IMDb RATING
6.4/10
1.1K
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A beautiful woman with an ulterior motive hires two gunslingers to escort her through Indian territory so she can be reunited with her awaiting husband.A beautiful woman with an ulterior motive hires two gunslingers to escort her through Indian territory so she can be reunited with her awaiting husband.A beautiful woman with an ulterior motive hires two gunslingers to escort her through Indian territory so she can be reunited with her awaiting husband.
George D. Wallace
- Will Boone
- (as George Wallace)
Charlita
- Mexican dancer
- (as Charlita Regis)
Joe Garcio
- Townsman
- (uncredited)
Dick Pascoe
- Charlie
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Great western, I enjoyed Audie Murphy's performance.
At 38 minutes into the movie there is a story told by Frank about a past love in Bisbee who he later discovered was married to another man. He says it taught him a lesson, "Always check the brand to make sure you are not driving another man's stock".
That same story is told 50 minutes into Fort Dobbs (1958) by Clett (Brian Keith) and he says "Always check the brand first and that way you'll know if you are running somebody else's' stock".
Burt Kennedy (story)was a writer in both movies so he got a lot of use of this tale!
At 38 minutes into the movie there is a story told by Frank about a past love in Bisbee who he later discovered was married to another man. He says it taught him a lesson, "Always check the brand to make sure you are not driving another man's stock".
That same story is told 50 minutes into Fort Dobbs (1958) by Clett (Brian Keith) and he says "Always check the brand first and that way you'll know if you are running somebody else's' stock".
Burt Kennedy (story)was a writer in both movies so he got a lot of use of this tale!
The title is as misleading if you haven't seen this film as it is apt if you have, being concerned with character rather than horses, as you'd expect of a script by Burt Kennedy.
Presumably originally written for Randolph Scott, with Audie Murphy as Scott and Dan Duryea as Dan Duryea. Duryea plays a sympathetic role for once and he and Murphy work well together, the problem as usual being a woman; on this occasion Joan O'Brien as a cool blonde called Kelly with a knowing smile and an ulterior motive.
Presumably originally written for Randolph Scott, with Audie Murphy as Scott and Dan Duryea as Dan Duryea. Duryea plays a sympathetic role for once and he and Murphy work well together, the problem as usual being a woman; on this occasion Joan O'Brien as a cool blonde called Kelly with a knowing smile and an ulterior motive.
Audie Murphy said of his film career that he himself remained the same throughout, and the scripts didn't vary much - it was only the horses that changed. This rather ordinary western fits neatly into the Murphy catalogue.
A cowpoke befriends a fellow drifter who rescues him from a lynch mob. In the town of Perdido the two pals are hired by a beautiful woman to escort her across indian territory. It turns out that Kelly (Joan O'Brien) has an ulterior motive.
Dan Duryea and Murphy combine well enough as the chalk-and-cheese buddies. The film contains a good mariachi funeral, and the dialogue-free opening sequence is well done, telling the story in visual language. The picturesque setting of sandstone outcrops and flat scrubland (filmed in Utah, of all places) provides an attractive backdrop for the action.
When all is said and done, however, "Six Black Horses" is a fairly brainless oater from the early 1960's. You know the sort of thing - the latina dancing-girl in the saloon has a red flower in her cleavage, and in the shoot-out at the old mission, the indians' bullets keep pinging off the same spot on the parapet, while the indians themselves obligingly mass in the open, allowing Audie to get a good shot at them.
Verdict - Always check the brand, lest you end up with a Murphy turkey.
A cowpoke befriends a fellow drifter who rescues him from a lynch mob. In the town of Perdido the two pals are hired by a beautiful woman to escort her across indian territory. It turns out that Kelly (Joan O'Brien) has an ulterior motive.
Dan Duryea and Murphy combine well enough as the chalk-and-cheese buddies. The film contains a good mariachi funeral, and the dialogue-free opening sequence is well done, telling the story in visual language. The picturesque setting of sandstone outcrops and flat scrubland (filmed in Utah, of all places) provides an attractive backdrop for the action.
When all is said and done, however, "Six Black Horses" is a fairly brainless oater from the early 1960's. You know the sort of thing - the latina dancing-girl in the saloon has a red flower in her cleavage, and in the shoot-out at the old mission, the indians' bullets keep pinging off the same spot on the parapet, while the indians themselves obligingly mass in the open, allowing Audie to get a good shot at them.
Verdict - Always check the brand, lest you end up with a Murphy turkey.
