A drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.A drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.A drab little English seaside town tries to improve its image--and increase its revenues--by holding a film festival. When a famous continental star agrees to attend, things get out of hand.
Jim Brady
- Film Festival Patron
- (uncredited)
Billy Dean
- Film Festival Patron
- (uncredited)
George Fisher
- Film Festival Patron
- (uncredited)
Claire Gordon
- Angelina
- (uncredited)
Juba Kennerley
- Film Festival Patron
- (uncredited)
Lucille Soong
- Starlet
- (uncredited)
Featured reviews
This presumed comedy starts off reasonably well and has a few entertaining moments but they are few and far between.One can see the embryo talent of Ken Russell at work with lots of quirky moments.However one of the basic problems is the script.When you see numerous credited writers you know that there were problems with the film..Additionally the film has essentially non acting leading lady in Alita Naughton.It is little surprise that she had a very short acting career.Surprising that they couldn't get an experienced actress to play the part.In the acting stakes Marisa Nell is quite good at.buying her image.Roy Kinnear gives good support to leading actor James Booth.Associated British who released this film didn't have much luck with seaside comedies.The Punch and Judy Man wad also a box office disappointment for them despite the fact that it starred Tony Hancock.
10eisor88
It's disappointing that this film is so little known, even among 60s British film buffs. (I was surprised that Robert Murphy was so dismissive of it.) I set my VCR to record this one (it was on at some ungodly hour in the middle of the night), and watched it the next evening. It was only on re-watching it that I realized that it was directed by Ken Russell, and this surprised me, since it didn't really strike me as his style at all.
I can't understand why one of your reviewers disliked it so much that they had to post two condemnations of it. I found it utterly charming. The comical Mayor, his strange Council, their French counterparts and the bath-chair oldies are just the background against which Jim and Judy's faltering romance plays itself out. I loved the bit where Judy roller-skates in slow motion at the fancy-dress party, and I love the way this is cleverly reprised (with lovely music) towards the end of the film, when Jim realizes his mistake in neglecting Judy and pursuing the sexy but flighty Francoise Fayol.
It's a comedy, but there are some very poignant moments in it. (The scene in the boat underneath the pier, for example.) There are some funny lines, as well (it's not all slapstick), and it's amazing how much incident Ken Russell manages to pack in, considering that this isn't a very long film. I'd love to have the music on CD, as well!
Like a lot of films of the early and mid 60's (I'm thinking of films like Darling, Georgy Girl and Alfie), French Dressing has quite an old fashioned moral in tow. Men lust after girls like Francoise Fayol, but they settle down with girls like Judy (if they're lucky, because she's got brains as well as being cute).
Jim isn't always very PC (well, I suppose it was forty years ago!), but it's obvious that he really loves Judy at the end. It's also quite touching how good a friend Henry (played by Roy Kinnear) is to both Jim and Judy.
I liked this film a lot, and I'd like to see it on the big screen. The next time they have a Russell retrospective, I hope they show it!
I can't understand why one of your reviewers disliked it so much that they had to post two condemnations of it. I found it utterly charming. The comical Mayor, his strange Council, their French counterparts and the bath-chair oldies are just the background against which Jim and Judy's faltering romance plays itself out. I loved the bit where Judy roller-skates in slow motion at the fancy-dress party, and I love the way this is cleverly reprised (with lovely music) towards the end of the film, when Jim realizes his mistake in neglecting Judy and pursuing the sexy but flighty Francoise Fayol.
It's a comedy, but there are some very poignant moments in it. (The scene in the boat underneath the pier, for example.) There are some funny lines, as well (it's not all slapstick), and it's amazing how much incident Ken Russell manages to pack in, considering that this isn't a very long film. I'd love to have the music on CD, as well!
Like a lot of films of the early and mid 60's (I'm thinking of films like Darling, Georgy Girl and Alfie), French Dressing has quite an old fashioned moral in tow. Men lust after girls like Francoise Fayol, but they settle down with girls like Judy (if they're lucky, because she's got brains as well as being cute).
Jim isn't always very PC (well, I suppose it was forty years ago!), but it's obvious that he really loves Judy at the end. It's also quite touching how good a friend Henry (played by Roy Kinnear) is to both Jim and Judy.
I liked this film a lot, and I'd like to see it on the big screen. The next time they have a Russell retrospective, I hope they show it!
