Arrest and Trial

The short lived television series "Arrest And Trial" was the forefront of the critically acclaimed dramas of the 1960's. This part police procedure, part detective drama, and part courtroom drama was on the same level as "Perry Mason", "The Defenders", and "Dragnet" that lasted one season on ABC's prime time schedule airing on Sunday nights from 8:30-10:00pm (Eastern) that ran 90 minutes with commercials and station identification airing from September 15, 1963 until April 19, 1964. A total of 30 episodes were produced in black and white with the series being produced by Revue Studios/Universal Television and was filmed at the studios of Universal City in association with the ABC Television Network.

The series faced stiff competition on it's Sunday night schedule where it went up against NBC's "The Bill Dana Show", and "Bonanza ",and the second half of CBS' "The Ed Sullivan Show",and "The Judy Garland Show". The majority of the episodes consisted of two segments. First was "The Arrest" that follows Detective Sergeant Nick Anderson (Ben Gazzara) and his partner Detective Dan Kirby(Roger Perry) of the Los Angeles Police Department along with Lieutenant Detective Carl Bowie (Noah Keen) along with Detective Mitchell Harris (Don Galloway) and Joesph Higgins as they solve crimes and vicious murders as they hunt down and captured vicious criminals who may have been connected to other acts as well as other crimes in which they bring them to justice. The apprehended suspect is read his constitutional rights and is brought to trial in a court of law.

The second half of the program "The Trial" begins with the defended being assigned to the criminal attorney John Egan (Chuck Conners) who was often against the Deputy District Attorney Jerry Miller (John Larch) and the Assistant District Attorney(Barry Pine) where the defended is tried and convicted before a judge and a jury whether if they are found guilty or not guilty depending on the outcome of the case. The series was nominated for Four Prime Time Emmys for Outstanding Dramatic Series during it short lived run. With executive producer Frank P. Rosenburg along with producers Earl Bellamy, Arthur H. Nadel and Charles Russell this series was absolutely brilliant that had a plethora of guest stars each week with top notch direction and fantastic writing that set the tone in modern day 1960's Los Angeles. The best episodes from the series were "Onward and Upward", "Roll Of The Dice", "The Witnesses", "A Shield Is For Hiding Behind", "Inquest For A Bleeding Heart", "Tears From A Silver Dipper", and "Call It A Lifetime".

Creator and producer Dick Wolf Of "Law and Order" took a cue from this 1960's television series and adapted it in the 1990's that had the same format but it was more successful. But still "Arrest And Trial" remains a bonafide classic of brilliant television from the 1960's that was critically acclaimed but was suddenly canceled that still requires a good look.

My title, "Tortured Criminals," refers not to the torturing of criminals but to the fact that on "Arrest and Trial," many or most of the criminals were tortured souls, people out of step with society. Basically good people whose problems, upbringing or outlook on life led them to a criminal act--maybe just one--or to an acting-out crime spree. These lost souls might be addicts, alcoholics, thrill-seekers, seniors experiencing dementia, misguided youth, all of whom seemed okay when not drunk, on drugs, or otherwise affected at the moment by the idiosyncrasies that set them aside from "normal" people. The in-depth look into the character of these lost souls was the heart of the show. Sometimes it just became too much (for the viewer), too maudlin, too many excuses for the improper behavior, too much theorizing about socialization, rehabilitation, upbringing and family life.

The lead casting was a surprise: Ben Gazzara, who went on to star in "Run for Your Life" immediately after the one-year run of "Arrest and Trial," and Chuck Conners, a former baseball player for the Brooklyn Dodgers (among others) who had just finished a 1958-63 stint as the star of "The Rifleman." They didn't quite fit together, although they didn't actually work together since Gazarra was a cop and Conners a prosecuting or defense attorney. Conners, at 6 ft. 6 in. Towered over everybody and didn't seem to fit in the frame. And after a very iconic role as Lucas McCain, the Rifleman, it is hard for viewers to see him as a lawyer, though his penchant for justice and human kindness remained the same.

The supporting cast reads like a list of up-and-coming Who's Who performers, but an outstanding tour de force was accomplished by Jack Weston in the episode, "Birds of a Feather," in which he donned numerous disguises and played completely different characters; sometimes it took a moment to realize it was the same actor.

The music for "Arrest and Trial" leaned toward piano with orchestral background, and sometimes became a bit much; you either like it our you don't. Many of the episodes were shot in interesting locations, a big plus for the one-season series.

All in all, enjoyable, if you can overlook the over-sentimentalization, ongoing behavioral-theory conversations, and an actor who was constantly hitting his head on the underside of the top of your TV set.

This short-lived series was excellent TV for its time.

