The friendship of Bertrand and Guillaume is complicated when the womanizing Guillaume begins to pursue a charming girl named Suzanne.The friendship of Bertrand and Guillaume is complicated when the womanizing Guillaume begins to pursue a charming girl named Suzanne.The friendship of Bertrand and Guillaume is complicated when the womanizing Guillaume begins to pursue a charming girl named Suzanne.
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The film itself is about two male college students. Guillame is the leader here. He is also a real jerk, similar to the stereotypical frat boy today. This is the type of person who comes from a privileged background but is still quite ignorant in spite of his advantages. Since he is clearly lacking intelligence but seems affable enough, this type of guy gets treated well by people who don't realize that he has just enough cunning to take advantage of their kindness and screw them over. So naturally he uses and abuses everyone around him. This includes his pathetic, spineless sidekick, Bertrand, and their mutual love interest/dumping ground Suzanne. The film is narrated by Bertrand who is something of a non-entity.
Suzanne is a decent looking girl with a steady job but she doesn't have enough money to attend college full time. Because she is not beautiful and also because of the aforementioned lack of funds she allows herself to be used by Bertrand and Guillame. It's clear she cares more about them than they do about her and she ends up wasting her hard earned money on the boys.
The twist here is that eventually Suzanne gets tired of the boys and moves on to better things while they stay the same. Despite coming from a lower social standing she ends equal to them and thus exposes their aimless apathy. Of course, Suzanne is not perfect either. The film's title suggests that her goals from the beginning might have been different than they seemed.
There is a great deal of narration in the film and we are privy to Bertrand's thoughts and feelings as he sorts out for himself what is right and what is wrong. Suzanne is sweet but seemingly rather passive and easily exploited and we root for her to assert herself, and in typical Rohmer style we don't have to wait very long. This is a lovely film and, though it goes on a bit too long in pursuing its resolution, the ending is deliciously satisfying.
More concerned with character than plot, Rohmer gives us healthy servings of pettiness, ego, condescension and denial served up by a self absorbed threesome blind to every one's view but their own. Less than an hour long (Rohmer time) the pace is still slow and the characters repetitious bad habits irritating but if one remains patient is rewarded with an ending rich in truth.
While the more polished, bigger budgeted and lengthier later tales such as Claire's Knee and Love in the Afternoon have a more professional patina about them Susann sans all these trappings is still told in the same Rohmer unique way.
The films of Erich Rohmer are an acquired taste. In Night Moves (75), a hard boiled private investigator played by Gene Hackman says viewing a Rohmer film is like watching paint dry. For twenty years I agreed with this assessment. I may still, but once dried and finished I now see a work of interesting art that is both challenging and pure.
Susanne is an interesting sketch but for those unfamiliar with Rohmer, I would recommend any of the last three of the six tales first for their accessibility. Watch one and if it doesn't agree with you, wait ten to twenty years and try again. In Rohmer's case patience is a necessity.
The movie is about four young adults acting like adolescents. They pair up, break up, and come back together again. They talk, talk, talk, mostly about each other.
The two men are Philippe Beuzen as Bertrand and Christian Charrière as Guillaume. The two women are Catherine Sée as Suzanne and Diane Wilkinson as Sophie. It's interesting to me that none of the four had a successful film career following this movie.
This film has a borderline IMDb rating of 7.0. I didn't think it was that good and rated it 6. My thought is that the only reason to see this film is to complete your viewing of Rohmer's Six Moral Tales.
Did you know
- TriviaThis film is part of the Criterion Collection, spine #344.
- Quotes
Guillaume: [after spanking Suzanne's behind] Don't pout. Its was just a joke.
Suzanne: I don't like jokes in bad taste.
Guillaume: If I had good taste, I wouldn't like you.
Suzanne: Well, what counts is that you like me.
Guillaume: I'm beginning to wonder.
Suzanne: If you don't, there are plenty of others who do.
Guillaume: Pimply-faced kids.
Suzanne: Not at all. As good as you. Better, even.
Guillaume: [to Bertrand] The girl's no dummy. She can hold her own.
- ConnectionsFollowed by La collectionneuse (1967)
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- Six contes moraux 2: La carrière de Suzanne
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- Runtime54 minutes
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- Aspect ratio
- 1.37 : 1