Mistaken identity and the acquisition of a rare Tibetan herb put two buffoonish con men on the wrong side of a secret organization geared toward world domination.Mistaken identity and the acquisition of a rare Tibetan herb put two buffoonish con men on the wrong side of a secret organization geared toward world domination.Mistaken identity and the acquisition of a rare Tibetan herb put two buffoonish con men on the wrong side of a secret organization geared toward world domination.
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- (as Michele Mok)
- Nubian at Lamasary
- (uncredited)
- Undetermined Role
- (uncredited)
- Nubian at Lamasary
- (uncredited)
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There had been a ten year gap since The Road to Bali was released in 1952, but such was the success and popularity of the series the boys were once again trundled out for one last "Road To" hurrah. Behind the scenes squabbles and stipulations tainted it some what, most notably the shunting out of the way of the series' previously leading lady Dorothy Lamour (who ends up making an extended cameo), who was replaced by a youthful Joan Collins. So with some scratchy back history and a word of mouth reputation as the worst of the series, with claims of the dynamic duo being too old and long past their best, The Road to Hong Kong must be a stinker then? Right? Actually no.
Sure it lacks some of the energised nuttiness of previous instalments, but this definitely isn't a stinker. Yes the boys are a bit long in the tooth, and Collins, whilst no Lamour in screen presence and chemistry value with the duo, is sexy, spunky and grounds some of the more older frayed edges. The sci-fi plot is delightfully bonkers, very much capturing the space age zeitgeist of the 60s, and there's a whole bunch of great gags as usual (my favourite is about an elephant thermometer). Not all the intended humourous scenes work, but most do, while there's even a quite surreal one involving banana feeding machines! Bonus sees a cameo from the great Peter Sellers as his patented Indian Doctor, a scene where you can see Bing and Bob looking on and thinking the torch is being passed, while a strong support cast includes Robert Morley, Walter Gotell and Felix Aylmer. Funky opening credit sequences as well!
Worst in the series? Well that's a harsh statement, more like it's a lesser light than the rest it is probably more fairer to say, but it's a fun film that adds weight to what fine entertainment value Bing and Bob were. 6.5/10
Space rockets, espionage and international intrigue provide the backdrop on this occasion as Hope and Crosby are kidnapped by the leaders of a mysterious and thoroughly evil interplanetary organization known as the "Third Echelon" who force them to become unwilling astronauts in order to take over the world. The two stars were in their late fifties by the time this one came along and they were obviously due to retire from their familiar, high-energy roles as roustabout con men / adventurers. But, even though they may have been slowing down, just a tad, the generally snappy pace and witty banter of earlier outings remained intact.
Made in England and shot in black and white, this quirky, low budget offering must have been a visual disappointment for audiences after the color escapades of its immediate predecessor - 1952's "Road to Bali". Although Dorothy Lamour makes a brief appearance, she had been largely replaced as the love interest by the younger British sex symbol, Joan Collins. The rest of the supporting cast, headed up by Robert Morley, is excellent and playful cameos by Frank Sinatra and Dean Martin just before the curtain falls added a topical touch to the proceedings as Sinatra's "Rat Pack" was constantly in the news. As usual, there are a couple of good songs, the best of which, "Team Work", opens the picture.
Despite its somewhat bargain basement look, "The Road to Hong Kong" still manages to provide a fun finale to the series.
The plot was REALLY silly and involves the boys in espionage with Joan Collins along for the ride and a (surprisingly) very bad job by Robert Morley as the lead villain. Dorothy Lamour decided to not costar in this one but she does pop up (playing herself) in an amusing cameo and sings one song (Cosby sings too). There's also a really silly and pointless bit when Cosby and Hope are sent to outer space. And the ending is desperate.
Still, it was well-made and Cosby and Hope were a wonderful team--their easy banter is great to watch and they made the worst lines seem funny. Also it's fun to see Collins (who's quite good) so young and full of sex appeal.
So, it's enjoyable way to kill 90 minutes. I'm seen better but I've seen worse too.
A mix-up at the airport with an agent of a cult puts Chester in possession of formulae for a space rocket which the cult plan to use to put weapons on the moon and take control of the earth. The cult pursue the two leading to a range of crazy situations on earth.......and beyond!
That's the plot and, to quote Dorothy Lamor in this film "That's the plot so far? I'd better hide you.....from the critics!". The plot is, as always, a flimsy excuse for banter between Hope and Crosby. However in other "Road to...." movies the plot has been a little less silly. Here it's daft and too complicated to be totally forgotten about. And unfortunately the banter feels a little tired between the two, the other road movies felt fresher.
And it feels like they know it too - there's lots of tired routines, "special effects!" for one, and they have too many self-deprecating jokes. They're quite funny but after a while you realise that they're just saying it before anyone else does. However there still is much to like here - Hope and Crosby are still funny in a bad movie and some of their banter is still great, although the situations that give them the dialogue are daft.
Hope and Crosby play their characters with well rehearsed ease. A young Joan Collins is OK but comes over as a little over earnest. The larger-than-life Robert Morley plays the cult leader with seriousness and Peter Sellers wins the film with his Indian doctor cameo. There are a range of small cameos, some funny some not - Dorothy Lamor returns to the Road series, David Niven turns up for a few silent seconds and Dean Martin and Frank Sinatra take a gentle swipe at their rivals (although it's not very funny -"special effects!").
Overall this is a gentle comedy that you'll enjoy because of Hope and Crosby. The ridiculous plot takes away from it a lot (did they have to make it quite so silly?), and the musical numbers slow it down a bit. But to be honest, there's much better movies in the road series that this one.
Did you know
- TriviaThe long nonsense word that Peter Sellers says during his scene is actually the name of a Welsh town, known for being the longest place name anywhere: Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch.
- GoofsVisiting a Tibetan monastery in 1962 would have been utterly impossible. Following the 1959 Tibetan revolt, Mao's Great Leap forward had the monasteries forcibly closed at the cost of up to 200,000 Tibetan lives and utterly isolated the entire country.
- Quotes
Harry Turner: Chester, I give you my SOLEMN word. THIS time it's not dangerous.
Chester Babcock: Not dangerous?
Harry Turner: No.
Chester Babcock: That's what 'cha said when you shot me out of a cannon, when you dropped me in a tank with an octopus, when you had me wrestle a gorilla. It's not dangerous! I'm not goin'. I'm through. I've had it. So forget it, *Charly*!
- Crazy credits"And our very special cup of tea DOROTHY LAMOUR"
- ConnectionsEdited from Le narcisse noir (1947)
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Details
- Release date
- Countries of origin
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- Also known as
- The Road to Hong Kong
- Filming locations
- Production company
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- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 1.66 : 1