Docteur Who

After a wait of almost sixteen years and with only just over a week to go before the new series of "Doctor Who" begins, let's hope that some classics are on the way to warrant all the hype and, above all, that the show remains true to its original spirit and is as fun as it always was. With that in mind, I thought it might be an opportune time to reflect on some of the great stories of the past.

From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...

So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.

I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!

My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.

Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.

"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!

Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?

And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.

This is perhaps one of the finest sci-fi series ever made. The idea is simple; a timelord who travels through time and space in a TARDIS (in the shape of an old Police Box)with various companions to fight the forces of evil in the Universe.

The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.

Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.

Doctor Who ran for 26 years, and its last episode was as fresh and imaginative as its first.

The show chronicles the adventures of a time-and-space traveling alien who wanders the universe battling evil conquerors, ruthless corporations, and other exploiters of the innocent and oppressed. Every few weeks, the Doctor would travel to a different planet or time, allowing the show's cast, setting, and tone to constantly change. Even the Doctor himself was periodically replaced by a new actor, "regenerating" his body whenever he was on the verge of death. This format gave the show an amazing freshness and allowed it to last for over a quarter of a century without becoming stale.

Since the show's cancellation, Doctor Who has been sustained by hundreds of books and radio shows. Although the concept is beginning to seem a bit old now, great "Who" stories are still coming out all the time.

Television remains the ultimate format for Doctor Who, however, and the series has something to offer for just about everyone. The early episodes, starring William Hartnell, were mysterious and realistic in tone, and are terribly underrated by the show's fans. Tom Baker, the most popular Doctor internationally, had a succession of wild and colorful adventures that are more entertaining and a lot funnier than most of the sitcoms on TV today. In its dying days, when Sylvester McCoy was in the lead role, Doctor Who became highly allegorical and politically charged.

Every Doctor's era has some merit, though some are obviously more inspired than others. In the early 70s and early 80s in particular, the show suffered from some poor production values and repetitive plots, but even the bad episodes are fun to watch and often redeemed by some strength – good performances, an interesting plot twist, etc.

Lovers of modern, flashy science fiction will probably laugh Doctor Who off the screen because of its modest special effects, but nevertheless it remains one of the most visually inventive TV shows ever made. Episodes like Tomb of the Cybermen and Remembrance of the Daleks contain unforgettable images that stack up to anything Hollywood produced on a 100x bigger budget. If you want to pick the show's visuals apart, you can, but you'll be doing yourself a disservice if you don't suspend your disbelief and allow yourself to be drawn into the Doctor's universe.

I may be in the minority, but I enjoyed the 1996 TV Movie that attempted to resurrect Doctor Who years after its cancellation. I don't buy the argument that Doctor Who couldn't survive in today's big-budget entertainment arena. The intelligence of the X-Men and Spider-Man movies has convinced me that a slick, cerebral version of Doctor Who could be produced today that would be faithful to the not-so-slick, cerebral original. But regardless of whether Doctor Who returns or not, it remains one of the great TV shows of all time. It still wins awards even today, and enjoys widespread popular and critical acclaim. Even Doctor Who's detractors only serve to prove that the show is famous enough to draw criticism!

In short, Doctor Who is smart, fun, and endlessly creative. It has kept me entertained for over fifteen years, and my enthusiasm for it has barely waned. Science fiction is in a dumb rut right now, so you could do a lot worse than look back at this show, one of the genre's crowning achievements.

`Doctor Who', in a nutshell, is probably the most imaginative show ever created. Initially, it was about an eccentric time-traveller from another planet, who looked human and affected an English manner and style. The interior of his time machine (called a TARDIS) was huge and highly advanced, but the exterior quaintly resembled an English public call box. The Doctor was a self-imposed exile from a race of powerful beings called the Time Lords. The Time Lords observed history, but never interfered with it. This bored the almighty heck out of the Doctor, so he made off with an older TARDIS and decided to see the Universe for himself.

When the original actor who played the Doctor decided to leave the show, the writers came up with the inventive concept of `regeneration'. Whenever the Doctor was close to death, or actually killed, he would `regenerate' into a new body (and persona). The show went through seven highly talented actors in this fashion.

The format of the show was highly adaptable. Didn't like the way the show was going? Just wait two or three years. The style always seemed to change whenever there was a change of Doctor, producer and/or script editor. The series went from educational children's drama to monster show to intelligent adult sci-fi/drama to gothic horror to high camp, et cetera, et cetera, and so forth.

This was a wonderful, imaginative, fun show when it was on. I was sad to see it go.

I first found Doctor Who on the PBS network in the early eighties, with Tom Baker. Harry and Sarah must be his Lois Lane and Jimmy Olsen, I thought. He was some eccentric scientist. At the end of his first adventure, "Robot", he, Harry and Sarah enter this blue cabinet, the strangest noise in the world is heard, and the cabinet disappears. Now the stumper was Brigadier Lethbridge Stewart's non-chalant reaction to the vanishing box. LIttle did I realize there was nearly twenty years history to what I was watching. I knew nothing about Time Lords, Gallifrey or what a Tardis was, let alone a walk-in police call box, something not found in America.

I missed Harry's departure and thought the actor must have just quit the show, but he did show up later. Then Elizabeth Sladen left and I had no idea what to expect. Gallifrey? What was Gallifrey? He has to go back and get Sarah.

The Gallifrean adventure was followed up with the introduction of Leela, the jungle girl. When she stormed into the tardis, I knew I was watching a show I could not begin to predict. K-9? Need I say more? I was destroyed when Leela left, and with Romanadveratrelunder's arrival I just sat back and went for the ride. When Lalla Ward (Romana II) left, I was a little more braced for what I was watching. So I thought. As Tegan, Nyssa and Adric watched, the Doctor saw all his old friends, then his old enemies. What did this mean?

Enter Peter Davison. I would learn that what I had just watched, five episodes a week, like a soap opera in a matter of eight months, was a twenty year old character. Tom Baker had already quit being the Doctor by the time I started watching it.

Davison's reign would be short and not as thrilling as Baker's. After Davison was Colin Baker, whose tenure was even shorter. Sylvester McCoy was an alleged attempt to get back to the second Doctor. In between waiting for new episodes, existing episodes from back to William Hartnell, the first doctor, and 'An Unearthly Child' would be shown. There would even be the movie to re-introduce the Doctor with Peter McGann taking over for Sylvester McCoy and Eric Roberts as the Master.

But today, it is Tom Baker's term that was so spectacular. The first three actors greatly set the pace for the character, but it took Baker to bring him to America. As Baker would say on the 25th anniversary, Doctor Who was fun, fun, fun.

And it was.