One of a series of interesting westerns Audie Murphy made for Universal in the 50s and 60s. As in all of these oaters, many veteran performers turn up in various roles. This one is no exception.
Dan Duryea appears in one of his patented good bad guy roles as a character called, now get this, Frank Jesse. At the beginning Murphy is almost strung up for hoss stealin' by veterans Roy Barcroft and Bob Steele. What makes this scene unique is that they attempt to hang him from a wagon tongue, a method that I haven't seen employed before or since. Also, Republic serial veterans George (Commando Cody) Wallace and stuntman Dale Van Sickel turn up briefly as various bad guys.
The story is basically two drifters (Murphy and Duryea) hired by a mysterious and gorgeous blond (Joan O'Brien), to escort her across Apache territory to meet up with her long lost husband. There are the expected Indian attacks and of course, the final showdown between Murphy and Duryea.
The film is a good western competently handled. But what I still can't figure out is who the Joan O'Brien character is trying to signal during the trek across Apache country.
Dan Duryea appears in one of his patented good bad guy roles as a character called, now get this, Frank Jesse. At the beginning Murphy is almost strung up for hoss stealin' by veterans Roy Barcroft and Bob Steele. What makes this scene unique is that they attempt to hang him from a wagon tongue, a method that I haven't seen employed before or since. Also, Republic serial veterans George (Commando Cody) Wallace and stuntman Dale Van Sickel turn up briefly as various bad guys.
The story is basically two drifters (Murphy and Duryea) hired by a mysterious and gorgeous blond (Joan O'Brien), to escort her across Apache territory to meet up with her long lost husband. There are the expected Indian attacks and of course, the final showdown between Murphy and Duryea.
The film is a good western competently handled. But what I still can't figure out is who the Joan O'Brien character is trying to signal during the trek across Apache country.
A Prime Example of the Very End of the Western Cycle that Wore Out its Welcome simply because of a Production Overload in Cinemas and on TV. There was an Unwritten Necessity for something to Happen to Re-Energize and Re-Invent the Genre.
Enter Sam Peckinpah and Sergio Leone and the Rest is Film History.
This one had Burt Kennedy and Audie Murphy showing Signs of Laziness, Indifference, and Perhaps Burn-Out. Solid Western Screenplay Writer Kennedy Recycles His Own Work, as does Murph as Both Trot into the New Decade Mounted on Past Glories.
That's why an Aging Dan Duryea Steals the Show as a Gun for Hire, that still Senses Right from Wrong when He isn't Getting Paid. Murph does OK and allows Duryea to Stand in the Sunlight most of the Time.
Joan O'Brien is Gorgeous and Holds Her Own among the Gunslingers and Indians that all Desire Her Charms...Duryea's Frank Jesse (that name, come on Burt, seriously)..."What a Man would do to get His hands on a Woman like that".
Overall. Familiar, Slightly Above Average Western for the Time Period, but does Show Signs of Genre Atrophy and a Hope for Better Things to Come.
Enter Sam Peckinpah and Sergio Leone and the Rest is Film History.
This one had Burt Kennedy and Audie Murphy showing Signs of Laziness, Indifference, and Perhaps Burn-Out. Solid Western Screenplay Writer Kennedy Recycles His Own Work, as does Murph as Both Trot into the New Decade Mounted on Past Glories.
That's why an Aging Dan Duryea Steals the Show as a Gun for Hire, that still Senses Right from Wrong when He isn't Getting Paid. Murph does OK and allows Duryea to Stand in the Sunlight most of the Time.
Joan O'Brien is Gorgeous and Holds Her Own among the Gunslingers and Indians that all Desire Her Charms...Duryea's Frank Jesse (that name, come on Burt, seriously)..."What a Man would do to get His hands on a Woman like that".
Overall. Familiar, Slightly Above Average Western for the Time Period, but does Show Signs of Genre Atrophy and a Hope for Better Things to Come.
Did you know
- TriviaBurt Kennedy wrote this as a vehicle for Richard Widmark.
- GoofsIn the scene where the indians are chasing the main characters towards the mission, they leave the pack mule behind. In the next scene as they enter the mission, the mule is with them.
- Quotes
Frank Jesse: I got myself a policy: never do an honest days work unless it's absolutely necessary.
- ConnectionsFeatured in Best in Action: 1962 (2018)
- How long is Six Black Horses?Powered by Alexa
Details
Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 20m(80 min)
- Aspect ratio
- 1.85 : 1
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