Le Guépard

Following his personal motto, "something has to change in order to keep everything in place," authoritative prince Fabrizio di Salina (Burt Lancaster) secures his position, and that of his social class, by resigning himself to the "Risorgimento" and making a pact with the representatives of the bourgeoisie. He marries his nephew, Tancredi Falconeri (Alain Delon) to the daughter of a nouveau riche mayor (Claudia Cardinale), who should infuse fresh blood into an old bloodline threatened with extinction: the alliance between "the Leopard" and "the Jackal" exemplifies the blend between old and new. The collector's box of this film includes an interview with Alain Delon who, in retrospect, claims that Visconti had almost played the role of prince Salina himself, given the analogies between the two characters. Like Salina, Visconti preoccupied himself with questions of disappearing social class and transience. Beyond the splendour and revelry in his films always lies a dark horizon, the imminence of death, whose premonitory signs are perceived everywhere. The closing marriage scene is a lamenting farewell to vanishing beauty. Awesome Burt Lancaster in tuxedo looks into the mirror and tears well up in his eyes. Outside, a coffin is brought out. Majestic grandeur and striking dignity intertwine with elegiac melancholy, grief and regret. The perfect illustration of Friedrich Schiller's definition of tragedy: "Tragedy is not synonymous with suffering. Rather, tragedy is the futile protest of the individual against inevitable suffering". Delon claims that today he finds himself unable to watch the film, which evokes memories and images from a world long since forgotten, let alone listen to the soundtrack, "qui me fait pleurer"...

Burt Lancaster plays a true aristocrat in an aristocracy that is not an aristocracy. The degeneracy as well as the sophistication of the rival political factions in warring Sicily is shown, and the human insight of the central character that embodies true nobility, even though he is largely powerless to make his ideals reality. Garibaldi is invading Sicily with an army of a thousand, landing in Marsala and advancing through Palermo. Prince Salina (Lancaster) is a noble of a disappearing age. He refuses a place in the new senate and is unable to convince the new wave that the unification will not be good for Sicily. He is caught between different loyalties. A love story between his nephew (played by Alain Delon) and a rich merchant's daughter (played by Claudia Cardinale) interweaves the action and heightens the moral dilemmas that Prince Salina has to face. A brave film, opposing, exposing and opposed by government and church. The full length restored edition is a cinematic gem and the opulent costumes and scenery are a treasure to behold.

This beautiful film, which I saw some time ago, remains in my memory as a profound study of a man in a position of power who thinks, reflects on important values, as well as his own aging process...and yet the film is never static. Burt Lancaster gave a brilliant performance...which I read was his favorite role. Visually, it is stunning. The long dance scene with Claudia Cardinale is justifiably famous...one of the sexiest scenes on film, in my opinion. To anyone interested in serious concerns, cinematically expressed with grace and intelligence, I would urge you to see this splendid film.

This known novel is magnificently brought to the screen with colorful images , impressive soundtrack , visually absorbing cinematography and sensitive as well as thoughtful events . An epic story dealing with Fabrizio Cordero , the Prince of Salina , the Leopard (Burt Lancaster , though 20th Century Fox asked Visconti to choose from among Anthony Quinn, Spencer Tracy and Lancaster ; Luchino wanted Laurence Olivier for the title role and he wanted to cast Nikolai Cherkasov , too). Salina is an upright aristocrat who attempts coming to terms with the new rulers of Sicily as well as overcome his family and class amid the troublesome social upheavals . Fabrizio observes the waning of his noble home and attempts to help build a new Sicily but his nephew Tancredi (Alain Delon , though Horst Buchholz turned down the role) , Prince of Falconeri (Alain Delon) assures his status by marrying Don Calogero Sedara's (Paolo Stoppa) gorgeous daughter Angelica (Claudia Cardinale) .

Luchino Visconti's enduring romantic adventure deals with the tumultuous social upheavals of 1860's Sicily , and it is paced in slow and deliberate rhythm . The film traces the rising and falling of Fabrizio Corbero , Prince of Salina and the corresponding rise to eminence of the hugely wealthy ex-peasant Don Calogero . However , the film results to be overlong , it seems longer than its 187 minutes running time . Based on the classic novel written by Giuseppe Tomasi di Lampedusa , being scripted by Suso Cecchi D'Amico , Pasquale Festa Campanile and considered to be the best screen adaptation ever . Such was Luchino Visconti's attention to detail that it was shot in actual historical palaces , including authentic pictures , objects and tools . Concluding the climatic scene in the sumptuous forty-minute ball and long banquet where Tancredi introduces Angelica to society , it is deemed to be one of the greatest set pieces in film history . Originally released in USA in a badly dubbed 165 minutes version , picture was restored in 1983 to proper form .

Masterful interpretation by the great Burt Lancaster , The Prince of Salina , a noble aristocrat of impeccable integrity who tries to preserve his family against their dark destination and nice acting by Alain Delon as his ambitious nephew who swims with the tide and assures his own position . Support cast is pretty well , they give top-notch performances such as Paolo Stoppa , Romolo Valli , Terence Hill , Pierre Clémenti , Giuliano Gemma and Ida Galli . Colorful and evocative cinematography in Technirama wide screen system, by Giuseppe Rotunno . Classical and emotive score by Nino Rota . The motion picture was masterfully directed by Luchino Visconti and was shot over 11 of the hottest weeks of the year , being Martin Scorsese's favorite movie .

