Bons Baisers de Russie

Sean Connery never failed to charm as James Bond.His charm,coupled with the terrific story line that you see here in from Russia With Love,makes this film second only to Goldfinger in terms of ranking all of Connery's efforts as 007.Nearly stealing the show is a fresh faced Robert Shaw as a trained assassin with his eyes zeroed in on the agent.Sadly,we also see the final performance of Pedro Armendariz,who committed suicide the year of the film's release upon learning he had terminal cancer.Even if you are not a Bond fan,this is a very well done good versus evil story that is carried out very well.If you are a Bond fan,you probably have all the films in your collection,whether they are good or bad,but if you are someone who only collects films you consider good,you'll want to consider this one.

Connery came, he acted, and he conquered as James Bond in this second installment of the James Bond film franchise. With some of the most realistic fight scenes for a '60s movie and terrific story by Fleming, this film has a recipe for a masterpiece.

As mentioned in my review of "Dr. No", his charm and intellectual wit is still there, and then in some scenes in a whole lot more better than before. How he tries to commence his mission, you just couldn't fall asleep. A-grade acting by Connery here.

Then-newcomer Daniela Branchi is good as Bond Girl Tatiana, who is the wrong girl at the right time. Desmond Llewelyn, in his debut as gadget man Q, shows us an impressive array of gadgets that Bond would later find quite useful. But it is Robert Shaw, who almost steals the show as the murderous, merciless, assassin Grant, who will stop at nothing to prevent Bond and Tatiana from commencing their mission.

Crew also return here. Producers Brocolli and Saltzman and director Young have returned, with double the budget and double the thrills in return. Also, the musical score by John Barry is memorable, it really sets the tone for a realistic spy adventure.

The story is not meant to be an action picture. It is more like the adventures of a spy, with the dangers of being a spy. In short, it is a complex spy thriller, made to suit the target audience which are spy fans and intelligent viewers. I do not understand how anyone could call such a film "boring." This truly is a pinnacle of the James Bond series, one which will remain for years to come.

9.34/10

Delton

A chess genius by the name of "Kronsteen" (played by Vladek Sheybal) is also the #5 ranked member of the secret criminal organization known as SPECTRE. He has come up with a foolproof plan which includes: (1) stealing a top secret Russian decoding machine called a "Lektor". (2) Increasing tension between NATO and the Warsaw Pact to the point of a possible war and (3) Killing "James Bond" (Sean Connery) in retaliation for the death of one of their operatives named "Dr. No". Kronsteen convinces #1 ("Ernst Blofeld") of his plans and #3 "Rosa Klebb" (Lotte Lenya) is ordered to assist him. Thinking that Colonel Klebb is still a member of SMERSH (the Russian secret service), the beautiful Russian intelligence analyst "Tatiana Romanova" (Daniela Bianchi) is pressed into luring James Bond to Istanbul so that he can acquire the Lektor from the Russian consulate. Once this is accomplished a ruthless assassin named "Grant" (Robert Shaw) is ordered to take the Lektor on behalf of SPECTRE and kill both James Bond and Tatiana Romanova. Obviously, the plot is very intricate and there are twists and turns throughout the movie, but for the sake of brevity I thought it best to end here. Overall, this is a remarkable movie which has nice cinematography, splendid acting, well-written scripts and good direction (Terence Young). Sean Connery is once again excellent as Agent 007. Pedro Armendiaz, who plays "Kerim Bey" (the head of Turkish intelligence), also performs admirably as does Robert Shaw. Likewise, Daniela Bianchi (a former Miss Rome and 1960 Miss World runner up) is a ravishing addition to this film as well. In short, it has the scenery, talent, script and direction that you need to make a good film and it is used to the utmost. A good James Bond film.

