Appelez-moi chef

A U. S. Capsule has returned from the moon and inadvertently landed in Africa. Naturally, the president only wants the most knowledgeable and brave explorer to retrieve it before others claim salvage rights, Matthew Merriweather (Bob Hope).

The other leader banging a shoe on the table also wants the capsule and sends a noted anthropologist (Anita Ekberg) to use Merriweather to obtain the prize.

In reality, Matthew has never been to Africa. His book is a rehash of his uncle's adventures.

You get the idea. Beautiful women, rough elephants, wild natives, and Arnold Palmer.

Gordon Douglas also directed "Them!" (1954) so he is no stranger to wild creatures. And from the rich background of the driving scenes, you would never guess that it was filmed in Pinewood Studios.

A US space probe returns from the moon and lands in Africa. The Americans call upon successful author Bob Hope (as Matthew "Matt" Merriwether) to retrieve the capsule, due to his books detailing the continent. He reluctantly answers his country's request, but Mr. Hope is a fraud; he's never been to Africa. The Russians are also interested in retrieving the probe. They send bosomy anthropologist Anita Ekberg (as Luba) to Africa, because she is "well equipped" to seduce Hope. Hope's traveling partner is attractive Edie Adams (as Frederica "Fred" Larsen) while Ms. Ekberg is accompanied by doctor "father" Lionel Jeffries (as Ezra Mungo).

This could have been a fine Bob Hope movie, with more effort. It was produced by the team behind the "James Bond" series; however, it appears to be more cheaply made. The scenes taking place in Africa are obviously edited in; certainly, Hope and the cast did not go on location. This can work in comedy. However, this time it just looks cheap. The soundtrack is good, but becomes annoyingly repetitive. As a film, "Call me Bwana" appears to have been fully conceived during post-production...

Hope was, by the 1960s, photographed with a shadow covering his head. This was the same shadow that was found over Joan Crawford's neck. In most films, Hope can be seen moving slightly out of the shadow's range. In this film, he is often way out of range - and can be seen with his colored, thinning hair. Even in the more harsh light, Hope's hair looks relatively nice, especially when compared to the full, obvious wigs his contemporaries were now wearing...

Hope's comic persona and delivery make scenes like his arrival in Africa amusing. His topical humor does not age well, but students of history will recognize good fun poked at chair-rocking John F. Kennedy and shoe-pounding Nikita Khrushchev. A surreal encounter with golfing pal Arnold Palmer works as an "inside joke" - with some amusing bits for the uninitiated.

**** Call Me Bwana (6/5/63) Gordon Douglas ~ Bob Hope, Anita Ekberg, Edie Adams, Lionel Jeffries

Just watched this latter-day Bob Hope comedy on Hulu. In this one, he comes to Africa for the first time having previously passed his late uncle's adventures from the latter's diary as his own best selling books. I'll stop there and just say that I found many of Hope's lines and scenes alternately funny and lame in many places. His leading lady is Swedish sexpot Anita Ekberg though he probably would have been better off if he'd been more paired with other player Edie Adams as she's more of a comedienne as evident in their initial meeting on a plane. Lionel Jeffries also provide some amusements as the villain but perhaps the highlight is when Hope has golfing star Arnold Palmer stop by as they play a game with some clubs left by some guy named Crosby. In summary, Call Me Bwana isn't very good but it's not too bad either.

Look this movie is a comedy that has a value today more as a remembrance of the type of fluff Hollywood produced in the early '60s. This film is watchable, but it isn't a classic. It has some funny gags, but not the best plot. It's something about a lost satellite in Africa, and once the leads get there it moves along briskly. It's very reminiscent of the 'Road to ...' movies, although this one doesn't have Crosby. It offers Ekberg who worked w/ Abbott & Costello AND with Lewis and Martin. The woman knows comedy and plays off Hope well. There are A lot of worse films to watch, and this does offer a good remembrance of the time once known as Camelot w/ its jokes about the Kennedy family.

Someone forgot to tell old ski nose that non-authentic African locations just weren't going to cut it any more. Not after King Solomon's Mines and The African Queen right up to Howard Hawks's acclaimed Hatari. What was good for the Road to Zanizibar wasn't going to cut it any more with a Sixties audience.

Call Me Bwana other than establishing background shots got no closer to Africa than London where the film was made. The plot such as it is has Hope as a Robert Ruark type author who has used his uncle's African diary as material for some successful books. This in fact was the same plot device that was used in the very funny Man's Favorite Sport where Rock Hudson was a fishing expert.

But all Rock was asked to do was enter and win a fishing tournament. In Call Me Bwana, the Kennedy administration wants to have the CIA hire Bob Hope to lead an expedition to recover a lost satellite before the Russians get it. The Russians in turn are sending Gina Lollabrigida in a ridiculous blond wig to help their man in Africa, Lionel Jeffries.

I do realize this is a comedy, but are we to believe that the Central Intelligence Agency didn't do some background check on Hope and found his credentials weren't all that good? Lord, they were non-existent. Helping Hope in his quest is CIA agent Edie Adams who I'm sure was personally hired at the agency by Allen Dulles.

Hiring Edie, I'm sure was either an act of charity or it's possible that Lionel Jeffries's part was originally meant for her late husband Ernie Kovacs. If the latter was the case it's a good thing Ernie checked out when he did.

There's a whole sequence when in the jungle Hope finds a golf course with Arnold Palmer playing on it. It's about 10 minutes and what might have been funny in a surreal road picture lays a Vermont volleyball of an egg in Call Me Bwana. The golf allows Hope however to get his obligatory Crosby jokes in the script.

The real problem is that by 1963 the American public had increased its knowledge of Africa. Sub Sahara Africa was in the news then, the Congo was in civil war, apartheid was being challenged in the Union of South Africa, there were wars against the Portugese in Angola and Mozambigue, and both Northern and Southern Rhodesia were in turmoil. Bob Hope was way behind the times in trying to sell Call Me Bwana.

Anita Ekberg was a most beautiful and fetching Russian spy. But she's Russian in the tradition of Janet Leigh in Jet Pilot rather than Greta Garbo in Ninotchka. Of course the charm of Bob Hope forces her to defect as per the American script has. I often wonder though did the Russians make films where charming spies get Americans to defect to them?

Call Me Bwana was doomed from the start in its release. What was funny in 1943 couldn't be sold in 1963.