Orgie sanglante

Well whether you like it or not Blood Feast will always be a landmark movie. This is truly the year zero when it comes to depictions of graphic cinematic violence. Sure it wasn't the first movie to show scenes of gore but it took the concept to an unheard of level, basing the entire movie around the idea. Director H. G. Lewis is nothing if not fearless in his presentation of blood and guts. While the gore scenes are hardly realistic, they are often somewhat nasty. Lewis's subsequent gore movies follow this specific template, where they are simultaneously funny and mean-spirited. A crazy combination that simply should be a disaster but in the case of Blood Feast, the sheer audacity of it is jaw-dropping. It's a film that sure has its flaws. Production values are extremely low and the acting is often mind-boggling. Lewis's camera work is at best, uneven. But, frankly, the scenes of carnage are so in your face, and do not disappoint. The film remains far more violent than most horror films today and it's difficult to imagine what audiences of the early 60's would have made of the atrocities that spooled before their eyes. I expect it must've been a mixture of appalled outrage and morbid glee.

Mal Arnold is pretty unforgettable as the murderous caretaker. His delivery of lines is just nuts; it often looks like he is reading off a board just off-screen. He's a lot of fun. Connie Mason provides the eye-candy and she is hardly an actress, but her stiff line-delivery fits into this trash-opus perfectly. Lewis himself is of course hugely unpretentious and straightforward as a film director, so he basically points the camera at the action and films, there is no artistry in Blood Feast. But this is very much a part of the fun, as this is pure exploitation with no apologies. In my opinion this remains Lewis's best feature. I realise it has many, many faults but I just find the whole thing a very entertaining trash-fest. And one of the most important exploitation films in history too.

From a technical standpoint, this movie is awful. But, you still have to give credit to Lewis and Friedman for creating a new genre of film; the splatter flick. For this reason, and probably this reason alone, I rate it at 6. Well, you have to give Lewis credit for the musical score that he did himself. The electric organ and opening shot of the Sphinx is hilarious. The writing and acting, though, are deplorable.

This is an exploitation movie in the mold of the circus sideshow. The ad campaign for the movie made it appear to be more than it really was. In fact, a "nurse" was on hand at showings to assist those who might become overwhelmed by the horror presented on the screen. Many of the scenes, like the one with the woman's tongue being ripped out of her mouth (from what I understand, it was a sheep's tongue purchased from a local butcher)are quite revolting and unsettling. Actually, this is a part of what is known as the Blood Trilogy along with Lewis' better made, Two Thousand Maniacs. The third film is Color Me Blood Red.

Herschell is maybe my favorite gore director. The person who invented genres off handedly, does it again - for the first time! Wonderful colors, very disturbing plot. John Waters used to watch these films as a young man. One could see Herschell's effect on Waters later films like 'Pink Flamingos' when you look at Herschells colors (color me blood red) and the trashy- campy acting, costumes and settings. When I think of flesh Water's star Divine - i have to admit - Waters saved some of that gore effect that Herschell has in his films. The effect of real fleshy gore!

This is the splatter anticlassic all us sickos know and love. The non-plot is, well, pretty simple and it's only an excuse to cut loose with loads of very extreme gore and sadism. Fuad Ramses (Mal Arnold), an Egyptian maniac of pagan bloodlust, must serve up a "blood feast" to Ishtar, his horrible goddess of gory days gone by. Y'know, back when chicks used to get their hearts yanked out on altars IN BLOOD COLOR! How does he get the morsels for his feast? It's an easy guess! Tongues pulled out. Limbs cut off. Brains hacked out in a blood-splattered mess. It's the grand-daddy of all the sickest stuff you've ever seen, and even though it's pretty stupid and bad, it sure is fun! It's even funny on purpose (as well as the other way around). For those of you who dig this unsavory and depraved type of junk the way I do, find this bad mother as soon as possible and surrender to the forbidden pleasures of the first splatter-comedy ever! (I think...)

Oft-credited as the first traditional "gore" pic, 'Blood Feast' establishes all of typical conventions of the genre; including nubile, young women (including a Playboy Playmate), excessive blood and guts, and even some dark humor (including the "hamburger" line and the trash-compactor ending). It's also inept in every way, from the atrocious acting and horrible directing to the dumb-as-dirt characters. Hell, the most intelligent character in this movie is the murderer, Faud Ramses - what, with him having penned a seemingly popular non-fiction work and running a bang-up catering business to boot - and even he is not too bright, which unfortunately catches up with him in the end.

If you love bad movies in that MST3K kind of way, than this is one to see. It's laugh-a-minute riot (and you've go to love the score). So put down that copy of 'Ancient Weird Religious Rites' and check this movie out.