Le Corps et le Fouet

As I slowly get to watch more Mario Bava movies my enthusiasm for his extraordinary body of work grows and grows. I was already hooked after watching 'Black Sunday' for the first time, but after subsequently seeing 'Kill, Baby...Kill!', 'Planet Of The Vampires', 'Black Sabbath', 'Diabolik' and 'Lisa And The Devil' (and others) I was convinced that he's THE most underrated director of the Fantastic. Now I've watched 'The Whip And The Body' three times and listened to Tim Lucas' informative DVD commentary I'm almost ready to bow down and worship Bava like a god! This is such a fascinating movie... Visually it's stunning, as to be expected, Bava being a top cinematographer before turning to directing. The subject matter is still provocative, but forty years ago it must have been scandalous! In fact the movie was heavily censored and when eventually released in America given the lousy title 'What'. Christopher Lee counts this among his favourite roles and it is essential viewing for his fans. He plays Kurt Menliff, an evil sadistic nobleman returning to his family home after hearing his younger brother has wed. Lee's family has disowned him after a scandal concerning a servant girl he seduced who subsequently suicided. His father the Count despises him, the dead girl's mother, who still works for the Count, curses him, and his brother's new bride Nevenka (Daliah Lavi) fears him. Kurt and Nevenka have a past, not only that, a complicated sadomasochistic relationship. The whipping scenes between the two actors were a bit too much for the censors to handle back in the day, and while they aren't all that explicit, they are still unsettling even today. Lee and the stunning Lavi (best know to most people for her later appearance in the star-studded Bond spoof 'Casino Royale') make a truly unforgettable couple. Many people regard 'The Whip And The Body' as Bava's single best movie. I wouldn't go that far myself, but it's definitely one of his very best films, and is sure to impress anyone who has enjoyed his other pictures. Ghost story, murder mystery, psychosexual character study, whatever you want to call it, it's a highly original movie that will stay with you for a long time. Newcomers to Bava are still best to start with 'Black Sunday' in my opinion, but this movie comes with my highest recommendation.

Set in 19th Century, an aristocrat called Kurt : Christopher Lee goes back to his seafront castle house many years later he left it . There he finds again his nobleman father : Gustavo de Nardo , his younger brother Christian : Tony Kendall newly married to Kurt's cousin, and previous sweetheart, Nevenka : Dalilah Lavi. Then the Count decides his son Christian to inherit the luxurious mansion . Along the way, a spectrum appearing here and there haunting the inhabitants of the castle and wanting to exact a relentless vendetta. Evil Horror!. The most deliciously romantic terror movie ever made! . Horror beyond the bounds of Hell!. What body lay in the coffin? What is her terrifying secret?. What secret haunted the castle dungeon? What thing walked in the night?

Terrifying and mysterious horror movie with thrills, chills , haunting castles, ghost appearances and intensely chromatic photography. Nice and thrilling Italian Gothic with a cost about 66.000 dollars, packing an interesting and twisted script with surprising finale by prolific Ernesto Gastaldi, Ugo Guerra and Luciano Martino . Main and support cast are frankly well. Christopher Lee as the sadistic and ruthless nobleman with fetish obsession and sinister purports , Dalilah Lavi as the masochistic wife, she really remembers to the great scream queen Barabara Steele . Alongside Tony Kendall as the spineless brother , Evelyn Stewart who uses often pseudonym Ida Galli, Gustavo de Nardi as the deranged father , Jacques Herlin as a priest, Harriet White as an old maid and Luciano Pigozzi or Allan Collins, considered to be the Italian Peter Lorre.