Half the show was about the police and the other half was about the courts. In the context of some of the TV we see today, doesn't this have a familiar air about it?

"Law and Order"and it's various spin-offs are presently among the most popular shows on TV. This tends to suggest that "Arrest and Trial" was perhaps 40 years ahead of its time.

The 30 episodes (all in B&W) of the 90-minute crime drama "Arrest and Trial" originally ran on ABC during its 1963-1964 broadcast season. The new three-disc DVD set includes nine of the episodes: #3, #4, #7, #11 (guest starring Martin Sheen and Michael Parks), # 15 (guest starring Mickey Rooney), #21, #22 (guest starring Nick Adams), #23, #30; seemingly taken at random from the series.

The series was an innovative concept as it was essentially broken down by the words in its title. During the first 45 minutes of each episode LA detective Nick Anderson (Ben Gazzara) would solve the crime, arrest the perpetrator(s), and hand them over for trial. The second half concerned defense attorney John Egan's (Chuck Connors) attempts to get them acquitted.

That Egan was for the defense and not the prosecution was what made the series unique. Guilt or innocence thus became a relative term. With better writing it could been a great series (think "Hill Street Blues" where the public defender is involved in a romance with the Precinct Captain). Unfortunately rather than actually working in opposition to each other most of the episodes featured little if any interplay between Anderson and Egan. So what you got was more like a 45-minute cop show followed by a 45-minute lawyer show; with the only point in common being the same guest star(s); whose character might just as well have had different names for all it would have mattered.

The series tried to hold the cop show fans over for the second half by ingeniously breaking the show at the quarter hour when it was too late to change channels and watch something else. It must not have worked very well because the ratings were too low to support a second season.

Gazzara was excellent but Connors was horribly miscast. Most likely someone who is seeing Connors' various shows for the first time is mystified than he got so much television work in 1960's. All I can say is that a lot of people were just as mystified then.

Then again, what do I know? I'm only a child.

When Dick Wolf was creating "Law and Order", he was told there had already been a show that followed a crime from it's commission through the investigation the arrest and the subsequent trial. It was called "Arrest and Trial" and was on from 1963-64, a quarter century before the pilot for "Law and Order", (I'll call them A&T and L&O). Wolf screened an episode of A&T and concluded that their show was very different from his. He was right. The biggest difference, however, was not in concept but in time.

A&T is a 90 minute show, L&O an hour. L&O is a story-driven show with the nature of it's characters suddenly and starkly revealed. A&T is a character study that shows situations developing over time and their effect on people as they happen. In L&O the cops are cops but the lawyers are prosecutors, attempting to forge justice using the imperfect tool of the law. Their adversaries are usually rather sleazy criminals who cared about no one but themselves and their equally self-interested attorneys, people who care nothing about law or justice but just want to win. In A&T the cops are part psychoanalysts and the criminals victims of tragic circumstances. The lawyers are highly principled defense attorneys. The prosecutor is a very friendly adversary who almost reluctantly does his job, even though he may even be sympathetic toward the accused. L&O is mostly about legal issues as the lawyers dual with each other. Whatever moral issues come up have been violated by the criminals. In A&T, there is always some great moral issue that dominates the question of whether the accused is guilty of the crime. How do we treat the insane? Drug addicts? The emotionally distraught?

When I had a chance to view A&T myself after many years of watching L&O, I found it a pleasant surprise, perhaps the most underrated show of my favorite TV decade, the Sixties. The length and emphasis on crime as human tragedy provided some very fine actors such as James Whitmore, Joseph Schildkraut, Mickey Rooney, Roddy McDowell, (who starred in a version of "Crime and Punishment") and many others with tours de force. The writing and acting was very strong. Ben Gazzara, (who I recently spotted in an L&O episode, with his voice apparently dubbed for some reason- I hope he isn't having health problems), played a very thoughtful and sympathetic policeman and Chuck Conners was fine and forceful as an idealistic attorney. It's a consistently entertaining show, one that covers much of the same ground as the excellent "The Defenders" from the same period.

But it's clearly a product of it's time. There are no bad guys. The victims are often faceless or minor characters. Prosecutors and defense attorneys are brothers in arms, fighting for what's right. There's never talk of a deal. This was from a time when, in the last generation, we'd survived a depression, won a war, were holding back Communism and reaching for the moon. We were going to get rid of poverty and injustice. A great many shows presented the contemporary world, one with problems but problems which seemed soluble with heroic effort. Dr. Kildare, Mr. Novak, The Defenders, East Side West Side, Naked City, even Route 66. A&T was definitely a product of this environment.

L&O is product of a much more cynical age, one where people are grubbing for whatever they can get, protecting their own interests and bending the law anyway they can to get what they want out of it.