Charade

I'll be brief. This romantic comedy thriller hybrid is an absolute treat. Starring the classiest of actors in both Cary Grant and Audrey Hepburn and directed with continental style and flare by the incomparable Stanley Donen, this film is not to be missed. The photography (especially noticable in the new DVD version), Henry Macini's score, the taught and crisp script, the perfect supporting cast all add up to make a perfect piece of entertainment. I agree with many of the other IMDB writers- it is criminal that this film is not respected more. It is a blueprint of what makes a movie fun. A perfect 10 out of 10.

If you're in the mood for a clever mixture of suspense, romance, humor and some fantastic location shots, treat yourself to CHARADE. Audrey Hepburn was never more appealing than she is here--badly in need of help to discover the whereabouts of the hidden money her late husband's enemies want to find. With her life hanging in the balance, she enlists the aid of Cary Grant--but since all is not what it seems, you're in for some surprising plot twists along a very merry ride.

Just relax and let Cary and Audrey do all the work--with the help of a great supporting cast including Walter Matthau, superb in a surprising supporting role. Stanley Donen keeps it all moving at a brisk pace and Henry Mancini's music is a sheer delight.

Highly recommended as an expert, elegant mixture of humor and suspense, even if it does seem to imitate the Hitchcock way of filmmaking.

Terrific movie that can be perceived both as a first-rate piece of straight entertainment, and as a meditation on the thin line separating truth and lie. Ingenious script, dialogue filled with funny interplay, great chemistry between the two charismatic stars, vivid and fast-paced direction by Stanley Donen. Not quite in the league of "North By Northwest", but still a very entertaining and recommendable picture. (***)

I was one of those people who was convinced this was a Hitchcock movie when I first saw "Charade". I think this is because the idea of the plot, some of the set pieces and the style of direction are remarkably similar. The director here is Stanley Donan(co-director with Gene Kelly of "Singin' In The Rain"), and I thought he did a great job directing.

The real stars of this classy, entertaining and I think underrated Hitchcockian-like comedy thriller are the clever plot(with an ingenious McGuffin) and the marvellous romantic score from Henry Mancini. The cinematography is skillful enough and the Parisian locations are ravishing. Not to mention some truly wonderful set pieces such as Grant taking a shower fully clothed, Grant and Hepburn falling in love on a river boat, a hair-raising cliffhanger on the roof, the priceless funeral scene and the sequence under the stage.

The acting is marvellous, with charming, brooding and urbane Cary Grant and lovely and equally charming Audrey Hepburn making a dream pairing and making the most of a crisp, funny and sophisticated script. James Coburn makes a star-making turn, Ned Glass is deliciously obnoxious and Walter Matthau, a wonderful comic actor in his time, in an understated performance here that I personally think is the strongest one of the film. In fact, while I have nothing against George Kennedy, I did feel as though he was slightly phoning in his performance here, but considering how good this film is that is a minor criticism.

Overall, this film is terrific, not the best movie ever made but a long way from the worst. It is such a shame people have to be so derogatory to not only this film in general, but also about Grant, Hepburn and other movie stars like James Stewart when they have a lot more talent than most of the actors working today and that is a fact. Not trying to sound opinionated, but I'd rather watch any Hitchcock or this than any of the Friedberg-Seltzer spoofs or Steven Seagal's most sloppily paced, lazily acted film. 9.5/10 for "Charade". Bethany Cox

Just one of the many marvelous moments in "Charade", one of Cary Grant's and Audrey Hepburn's best films. There's a quarter of a million dollars floating around instant-widow Hepburn but nobody can SEE IT (it's right in front of their eyes). Filled with running jokes, colorful and eccentric oddities (such as trenchcoat-wearing George Kennedy with his hook and the little guy who won't stop sneezing), funny set-pieces (like the funeral scene, and Audrey's priceless exaggerated reactions) and suspenseful sequences, not to mention Audrey and Cary looking smashing together. This is one of 50 best films ever made, as good as "Casablanca" and "My Fair Lady". In fact, I think it's better.