Special mention for the brilliant cinematography in gaudy colour from Ubaldo Tezano and Mario Bava himself. Shot on location in coast of Tor Caldera and Elios studios . Charming musical score with attractive leitmotiv, adding a concert for piano, Concert for Windsor, composed by Carlo Rustichelli, under pseudonym Jim Murphy. This La Frusta e Il Corpo or The Whip and the Body has other titles as What in US, and Night is the phantom in England where was heavily cut its lashing scenes. This poetic motion picture was competently directed by Mario Bava, giving a romantic, frightening and dramatic work . He was an excellent cameraman , FX expert and filmmaker who made lots of films in all kinds genres with penchant for horror and Giallo such as : Mask of Demon, Black Sabbath, The girl who knew too much, Blood and Black Lace, Lisa and the Devil, A hatchet fot the honeymoon, Bay of Blood, Schock . Although he also directed other genres as Spaghetti Western : Roy Colt and Winchester Jack, Ringo of Nebraska. Thrillers : Diabolik, Five dolls for an August Moon . Monster movie : Calchiki. Sci-fi : Terror in space. Adventures : Knives of the avenger, Fury of Vikings. Peplum : Battle of Marathon, Hercules and the haunted world, among others. Rating 7/10. Better than average. Worthwhile watching.

Irresistible and genuine Gothic scares, combined with atmospheric camera-work and breath-taking scenery… Welcome to yet another visual masterpiece directed by the greatest horror genius of all time: Mario Bava! "The Whip and the Body" isn't the man's most mentioned achievement, it's not even in my personal Bava-top 3 and yet I still rated it a solid 9 out of 10. That should give you somewhat an idea of how excellent his total repertoire in fact is. "The Whip and the Body" is a unique film in many ways, but particularly because of the controversial substance it dared to bring forward. Don't forget that the year of release was 1963 and Mario Bava unscrupulously introduces characters with taboo-fetishes like S & M. The story is terrifically set in the 19th century, where Kurt Menliff returns to his eminent family after being banished for several years. The family's hate towards Kurt's vile behavior is only surpassed by their fear and only the gorgeous Nevenka has a secret desire towards his wicked sexual preferences. In a particularly astonishing sequence, he whips her repeatedly (and roughly...) before continuing with making love. Terror overcomes the Menliff family when Kurt is found murdered in his room and when the tormented Nevenka begins to see his appearance in nearly every chamber of the castle. As it usually is the case in Bava's films, the plot contains quite a few holes and illogical moments, but they're totally forgivable if you acknowledge the intensity and power of the wholesome. Especially praiseworthy is Mario Bava's unequaled talent to turn totally natural things into terrifying atmosphere-elements… Blowing wind, pouring rain, footprints covered in mud...all these ordinary things turn into suspicious omens in the hands of this masterful filmmaker. With his skilled cinematographic eye, Bava perfectly knows how to raise an unbearable tension that grabs you by the neck immediately and it doesn't let go until the very last scene fades away. All the other typical Bava-trademarks are clearly present as well, namely an authentically creepy score, a minimum of stylish gore (burning, rotting corpses!!) and – last but not least – a stunning use of color shades. Mario plays with colors like he invented them and this emphasizes the spook-effect even more. "The Whip and the Body" is a more than just a shocking horror film. It's an offbeat love-story, a Gothic poem AND an unsettling horror tale all in one! If you love beautiful cinema, don't miss "The Whip and the Body".

A Gothic tale of depravity and horror with some exquisite scenery to enjoy along with perfectly selected music.

Kurt Menliff (Cristopher Lee) has been banished from home, and when he returns, fear sets in everywhere. As it should, given that his fiancé (Daliah Lavi) married his brother (Tony Kendall) and is sleeping with his father (Gustavo De Nardo). He has some unusual sexual tastes and preferences, which Nevenka (Lavi) shares.

A classic ghost story in a spooky setting with some very good performances. An expected ending did not diminish the enjoyment of the film one bit.

This unrelentingly-creepy tale of obsession and perversion plays like a more-horrific version of _Wuthering Heights_: cobwebbed crypts, dark castles with secret passages, rotting bodies, muddy footprints, pale faces scowling through windows, love-hate relationships that continue beyond the grave, sea cliffs, turbulent ocean, sunsets, and a very haunting music score. The sets are rich and the direction is moody, with lots of brilliantly-composed photography and a convincingly-cruel performance by Christopher Lee. This one does require some patience, but it's one of Bava's greatest masterpieces and deserves to be saved from obscurity.