The first three Bonds (Dr. No, FRWL, Goldfinger) are without question the best in the series, though From Russia with Love may well be the best of the best. It has all things we look for in a great Bond film - exotic locales, sinister villains, beautiful women - but it was made before Goldfinger established the ingenious-yet-demented-supervillain-plus-indestructible-henchman formula as canonical, so its plot line may surprise viewers reared on the later Bond films. For one thing, there's little or nothing in the way of gadgetry (though Q does provide our hero with a pretty nifty briefcase). Beyond a brief encounter with the faceless Number One, there's no arch-villain looming over the action, and the henchmen are at once less invulnerable and more interesting than most of their successors in the series. Particularly memorable, of course, are Lotte Lenya as the hatchet-faced Colonel ("She's had her kicks") Kleb and Robert Shaw as the brutish Donald "Red" Grant. Kleb's edgy menace is neatly offset by her terror at the prospect of failure (an option which Number One refuses to countenance); her subtle come-on to Tatiana Romanova was positively daring by 1963 standards, and she manages to do for footwear what Goldfinger's Odd Job went on to do for head gear. Grant is no superman, but a vicious, small-time thug, recruited by SPECTRE and transformed into a fearsome enforcer; his bitter encounter with Bond on the train speaks volumes about the class tensions that still underlay British society in the post-war era.

Connery, for his part, gets to build on the character he first fleshed out in Dr. No. His Bond really emerges here as a complex man, formidable but flawed. He's genteel and sophisticated, but he doesn't always keep his cool; unlike the too-often unflappable Roger Moore, Connery's Bond betrays both anger and fear when the circumstances seem to warrant it. He intervenes chivalrously to stop a fight between two Gypsy women, but he's not above slugging a woman in the service of his mission. I've always enjoyed the humanizing chemistry between Connery and Pedro Armendariz's larger-than-life Kerim ("I've led a fascinating life") Bey, the most charming of Bond sidekicks; their friendship comes across as genuine and multi-dimensional. Today's viewers (especially women) will likely find Daniela Bianchi's Tanya ("I LOVE you, James") Romanova an uncomfortably passive damsel-in-distress, but, hey: she's drop-dead gorgeous and has some nice scenes with Connery. The Turkish and Balkan settings are spectacular and the train sequence at the end is both exciting and suspenseful. Cold War scenario notwithstanding, this one has aged very well. Shake yourself a pitcher of vodka martinis and spend a Friday night watching Dr. No, From Russia with Love and Goldfinger.

After the success of Dr. No, it was only a matter of time before James Bond returned for his second installment of espionage and adventure. Of course, it wasn't until the phenomenal success of Goldfinger that the Bond series really took off, and established the formula soon to be followed by every subsequent 007 movie and virtually every other action movie. But 'From Russia with Love' proved to be an equally effective, if slightly quieter little film, with more focus on the undercover espionage portion of James Bond's occupation, and less of the glamorous saving the world which would later become daily routine for him.

In fact, one of the things that makes 'From Russia with Love' interesting is that it is a 007 movie made before the "Bond movie" formula was established, and noticeable differences in the storyline can be seen. 'Russia' is more of a slower film, with fewer action sequences and more focus on Bond actually being a spy rather than an action hero. This leisurely, tension-building storytelling likely would have garnered terrible reaction in the 90s, but 'From Russia with Love' is still a very strong, if less formulaic addition to the Bond series.

Another noticeable difference is that Bond himself is much less the star of the show than is usually the case. Much more focus is placed on the supporting characters of the story, including minor characters such as chess master Kronsteen (Vladek Sheybal) who likely would simply have been eliminated from the story had 'Russia' followed the standard formula more closely. And for once, Bond isn't completely all knowing, capable of solving any problem independently - he teams up with the wise Kerim Bey (the charming Pedro Armendariz, his last film role) who shows Bond the ropes of Istanbul. But more standard story elements from the Bond formula are still present, such as menacing villains Rosa Klebb (the terrifying Lotte Lenya) and hit-man Red Grant. (an utterly intimidating and menacing Robert Shaw, the film's standout) And of course, there is still a slew of beautiful women for Bond to seduce, especially Russian decoding clerk Tatiana Romanova, played by the immensely gorgeous Daniela Bianchi. Also watch for a tense boat chase near the film's climax, the kind of stunt frequented by future Bond films.

So 'From Russia with Love' is really a quieter, more suspenseful addition to the Bond series, with more focus on Bond doing some actual spying rather than explosions every five minutes and Bond saving the world from some elaborate scheme. It may drag at times, and may not prove quite as exciting as today's audiences might hope, but Connery is at the top of his game here as 007, and his opposers are genuinely menacing and intimidating. For those wishing the Bond franchise would place more emphasis of the espionage portion of Bond's occupation, 'From Russia with Love' should prove the perfect film for them.

-8/10