Billy le menteur

I was a teenager when the film was made, and immediately recognized the pictures of cities in the 60's, the cars, streets, buildings, the interior of the houses. Even so the way people looked and talked. Beautiful. I never read the book but it seemed to me that Billies dreams were put on screen a bit overdone but therefore also very funny. Like small boys càn exaggerate, but Billy was not a small boy anymore, and therefore really a sad guy. His family had had it with him, quarrelling all the time, his boss and colleagues saw through him and everywhere his time was running out. That he had 2-3 girlfriends was a miracle. His lying promises did the trick. Time for a change, one would say ! The climax was the end of course. All of a sudden Liz got on his right side with messages of love and persuaded him onto the train to London. She was enthusiastic and dedicated to get with him out of her dull-after-war-life and gloomy city. The message of the movie is: grab your chances now or don't. In the 60's that was a coming up and everyday question for many of the young people (and still is !) and therefore very actual (then and now). I liked the movie and how the actors created their characters. Tom Courtenay did it with very much conviction. A splendid, for that time spirited, and very good looking Julie Christie as Liz the new-age young girl, with no ties or limitations (responsibility ?) whatsoever to withhold her from doing what she wanted to. We saw more of these girls in Holland soon after 1963. See the movie: you won't regret it I'm sure. Hans Veldman.

Billy Liar

John Schlesinger's excellent British comedy-drama concerns Billy (Tom Courtenay), a middle class young man who despises his position as a funeral parlor bookkeeper. Billy spends the majority of his time daydreaming of a much more interesting life filled with conquests, esp. of women. He'd love to quit his dead-end job and become a writer, but when the opportunity arrives, is he too content living in his head and telling lies to embellish his otherwise mundane existence? Too afraid to realize his dreams? This quirky slice-of-life is thematically similar to Le Distrait (The Daydreamer), a 1975 French release with an entirely different conclusion. A young, glowing Julie Christie appears briefly in Billy Liar, injecting color, life, and hope into Billy's dreary, black and white existence. Highly recommended. -- David Ross Smith

Your trapped inside a home with aging parents (and a grandparent), in a town you'd really rather not frequent, working at the undertaker, you're the epitome of faker, although you have a little world where you're content. Now you've got yourself into a spot of bother, an engagement ring to two is what you've proffered, plus a stash of calendars, because of your malingerers, and the petty cash is short inside its coffers.

Never a dull moment in the life of Billy, as he perpetually puts himself into situations and scenarios that are all his own doing, with wonderful performances all round that still have an impact to this day.

I saw 'Billy Liar' on stage in London, with Albert Finney, no less, in the role of Billy Fisher. As good as Finney was (check out Frear's 'Gumshoe' for starters), in the role, Tom Courtney, is better. Finney was too laconic. He had the wrong

'build'. Courtney, however, IS Billy Fisher. I can't quite put it into words, but that dour face of his, the pursed lips, and his loopy smile... who else but Tom

Courtney in the role. The plot is simplicity itself. Billy lives in a world of his own making. He's not connected with everyday events - he's a Yorkshire version of Walter Mitty - and who doesn't daydream every now and then? Director, John

Schlesinger (who gave us Darling & Midnight Cowboy), adds some surreal

touches (one comes to mind: Billy's reaction to another of his father's lectures). Julie Christie plays Liz. She understands Billy - thing is, Billy doesn't quite understand her, or if he does, it frightens the pants off him. For all Billy's posturing, he's a home boy at heart. "Billy Liar" is one of the truly great British films of the sixties. It's not often it appears on late night T.V., or on cable. If it does, or you see it on video at your local video store, get it out. See it. then wind it back and see it again!!

What makes this little black and white film so absorbing? As I was watching it on late-night TV, I found myself on the edge of my seat, gripping the arms of my chair, trying not to yell at the main character, Billy Fisher, near the end of the film. How absorbed can you be?

The dialogue, the acting, and the storyline was so realistic and natural that I had completely forgotten that I was watching a film. Years later on the next viewing I had thought it wouldn't suck me in again, especially since I knew the ending, but I was wrong. In fact I was able to appreciate it all the more on the second viewing.

Tom Courtenay plays Billy Fisher, who is an immature, irresponsible young man living in a Walter Mitty-ish fantasy world, and invents implausible stories to attempt to hide his escapades, but his lies keep backfiring on him.

His life is rapidly falling apart. He is supposed to mail out calendars from his employers to their clients, but he doesn't mail them, and keeps the postage money. He even manages to con two girls into becoming engaged to him, and that explodes into a catfight over him when they find out. His grandmother is dying, his father is continually angry at him, and everything he does just makes matters worse.

Fortunately, he meets Liz, (played by Julie Christie, who is the best thing in this great movie). She is sweet, beautiful, and understands him completely because of her own need to escape, which she does by travelling around the country.

He has the opportunity to get away from all the trouble he's in and go to London, and make a fresh start with Liz who is so perfect for him. But can he change? Can he summon the courage to break free of the messy but secure life he knows and face the unknown? Will he recognise that Liz is the best thing that could ever happen to him?

I'm not going to tell you, because that would spoil the film, but, whichever way he decides, any film that has you on the edge of your seat, yelling "Go with her! Don't miss this opportunity! Go! Go!" you know it's a truly wonderful and realistic film!