Capitaine Sindbad

For what it is worth, the Arabic is best transliterated as As-Sindibaad Al-Bahri, therefore Sindibad or Sindbad not Sinbad, so the name of the main character in this film is MORE accurate then the other "Sinbad" movies not less. The classic translation of the Arabian Nights remains that of Sir Richard F. Burton, who uses Sindibad. The primary problem with Captain Sindbad is that the special effects are awful even for the time that it was made. The acting is, overall, good. Guy Williams is a better actor then most of the other Sinbads and is a much better swordsman. (He actually could fence, not up to Basil Rathbone, who was superb, but much better then the average.) The plot is much better then usual and certainly as good as that of The Seventh Voyage of Sinbad. It would be interesting to see this film with new effects sequences inserted over the originals.

I saw this film first run at the tender age of 9 in the summer of 1963 at the Loew's State Theater, a downtown movie palace. I loved it so much that I sat through a dreary black and white co-feature just to watch it again. A few weeks later I saw it again when it played our second run neighborhood theater. I even bought a comic book adaptation of it which I own to this day. I just watch the DVD of it and I must say it is somewhat hokey and the special effects were a little cheesy even for its time. I am not some old fogey who degrades todays superior CG effects because I can still enjoy a fantasy film of this period without denegrating the present state of the art. This film has enough color, magic and music, along with luxurious sets, a good cast and solid direction from Byron Haskin (who helmed the original War of the Worlds) to make it a more than pleasurable viewing experience. The nine year old me would have given this 10 out of 10, but the 65 year old me can see how wonderfully cheesy some of it is. Even if some of the wonder I once experienced is gone, I still enjoy this movie a great deal.

It's been about 30 years since I saw this as a kid and now I just recently bought it on the new remastered WB Archives DVD. DID I WASTE MY MONEY?...Heck No! It was even better than I remembered. Wonderful fun, beautiful colors, great imagination and those surreal sets, WOW, WOW, WOW. Any lover of fantasy and whimsy will love this movie providing that they have an imagination to make up for any production shortcomings. The computer effects generation of movie goers who need to be spoon fed scene by scene a depressing story with lots of vulgarity should stay away from this one. This is a fine and super fun movie for the whole family.

Through many viewings I've enjoyed this Sin(d)bad film much more than any in the better-known Columbia/Harryhausen series, which I thought had great monsters but dull stories and heroes. This one has it all: gorgeous color photography, interesting plot and characters, and unusual monsters (including an invisible (!) dragon. The late Guy Williams is fine as Sinbad, and more mature and dignified than any in the Columbia films. And Pedro Armendariz, in one of his last roles before his untimely cancer-related death, is simply wonderful as the villain, El Karim. This film (produced by the same folks who gave us "Gorgo") is aimed at young audiences, but I've watched it with viewers of varying age, and never run across anyone who wasn't delighted with it.

I'm referring to Guy Williams, not the movie. The movie itself, though not up to Harryhausen's SEVENTH VOYAGE OF SINBAD, is nonetheless a lot of fun and far more entertaining that either GOLDEN VOYAGE OF SINBAD or the awful SINBAD AND THE EYE OF THE TIGER. Williams is excellent in the title role, physically perfect and far more dashing than any other actor I can think of in the part. And those who carp about the cheap special effects are (as usual) totally missing the point. Aside from the absurdity of using CGI as your yardstick (does anyone actually think the effects in AVATAR or LORD OF THE RINGS look real? Come on...) the manifestly theatrical menaces in CAPTAIN SINDBAD are part of the fun. The villain's pulsing disembodied heart, like a big satin pillow, is a clear tip-off: none of this is MEANT to be real! It's like an elaborate Christmas pantomime. And that giant mechanical hand is terrific. A cross between this movie and SEVENTH VOYAGE would have been the perfect Sinbad movie. Or Sindbad. Take your pick.