Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.
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Ferdi B. Hoffman
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David Huddleston
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Like some of the other commentators, I saw this movie when I was young -- perhaps 11 or 12. I was babysitting the boys next door in 1964, and I think it was on the old NBC Saturday Night at the Movies back in the 1960s. A few years later, I read James Agee's "A Death in the Family" and recognized it as the original source. But years, then decades, went by before I saw the film again.
I remember being entranced by the opening scenes, where I see a father taking his young son into a saloon ... doing the Charlie Chaplin dance ... then going home together. Years later (for me) I had buddies who rented rooms on Forest Street in Knoxville while they attended UT. They knew nothing of the book, nor how families there once lay down on cotton comforters on the grasse of the backside lawns to gaze at the stars. Heck, back in the late 1970s, I could even find in Knoxville the railroad yard and roundhouse mentioned in the book. Probably not now.
It's a wistful movie. Some photography and audio was a little too artful ... a departure from the main scenes. But, like everyone else, I cherished the scenes where Rufus spends time with his Aunt -- especially when he dons that outrageous cap.
You can learn things from movies. For me, an enduring lesson was gained when Robert Preston uses his hands to warm the sheets before his wife gets into bed. I did this for years on cold winter nights when I was a married man for 25 years ... and discovered, after divorce, how such a small act is still appreciated by others.
I also feel fortunate to have met Robert Preston in -- of all places -- the Richmond VA airport somewhere around 1980. Not your normal venue. But we were both trapped by planes diverted by a monster storm. We shared several drinks, he told hilarious stories -- but I stopped him (clearly) when I mentioned that All the Way Home was my favorite movie in which he was featured. "What? Not Music Man?" He feigned to be indignant ... but, perhaps because so few people even knew about this movie, or ever mentioned it to him, he realized I was sincere. He spoke of how much he enjoyed the story, made a few untoward comments about the director and Jean Simmons ... but he clearly liked the role he'd played. He was a very warm and charming and gracious man.
All the Way Home is a terrific movie ... so rare these days to see a film focused on family, love, and the ways youngsters see the world.
I remember being entranced by the opening scenes, where I see a father taking his young son into a saloon ... doing the Charlie Chaplin dance ... then going home together. Years later (for me) I had buddies who rented rooms on Forest Street in Knoxville while they attended UT. They knew nothing of the book, nor how families there once lay down on cotton comforters on the grasse of the backside lawns to gaze at the stars. Heck, back in the late 1970s, I could even find in Knoxville the railroad yard and roundhouse mentioned in the book. Probably not now.
It's a wistful movie. Some photography and audio was a little too artful ... a departure from the main scenes. But, like everyone else, I cherished the scenes where Rufus spends time with his Aunt -- especially when he dons that outrageous cap.
You can learn things from movies. For me, an enduring lesson was gained when Robert Preston uses his hands to warm the sheets before his wife gets into bed. I did this for years on cold winter nights when I was a married man for 25 years ... and discovered, after divorce, how such a small act is still appreciated by others.
I also feel fortunate to have met Robert Preston in -- of all places -- the Richmond VA airport somewhere around 1980. Not your normal venue. But we were both trapped by planes diverted by a monster storm. We shared several drinks, he told hilarious stories -- but I stopped him (clearly) when I mentioned that All the Way Home was my favorite movie in which he was featured. "What? Not Music Man?" He feigned to be indignant ... but, perhaps because so few people even knew about this movie, or ever mentioned it to him, he realized I was sincere. He spoke of how much he enjoyed the story, made a few untoward comments about the director and Jean Simmons ... but he clearly liked the role he'd played. He was a very warm and charming and gracious man.
All the Way Home is a terrific movie ... so rare these days to see a film focused on family, love, and the ways youngsters see the world.
When I first watched this film, I really wasn't sure whether I liked it or not but after careful thinking and being honest with myself I have to admit that I like it. I have never seen such a tender portrayal than the one played by Robert Preston. He is in rare form. I was also very moved by Jean Simmons's character and the interaction she had with the other characters, especially the ones dealing with God, life and death. Aline MacMahon was a real inspiration in this film as Aunt Hannah--I had never before seen her in a movie to my knowledge and yet I really had and still do have the feeling that no one could have played Hannah as well as Miss MacMahon did. This film is about life, its ups and downs, tragedies and triumphs, reality and the choice of giving up or going on. This one's a real treat and blessing!
Set in the turn of the century, this is a wonderful period piece. Micheal Kearney as Rufus, the couples little boy is sweet and realistic. His father, Jay Follet played by Robert Preston is a top- notch, Oscar caliber performance. His interaction and love for his family is the most realistic that I have ever seen in a movie. Jean Simmons is great, too, her character is heartbreaking and moving. If you get a chance to see this, do it. I don't want to give away the story, but the tragedy she has to deal with will make you think about your loved ones and what it would be like if they were taken away suddenly. A real tear-jerker but a beautiful film.
