Les clés de la citadelle

This a forgotten gem. The term "heist movie" should have been created for pictures like this one. A little known director hitting all the right notes, a great screenplay and a great cast (Stanley Baker is a favorite of mine). The movie is the heist, no prologue required; the characters are defined by the action (just brief dialogue to tell us something about the past of Stanley Baker and Helmut Schmid). The film grabs the viewer from the first scene, and never lets go. A nail bitter all the way. The ending is a Knock out; this one really ends with a bang. Today action directors should watch this movie. Maybe they would learn something.

A PRIZE OF ARMS is quite similar stylistically to Stanley Baker's HELL DRIVERS, although not quite as good as that movie. It's an engaging little piece that tells of a trio of crooks who set an elaborate plan into action to rob an army payroll. The plan involves them infiltrating an army camp and posing as soldiers before they truly set the wheels in motion.

This makes for tight, focused story-telling throughout, with no time for the usual romantic sub-plots and the like to pad out the storyline. In fact, there are no actresses in the film whatsoever. The use of a flamethrower in some crucial scenes also makes for novelty value and this feels way ahead of its time in that respect.

Baker gives a dependable turn as the antihero lead and the supporting cast has also been well chosen. What's particularly interesting is the sheer quantity of future famous faces lining up to play the soldiers: Rodney Bewes, Patrick Magee, Stephen Lewis, Geoffrey Palmer, Fulton Mackay, and Michael Ripper are all present here and certainly add to the experience for British cinema fans.

Turin a former officer in the British Army who was dismissed from the outfit sixteen years earlier decides to take his revenge on the military by planning and carrying out a payroll robbery at his former barracks

British films from this period tended to lag behind their American counterparts on many levels and a common criticism was that "British cinema was radio with pictures" . It's interesting this film was released a couple of years before ZULU which even today is probably the epitome of what can be termed British Hollywood and that several cast members , Baker ,Magee and Edwards featured in both films , but in its own way A PRIZE OF ARMS is low key but an involving heist thriller

Now heist thrillers are rather formulaic and often rely on double cross and triple cross . Not so here where the characters are stealing money for themselves and are therefore reliant on themselves . Made in the early 1960s when National Service had just ended in Britain it's set in a time when people had an ambiguous mindset towards the military . You can see both viewpoints from this film . Pilfering was a common occurrence in a conscript army and the trio of thieves seen here are just taking things one step further , but at the same time the military isn't shown as stupid or inept either . Perhaps most tellingly there's little violence used and the heist is carried out via very careful planning just like you'd get in the military and just like in conflict the careful plans go out of the window as the first boot lands on hostile territory . This is what makes A PRIZE OF ARMS a memorable heist thriller - it's well written with several points where you gasp "How are they going to get out of this one ? " and when a film makes you worry that a bunch of spivs might get caught red handed this must be viewed as a success

The long awaited DVD release cover gives equal billing to Rodney Bewes and Fulton McKay. Why? Bewes only has one line and I cannot recall Fulton McKay at all. Surely Patrick Magee should have taken a billing slot? Apart from that I consider this film to be on a par with the likes of Hell Drivers, Hell is a City, Villain and Robbery - all finely cast gritty crime dramas of that era. The tight direction, army camp locations, vehicles used and military discipline & bull all add to the reality. The film is gripping throughout and keeps you in suspense. Although Stanley Baker and Tom Bell are again typecast as villains, it would be difficult think of other actors who could have carried this off, except say for Michael Craig. Well recommended.

I watched APOA courtesy of TalkingPictures TV channel, which is proving a treasure trove of little-known films, often low budget, of the 1960s.

The plot unfolded in a satisfying way, with a parade of familiar British actors of yesteryear in small parts, including,as noted, "Likely Lad" Rodney Bewes. Stanley Baker inevitably impresses in the starring role.

The film must have been made with the co-operation of the British Army and so shows officers and soldiers reacting to the raid in an efficient manner. (One or two of the actors could have worn their berets in a more military manner, and there was one sloppy salute - and what about the motor-cycle rider stopping off at a pub for a drink or two on duty?) One thing that did puzzle me was why the highly-strung Fenner was running in a panic through crowds of mocking soldiers and incurring the wrath of, I think, the regimental sergeant-major. Perhaps the clip that showed the reason for this was edited out?

Overall, very entertaining.