black and White.. The house, well don't ask me to attend a dinner party there. You will be eating alone.

    Perfect movie for Halloween.

    I give this movie a "10", The "remake" ?? Was that from the same book?

    Nuff Said.
    9jeklv

    Forty one years after its release, this movie is still frightening.

    ABC broadcast this film as a Sunday Night Movie in, I believe, 1965. I watched it with my best friend at his house, which happened to be next door. After the movie was over I was afraid to walk home. Thirty eight years later, this movie is still the scariest movie I've ever seen.

    It's hard to put into words why this movie triggers such an emotional response. There is no blood and gore, no creatures or monsters in plain sight. In fact, there is very little physical presence in this movie that should evoke such a fear reaction. True, there are multiple angle exterior shots of the mansion that make one feel as if the house is watching them all the time. And there are loud unexplained noises, bulging wall panels, and door knobs that turn by themselves. All-in-all, the physical evidence is pretty tame, especially by today's standards.

    The fear reaction lies not in the physical form, but in the psychological sense. For example, as Theo and Nell cling to one another as wall pounding draws closer to their room, only to stop and dead silence replaces the noise. Later in the movie, Nell and Theo are again in their room when Nell grabs hold of Theo's hand as noise begins to build outside their bedroom door. Finally, unable to stand the noise any longer, Nell begins to scream which awakens Theo, who happens to be halfway across the room, and thus not close enough to be holding Nell's hand. So the question is "who or what was Nell holding?". There are many scenes that are similar to the above.

    This film was directed by Robert Wise who made me believe there was something lurking around every corner, or there was something that was going to happen, but you just didn't know quite when. This is the type of directing that has given this movie the classic status it so richly deserves.

    So, if you are more into the physical style of a movie, go see "Texas Chain Saw Massacre", but if you are ready for a genuinely scary movie, go rent or buy the 1963 version of "The Haunting".

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    Related interests

    Daniel Kaluuya in Get Out (2017)
    Psychological Horror
    Daveigh Chase in Le Cercle : The Ring (2002)
    Supernatural Horror
    Mia Farrow in Rosemary's Baby (1968)
    Horror

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      To make Theodora appear more bohemian, beatnik, garments designed by Mary Quant from a recent collection were used to dress Claire Bloom.
    • Goofs
      When Nell leaves the Boston garage, she sees a signpost that for the most part is correct with respect to route numbers and directions for the towns indicated. However, one sign refers to "US 50", and Nell then reads aloud her directions to take "US 50 from Boston and watch for the turn-off to Route 238." US 50 is nowhere near Boston; prior to the advent of the Interstate Highway System, US Route 50 was one of the principal highways that went straight through the middle of the country from Maryland on the East coast to California on the west coast. It is instead US 20 which begins in Boston and runs westward through Massachusetts before continuing across the country.
    • Quotes

      Mrs. Dudley: [Eleanor has just been shown her room after she arrives] I can't keep the rooms the way I'd like, but there's no one else they could get that would help me.

      Eleanor Lance: How very nice.

      Mrs. Dudley: I set dinner on the dining room sideboard at 6. I clear up in the morning. I have breakfast for you at 9. I don't wait on people. I don't stay after I set out the dinner, not after it begins to get dark. I leave before the dark.

      Eleanor Lance: Your husband?

      Mrs. Dudley: We live over in town, miles away.

      Eleanor Lance: Yes.

      Mrs. Dudley: So there won't be anyone around if you need help.

      Eleanor Lance: I understand.

      Mrs. Dudley: We couldn't hear you. In the night.

      Eleanor Lance: Do you have any idea when Dr. Markway...

      Mrs. Dudley: [cuts her off] No one could. No one lives any nearer than town. No one will come any nearer than that.

      Eleanor Lance: I know.

      Mrs. Dudley: In the night. In the dark.

      [Mrs. Dudley grins and leaves]

    • Alternate versions
      The original cut of movie (shown 24/9/03 at Filmhouse, Edinburgh) has several differences from the general release print -
      • Alternate opening with voice-over by the Mrs. Sannerson character in place of the Markway monologue. The titles prior to this scene are slightly different. The 'History of Hill House' scene continues into the meeting with Mrs. Sannerson and Markway but in this version, it is Sannerson who is doing most of talking.
      • The following scene from the general release print of Markway listing his subjects on a blackboard is missing. In its place is a scene where Theo throws her lover out her apartment and, next to a photo of her lover, writes "I Hate You!" on a mirror in lipstick, looks at her reflection and mutters "I hate you too...". She then receives her invitation from Markway. This is delivered to her by her landlady, who requires the excess postage to be paid. Theo already knows this is to be paid and there is humorous exchange concerning her ESP or her 'gift.'
      • There are several extended scenes involving Eleanor's 'inner thoughts' - most of which tie into her thoughts on her possible relationship with Markway. The scene showing her traveling to Hill house is extended with more 'inner monologue' material including a couple of shots of her turning onto 'Route 238' and commenting on "Journey's end in lovers meeting...".
      • The Morning/Harp scene runs longer and contains more dialogue from both Eleanor and Markway. This print had a title card prior to the MGM logo - "This print is on loan from the National Film and Television Archive."
    • Connections
      Featured in 7 Nights to Remember (1966)

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    • Is "The Haunting" based on a book?
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    Details

    Edit
    • Release date
      • March 4, 1964 (France)
    • Countries of origin
      • United States
      • United Kingdom
    • Language
      • English
    • Also known as
      • La mansión encantada
    • Filming locations
      • Ettington Park Hotel, Alderminster, Stratford-upon-Avon, Warwickshire, England, UK(Hill House-exterior)
    • Production companies
      • Metro-Goldwyn-Mayer (MGM)
      • Argyle Enterprises
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $1,400,000 (estimated)
    • Gross worldwide
      • $847
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 52m(112 min)
    • Color
      • Black and White
    • Aspect ratio
      • 2.35 : 1

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