When it came time to casting for All The Way Home, Tad Mosel's Broadway success based on James Agee's novel A Death In The Family, Robert Preston was considered and got the lead. Ironic because a year before Preston had to fight to get the lead in the film version of The Music Man which was his career role. He wasn't considered box office enough. But the huge success The Music Man was convinced Hollywood's elite he was indeed box office again. Preston and Jean Simmons got the leads in place of Arthur Hill and Colleen Dewhurst despite the fact that Dewhurst had won a Ton Award on Broadway. The play ran 333 performances on Broadway in the 1960-1961 season.
Agee's autobiographical work is set in Knoxville, Tennessee and concerns the reactions of the family nuclear and extended to the death of the father and breadwinner. The first half gives you a picture of the various family members and the second half deals with the sudden death of Preston playing the father. Ironically his father survives Preston in the play and in my family my grandmother survived mine and my mother survived my sister. So my family dynamic is similar to that of the Follets of Knoxville. Hence I could identify personally in a way with what was going on. Fate makes an additional point here by having Preston visit his father on a health related issue.
Shot in Agee's own Knoxville they got a good sense of what it was like in 1915 when the story is set. I get the feeling Knoxville hadn't changed that much in the interim years. One wonders what the area looks like now. The authenticity is stamped into the film.
Preston and Simmons are great in their roles. The highlight of the film is Simmons dealing with their young son played by Michael Kearney. This is one of the great performances given by a child actor because Kearney comes off as a real kid not some Hollywood kid. Simmons herself was brilliant throughout, but especially here.
All The Way Home missed a Tony, but got the Pulitzer Prize for drama for Tad Mosel as it had for James Agee in his original novel. The film is great and moving drama and highly recommended for family audiences dealing with what the Follet family deals with in the film.
Agee's autobiographical work is set in Knoxville, Tennessee and concerns the reactions of the family nuclear and extended to the death of the father and breadwinner. The first half gives you a picture of the various family members and the second half deals with the sudden death of Preston playing the father. Ironically his father survives Preston in the play and in my family my grandmother survived mine and my mother survived my sister. So my family dynamic is similar to that of the Follets of Knoxville. Hence I could identify personally in a way with what was going on. Fate makes an additional point here by having Preston visit his father on a health related issue.
Shot in Agee's own Knoxville they got a good sense of what it was like in 1915 when the story is set. I get the feeling Knoxville hadn't changed that much in the interim years. One wonders what the area looks like now. The authenticity is stamped into the film.
Preston and Simmons are great in their roles. The highlight of the film is Simmons dealing with their young son played by Michael Kearney. This is one of the great performances given by a child actor because Kearney comes off as a real kid not some Hollywood kid. Simmons herself was brilliant throughout, but especially here.
All The Way Home missed a Tony, but got the Pulitzer Prize for drama for Tad Mosel as it had for James Agee in his original novel. The film is great and moving drama and highly recommended for family audiences dealing with what the Follet family deals with in the film.
10lizerooh
I can't remember how I was fortunate enough to even see this movie. It might have been on Bravo. It is based on the Pulitzer prize winning novel "A Death In the Family" by James Agee. He also wrote the screenplay for this excellent movie. It is a small story about a southern family who love one another and what happens when there is a death in that family. Robert Preston is wonderful. His character has such depth and sincerity and the relationship between he and his small son is very moving. Jean Simmons is also very good as the pregnant wife in this small family. I hope this movie is available on DVD or VHS soon. I can't wait to purchase it. Highly recommended.
Did you know
- TriviaAccording to a 1986 Knoxville Journal article, Robert Preston was one of the few people involved in the production who knew how to drive the borrowed 1915 Model-T used in the film, and he wanted it to be used accurately. In one scene the director wanted to have the Model-T parked with the headlights on, but without the motor running. Those vehicles were not equipped with batteries, though, and electricity for lights was supplied by the running motor. The director wanted to have a battery hooked up to the car, but Preston refused, saying that Model-T buffs would notice the inaccuracy if the lamps were lit without the motor running.
- GoofsWhen Rufus runs out of the house towards the train, in one wide shot a busy road with modern vehicles is visible in the background.
- Quotes
Rufus Follet: Rufus is a NIGGER name...
Jay Follett: Rufus is a powerful name... don't ever talk that way, that word is used to hurt colored people...
- ConnectionsReferenced in The Story of the Swimmer (2014)
- How long is All the Way Home?Powered by Alexa
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- Ein Schmetterling flog auf
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- Runtime1 hour 37 minutes
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- 1.66 : 1
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