Ken Russell's first ever feature film - starring James Booth, Roy Kinnear, and the gorgeous Marisa Mell - bizarrely plays out like a cross between a Carry On film and an episode of The Benny Hill Show! Russell didn't enjoy making it, and he didn't like the finished product much; but it's well acted, with a naughty-yet-innocent 'seaside postcard' feel to it (Talking Pictures channel (UK) is great for throwing up little gems like this). 6/10.
Having read the less pleasant reviews of French Dressing I've just re- watched it after an absence of 20 years, and thoroughly enjoyed it. I thought it utterly charming and delightful. It's very much a filmed seaside postcard and looks as if everyone loved making it up as they went along. I certainly appreciated the surrealist humour and wasn't at all surprised to see Ken Russell named as director. Bits of it reminded me of Jonathan Miller's Alice in Wonderland (made two years later!), and the burning of the inflatable models, bizarrely, put me in mind of Invasion of the Body Snatchers. And I found Alita Naughton irresistible. Pity its reception so upset Ken Russell.
A special title: I had to go across the pond to retrieve it! Because this film has never been released on home video in the US, I bought the film on eBay in the UK and shipped it to my friend Darren in Scotland, who ripped it into a Quicktime file to send to me. I would safely say it is the most difficult film to acquire I have ever tracked down!
First, the negative: this process caused a messy, glitchy version of the film that was admittedly harder to watch. I could handle it, but I wouldn't show this copy to friends unless they were warned. It makes the case for why having restorations and good quality picture matters.
Nonetheless, the feature debut of Ken Russell is truly a delight. It's a short and sweet 80 minutes and impressively has a fair share of humor and stylistic wow moments. He knows how to create beauty and wonder in cinema form like few other filmmakers I've ever seen. Despite its reputation as being Russell's least innovative project (had to start somewhere) it still has a few brilliant set pieces and photography to ogle at (not even just of the bikini-clad movie star). I laughed out loud, I was moved by some of its beauty. There's something to this late-era black and white that's really magnificent. You can see it as a contemporary to "A Hard Days Night," released the same year to much greater success. Some of its humor has aged, some of it remains relevant today toward the objectification of women, especially in regards to how it is shown in film. And it's surprisingly blunt at times, perhaps this is why it's been impossible to find in the US.
I hope to one day see this movie again in a proper restoration, or at least the unpixelated version as described. Yet despite some visual setbacks, I could still relish in 'French Dressing' and can't wait to see the next entry in Russell's filmography.
First, the negative: this process caused a messy, glitchy version of the film that was admittedly harder to watch. I could handle it, but I wouldn't show this copy to friends unless they were warned. It makes the case for why having restorations and good quality picture matters.
Nonetheless, the feature debut of Ken Russell is truly a delight. It's a short and sweet 80 minutes and impressively has a fair share of humor and stylistic wow moments. He knows how to create beauty and wonder in cinema form like few other filmmakers I've ever seen. Despite its reputation as being Russell's least innovative project (had to start somewhere) it still has a few brilliant set pieces and photography to ogle at (not even just of the bikini-clad movie star). I laughed out loud, I was moved by some of its beauty. There's something to this late-era black and white that's really magnificent. You can see it as a contemporary to "A Hard Days Night," released the same year to much greater success. Some of its humor has aged, some of it remains relevant today toward the objectification of women, especially in regards to how it is shown in film. And it's surprisingly blunt at times, perhaps this is why it's been impossible to find in the US.
I hope to one day see this movie again in a proper restoration, or at least the unpixelated version as described. Yet despite some visual setbacks, I could still relish in 'French Dressing' and can't wait to see the next entry in Russell's filmography.
Did you know
- TriviaA number of writers worked on the script, which was constantly being rewritten during the making of the film. When the TV presenter Robert Robinson agreed to play himself in a brief cameo, he told Ken Russell he would have to write his own lines as he wasn't an actor. Russell agreed and added that he could also rewrite everyone else's lines if he felt like it.
- Quotes
Robert Robinson: Where will all of it end? Apache dancing in the Floral Halls? Absinthe in the ice-cream parlors?
- Alternate versionsIn the release print as owned and screened by the British Film Institute, the ending sequence titles are different from the Studiocanal owned prints (available on DVD) with no credit given to actress Germaine Delbat, while a dedicated message of acknowledgment to Michael Arthur Film Productions is shown on behalf of the producers.
- ConnectionsFeatured in Sunday Night: Don't Shoot the Composer (1966)
- How long is French Dressing?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Versuch's mal auf französisch
- Filming locations
- Herne Bay, Kent, England, UK(Doubles as Gormleigh-on-Sea)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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