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6.7/10
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During the 1900 Boxer Rebellion, U.S. marine, Maj. Matt Lewis, along with British consul, Sir Arthur Robertson, develop a plan to keep the rebels at bay until an international military relie... Read allDuring the 1900 Boxer Rebellion, U.S. marine, Maj. Matt Lewis, along with British consul, Sir Arthur Robertson, develop a plan to keep the rebels at bay until an international military relief force can arrive.During the 1900 Boxer Rebellion, U.S. marine, Maj. Matt Lewis, along with British consul, Sir Arthur Robertson, develop a plan to keep the rebels at bay until an international military relief force can arrive.
- Nominated for 2 Oscars
- 5 nominations total
Joseph Fürst
- Capt. Hanselman
- (as Joseph Furst)
Storyline
Did you know
- TriviaThis movie was shot in Spain and needed hundreds of Chinese extras, and the company sent scouts throughout Spain and the rest of Europe to hire as many Asian-looking actors and actresses that they could find. The casting web in 1962 reached as far as London, Lyon, and Marseilles, so the result was that many Chinese restaurants in those cities closed for the summer 1962 during filming because the restaurant staff - often including the restaurant's owners - was hired away by the movie company. The company hired so many, that for several months, there was scarcely a Chinese restaurant to be found open in Spain and those three other cities.
- GoofsAt the beginning, the German band plays Deutschland Uber Alles, which was not adopted by Germany until after World War I. Germany at that time used the anthem Heil Dir Im Siegerkranz, whose tune is that of God Save The Queen, while Austria-Hungary used the Deutschland tune for its anthem, Gott Erhalte Franz Den Kaiser.
- Quotes
German Ambassador: You have to admire Sir Arthur; he always manages to give the impression that God must be an Englishman.
- Alternate versionsTo receive a 'U' certificate in the UK (making the film suitable for all ages) significant cuts were made by the BBFC. These included the scene of the priest being drowned by the water-wheel, a shortening of the screaming sounds made by the soldier before his leg amputation, and a removal of all references by Lewis to local women being made available for soldiers. To retain the same certificate all video releases also featured the same cut print. The 2014 DVD features the uncut version and is upgraded to a PG.
- ConnectionsFeatured in I'm a Stranger Here Myself (1974)
- SoundtracksSo Little Time
(The Peking Theme)
Recorded by Andy Williams on CBS Records
Words by Paul Francis Webster
Music by Dimitri Tiomkin
Featured review
A top-notch cast recreates a portion of the so-called "Boxer Rebellion" at the turn of the twentieth century, when Chinese reactionaries (a group called "Boxers"), opposing westernization, tried to drive western traders, missionaries and diplomats out of China.
Though "55 Days at Peking" is extremely simplified, since its history is probably unknown to most movie buffs, there is a lot of exposition, which means a lot of talk. The best epics (such as "Lawrence of Arabia") allow the images to do most of the talking. But the necessity of setting up the dilemma of western diplomats trapped in their compound by the hoards of reactionary Boxers requires a history lesson.
It also tends to dilute the tension. Unlike a similar film (and slightly later) film "Zulu", "55 Days at Peking" tends toward the "Grand Hotel" or "Ship of Fools" style of movie-making that would be pursued in the '70s disaster flicks, making it more study of soap-opera characters than about the tension of events. Though most viewers will not know the fictional characters, there are far too many (characters and fictional characters), which diffuses the interest in them too far (does anyone feel much sympathy for diplomats, in any case?), even though Heston, Niven, Harry Andrews and the rest act their hearts out. And there are many cloying sub-plots.
While it's the foundation of a pretty good (if superficial) story on the Boxer Rebellion, it never quite achieves its promise. It's too bad a movie can't be made about the Rebellion in these highly charged times in the early twenty-first century, when moviemakers seem to think all westernization is wrong.
Though "55 Days at Peking" is extremely simplified, since its history is probably unknown to most movie buffs, there is a lot of exposition, which means a lot of talk. The best epics (such as "Lawrence of Arabia") allow the images to do most of the talking. But the necessity of setting up the dilemma of western diplomats trapped in their compound by the hoards of reactionary Boxers requires a history lesson.
It also tends to dilute the tension. Unlike a similar film (and slightly later) film "Zulu", "55 Days at Peking" tends toward the "Grand Hotel" or "Ship of Fools" style of movie-making that would be pursued in the '70s disaster flicks, making it more study of soap-opera characters than about the tension of events. Though most viewers will not know the fictional characters, there are far too many (characters and fictional characters), which diffuses the interest in them too far (does anyone feel much sympathy for diplomats, in any case?), even though Heston, Niven, Harry Andrews and the rest act their hearts out. And there are many cloying sub-plots.
While it's the foundation of a pretty good (if superficial) story on the Boxer Rebellion, it never quite achieves its promise. It's too bad a movie can't be made about the Rebellion in these highly charged times in the early twenty-first century, when moviemakers seem to think all westernization is wrong.
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Details
Box office
- Budget
- $9,000,000 (estimated)
- Runtime2 hours 34 minutes
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What is the Brazilian Portuguese language plot outline for Les 55 Jours de Pékin (1963)?
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