The Quare Fellow

This is a grim realistic drama of life and death at a prison in Ireland, where we meet the prisoners and their warders and a wife of one of the prisoners, with also priceless scenes from a nearby pub, which actually offers the best scenes of the film - the prison, like all prisons, isn't quite cheerful. But you get into the minds of the prison warders, and that is psychologically very interesting, as none of them is sadistic or cruel at all. On the contrary, executions are the worst thing they know, and the action of the film is from the times before executions were cancelled in England. Sylvia Syms and Patrick McGoohan both make very sensitive parts, and especially Sylvia Syms' performance is outstanding. It's a drama growing more exciting the longer it lasts, and the outcome isn't very funny, but there is actually nothing else to do.

1962's "The Quare Fellow" was one of those vintage motion pictures that (IMO) had both it fair share of good moments, as well as its not-so-good moments, too.

I certainly found that this film presented its outlook (from the perspective of a young prison guard) in a very bleak and hopeless manner.

Perhaps you will be more entertained by "The Quare Fellow" than I was.

"The quare fellow " is not only a depiction of an Irish prison before death penalty was abolished :it's a initiation of a young warden who does think that he is here to protect the society ; little by little, he discovers the other side of the picture: the doctor has to make sure that the future condemned man is healthy ,that he won't do away with himself before he mounts the scaffold ; the "undertakers" being given two stouts apiece if they finish their dirty work quickly .

It's ,like "yield to the night" ,which concerned a condemned woman (Diana Dors) ,an indictment against death penalty ; when the warden (McGoohan ) meets the sentenced to death man's wife (Syms), he learns it was actually a crime of passion ,not punishable by death ; the main setback of the screenplay is that this man ,who did not want his wife to be considered a w......, is not given a single scene in the screenplay (unless the gallows count).Well acted.

Maybe many of viewers and audiences in general will find this movie bland, flat, maybe of the so British or Welsh accent, sometimes hard to understand, even for American folks.... But the story is unusual, showing prison from a warden, guardian pint of view, instead of the inmates one. It is talkative but rewarding. This scheme, topic made me a little think of THE APPRENTICE, made in 2016, a movie from Singapour; a very close story, though not exactly the same either. Adapted from a play, Patrick mc Goohan is good for my taste, but I would have also imagined Stanley Baker in this role. A bit depressing too, and I like that.

This is certainly a compelling movie. The acting is fine to very good. Sylvia Syms is especially good. I think she may be a little miscast: Her elegant manner comes through even in a cat fight.

I guess it was an admirable undertaking. And the basic theme is still there: Hanging is a pretty brutal thing for civilized men to do, even in the name of justice.

But the wit of the original play is mostly lost. The story is opened up for the movie. That happened a lot, especially in those times. But in making it more cinematic, its original punch was lost.

A major character is either left out or greatly toned-down. What's left is a 1930s Warner Brother prison movie transposed to the UK. Those movies were almost always at least entertaining and were often powerful. This is entertaining and a little powerful. But I'm not sure it's Brendan Behan.