Private Potter

This film sat on the shelf for 2 years and ended up as a support feature. Really little wonder,since the characters just talk non stop. It is impossible to keep any interest. Watch King and Country to see what Courtney can do rather than this mannered performance.

I went to the trouble of registering just so I could say my personal piece about this movie. I saw it by accident on television in about 1972 when I was in Southern California doing my M.A. This "little" movie cut right through to me. I dropped whatever useful thing I was doing and sat down to watch it through, thoroughly fascinated. I loved the fact that nobody knew the least thing about what was going on. Least of all, Private Potter. Or, possibly, least of all, the Padre. There was no pretense of being able to comprehend so unexpected, and even intolerable, a thing as the immediate presence of God/god/?. The likelihood that this extraordinary movie has gone down to the dirt in a vault somewhere actually grieves me.

Hard to put a label on this movie. The movie begins as a (rather poor) non-serious comedy but slowly turns into dramatic war movie about morals and belief.

This in my opinion was a very poor and even odd movie to watch. The movie as a whole made a very redundant impression and it seemed like the filmmakers themselves weren't even sure what kind of movie they wanted to make and in what style.

The story is about a young soldier, who during a raid, during the The Cyprus Emergency, suddenly starts screaming, causing the death of a fellow solider. The young solider later claims he saw a vision of God, which ultimately leads to his superiors questioning his sanity. How do writers come up with these sort of things?! Later one they more start to believe and protect him and the movie gets multiple layered with themes such as morals and belief. Problem that none of the subjects ever get fully lighted and developed, which causes the movie to make an incomplete and unsatisfying impression.

I like movies that handle fairly unknown and sort of forgotten subjects regarding human history, especially military one's. This movie concentrates on The Cyprus Emergency but it doesn't do much with this subject and backdrop unfortunately. I mean, if this movie had been about WW II the movie would had just been the same and certainly not any better or worse.

Tom Courtenay really did poorly in this movie. He never made the character sympathetic or likable enough and on top if that, his acting was just below par. But oh well, it's his first ever movie role, so it's sort of explainable. Thanks goodness that the other actors in this movie do know how to act.

Some scene's and dialogs seemed to be endless, until they reached the point that they became irritating and tiresome. The movie is only 89 minutes short but it really shouldn't had been any longer!

The movie obviously didn't had a very high budget but they did a good job with it. The movie isn't cheap looking, which is also thanks to the fine looking locations and environments of the movie.

Awkward little movie, that does't really have any redeeming qualities.

4/10

http://bobafett1138.blogspot.com/

A rare film set in the Cyprus Emergency with some excellent character acting. Sensitive acting by Tom Courtney but also those playing the crusties.

Note that National Service had just ended. The swinging sixties had not yet begun.

Eric Thompson who plays the adjutant went on to write and narrate the magic roundabout.

If you liked this for its take on the moral dilemmas of soldiering you could try "Tunes of Glory" although that is in colour and set in Scotland starring Alec Guiness. Another gem in my view is "Guns at Batasi" starring Richard Atteborough.

Given the involvement of at least two British theatrical luminaries - Ronald Harwood and Tom Courtney - and the unusual nature of the story - it is difficult to understand how this film came to disappoint in all departments.

Firstly the atmosphere seemed all rather soft - a soldier has been killed unnecessarily by the inexplicable apparently foolish or treacherous actions of a colleague. More drama, cursing, bitterness and recrimination follow in commercial organisations when someone screws up than is to be seen here (compare for example "Glengarry Glen Ross"). An earlier reviewer recommended "Tunes of Glory" to which I'd add Sydney Lumet's "The Hill" for films approaching realistic harshness.

The Cyprus campaign was part civil, part guerrilla war. Extremes of fear, anger, disgust at civilian on civilian atrocities and lust for revenge were daily experience for participants on all sides. In these circumstances British WW2 veterans, toughened up by their experience have come into their world a soft and dreamy young conscript Private Potter(Courtney). These veterans either would have had some sympathy for Potter - that or complete anger and contempt for his actions and outlandish explanation. He was after all responsible for a fellow soldier's completely unnecessary death. Given that the basis of soldiering is looking after mates, this would have been an unforgivable action, perhaps deserving of summary justice, especially on an odd outsider whose motives would be doubted.

Potter's religious experience suggests that there will be profound things said about religion but nothing is. Potter's psychology one would have thought have been explored but isn't. Potter speaks of his always being frightened even when alone yet shows little sign of this being very able to speak up for himself, not at all in awe of authority. When he flings himself on the floor it appears like suspect histrionics rather than genuine emotion. Courtney's performance combines a degree of campness with evidence of a tough and resilient personality. Potter gives an example of what as a child he regarded as bravery - the ability to spit at a priest. Of all the things children might have considered doing, this I don't believe was one of them (for authentic renderings of British childhood of the period see "Blue Remembered Hills" and John Boorman's "Hope and Glory"). Authenticity seemed sacrificed to slightly portentous theatricality throughout.

Tom Courtney delivers stock Tom Courtney and is as usual nothing less than thoroughly professional. Other actors deliver their lines as best they can. The lighting - nearly all interiors - is of that flat over-filled "B"movie kind. This is close to being a bad film. It fails to hit any target.