This celebrated story was well based on historical deeds , these were the followings : Sicily was invaded by "A corps of volunteers led by Giuseppe Garibaldi landed in Sicily in order to conquer the Kingdom of the Two Sicilies, ruled by the Bourbons" . The Expedition of the Thousand was an event of the Italian Risorgimento that took place in 1860. A corps of volunteers led by Giuseppe Garibaldi landed in Sicily in order to conquer the Kingdom of the Two Sicilies, ruled by the Bourbons. The project was an ambitious and risky venture aiming to conquer, with a thousand men, a kingdom with a larger regular army and a more powerful navy. The expedition was a success and concluded with a plebiscite that brought Naples and Sicily into the Kingdom of Sardinia, the last territorial conquest before the creation of the Kingdom of Italy on 17 March 1861.The sea venture was the only desired action that was jointly decided by the "four fathers of the nation" Giuseppe Mazzini, Giuseppe Garibaldi, Victor Emmanuel II, and Camillo Cavour, pursuing divergent goals. It is difficult to determine the true instigator: Mazzini desired to release the Mezzogiorno and Rome, whereas Garibaldi wanted to conquer in the name of Victor Emmanuel II, the Kingdom of the Two Sicilies and continue to Rome to complete the unity of Italy, and Cavour wanted to avoid at all costs conflict with his French ally, Napoleon III, who protected Rome.The expedition also brings new large collective ambiguity and misunderstanding: for Garibaldi, it is to achieve a united Italy; to the Sicilian bourgeoisie, an independent Sicily as part of the kingdom of Italy, and for the mass farmers, the end of oppression and land distribution

"The Leopard" is based upon the celebrated novel by Giuseppe Tomasi di Lampedusa, which was a massive success in Italy and also brought its author to international attention. A film adaptation was inevitable, but its scale and detailed recreation of 19th century Italy required a bigger budget than the Italian cinema could easily afford. The decision was therefore taken to attract international audiences by casting a big-name Hollywood star, Burt Lancaster, in the leading role, with the well-known French actor Alain Delon in a secondary one. I was interested to learn that not only were Lancaster and Delon's lines dubbed into Italian, but the same was also done with the film's leading lady, Claudia Cardinale. Although Cardinale is normally thought of as an Italian actress, she was actually born to ethnic Italian parents in Tunisia, at the time a French colony, and grew up speaking French and her parents' Sicilian dialect. Her heavily accented Italian was felt to be inappropriate to her character, Angelica, who although of peasant stock has been brought up as a cultured young lady by her social-climbing father.

The action takes place in the Sicily of the early 1860s. The "leopard" of the title is Don Fabrizio Corbera, Prince of Salina, the head of an ancient and illustrious aristocratic family. This is, however, a time of change, because the "Risorgimento", the struggle to unite the network of petty states which made up Italy into a single kingdom, has begun. Early in the story the armies of Francis II of the Two Sicilies are defeated by the pro-unification "redshirts" of Giuseppe Garibaldi, leading the way to the incorporation of the island into the new state.

Lampedusa, himself a Sicilian aristocrat, took a somewhat cynical view of the Risorgimento, even though these events are one of the defining episodes of Italian patriotism. Fabrizio sees the events of 1860/61 as marking the decline of traditional aristocratic values and the rise of a corrupt, materialistic bourgeoisie. The new Italy claims to be a democracy, but this claim is shown to be a hollow one when the new rulers organise a rigged plebiscite to approve the incorporation of Sicily into the new unified Italy. (In Fabrizio's home town 512 citizens out of 515 supposedly vote in favour, with three abstentions and no votes against, a landslide of North Korean proportions). Fabrizio is offered the position of a Senator in the new state, but contemptuously rejects it.

The main representative of the rising bourgeoisie is Don Calogero Sedara, a wealthy, self-made businessman. Like many "new money" men throughout the ages, Sedara longs for social acceptance by the "old money" nobility, and is desperate to engineer the marriage of his beautiful daughter Angelica to Fabrizio's nephew Tancredi. Although Fabrizio was hoping that Tancredi would marry his own daughter, Concetta, he reluctantly gives his consent, knowing that Tancredi (whose own family are aristocratic but not particularly wealthy is not only smitten with Angelica's good looks but also in need of her father's money.

The novel has always been known in English as "The Leopard" (and in French as "Le Guépard"), even though its Italian title "Il Gattopardo" refers not to the leopard (that would be "Il Leopardo") but to two smaller members of the cat family, either the serval (gattopardo africano) or the ocelot (gattopardo americano). Although I can see why the change was made- "The Serval" would mean little to English-speaking audiences unless they were expert in zoology- Lampedusa's title strikes me as somehow more appropriate. By the end of the film Fabrizio seems a diminished figure, no longer the biggest cat in the jungle.

When first released in 1963, the film was a success in Italy and France but not in America, where it was released in an English-dubbed version, cut down to 161 minutes, considerably shorter than Luchino Visconti's 185-minute "director's cut". I have never seen the English-language version, so my comments below are of necessity based upon Visconti's cut. Even if Lancaster did not speak the words we hear in the Italian version, he nevertheless dominates the picture by his very presence. At first he seems a towering figure, a pillar of tradition and aristocratic values, but it eventually becomes clear that the forces of historic change are too strong for him, and if he still remains standing at the end he does so like a pillar which remains upright when the structure it once supported has fallen into ruins around it.

"The Leopard" is an early example of what has become known as "heritage cinema" and, although that genre is mostly associated with Britain it predates what I normally think of as the first modern British example, Schlesinger's "Far from the Madding Crowd", by several years. It is not only a grand epic, very visually striking and making good use of the landscapes and architecture of Sicily and of the costumes of its period, but also a moving meditation upon the forces of history and the process of change. A fine drama. 8/10