Private Potter

This film sat on the shelf for 2 years and ended up as a support feature. Really little wonder,since the characters just talk non stop. It is impossible to keep any interest. Watch King and Country to see what Courtney can do rather than this mannered performance.

Hard to put a label on this movie. The movie begins as a (rather poor) non-serious comedy but slowly turns into dramatic war movie about morals and belief.

This in my opinion was a very poor and even odd movie to watch. The movie as a whole made a very redundant impression and it seemed like the filmmakers themselves weren't even sure what kind of movie they wanted to make and in what style.

The story is about a young soldier, who during a raid, during the The Cyprus Emergency, suddenly starts screaming, causing the death of a fellow solider. The young solider later claims he saw a vision of God, which ultimately leads to his superiors questioning his sanity. How do writers come up with these sort of things?! Later one they more start to believe and protect him and the movie gets multiple layered with themes such as morals and belief. Problem that none of the subjects ever get fully lighted and developed, which causes the movie to make an incomplete and unsatisfying impression.

I like movies that handle fairly unknown and sort of forgotten subjects regarding human history, especially military one's. This movie concentrates on The Cyprus Emergency but it doesn't do much with this subject and backdrop unfortunately. I mean, if this movie had been about WW II the movie would had just been the same and certainly not any better or worse.

Tom Courtenay really did poorly in this movie. He never made the character sympathetic or likable enough and on top if that, his acting was just below par. But oh well, it's his first ever movie role, so it's sort of explainable. Thanks goodness that the other actors in this movie do know how to act.

Some scene's and dialogs seemed to be endless, until they reached the point that they became irritating and tiresome. The movie is only 89 minutes short but it really shouldn't had been any longer!

The movie obviously didn't had a very high budget but they did a good job with it. The movie isn't cheap looking, which is also thanks to the fine looking locations and environments of the movie.

Awkward little movie, that does't really have any redeeming qualities.

4/10

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Though my father owned a novelization of this, the film doesn’t have much of a reputation and, consequently, I missed out on it countless times on Cable TV (it’s a staple on TCM UK). However, ever since watching Joseph Losey’s similar but obviously superior KING AND COUNTRY (1964), I’ve wanted to check it out regardless…especially since both films feature Tom Courtenay in the lead role! The latter is a soldier who balks at doing his duty and, as per Military Law, a court-martial.is ordered which will decide his fate: in KING AND COUNTRY, Courtenay’s character deserted and is executed at the end (despite the valiant defense of Dirk Bogarde); here, he jeopardizes a mission by apparently losing his nerve – an act deemed reckless and which even leads to the death of a fellow soldier!

The opening moments of the film are rather muddled, but interest picks up once the titular character is arrested. To begin with, he’s brought in for questioning in front of his Commanding Officer – whom Potter astonishes by saying that his ‘cowardly’ reaction was due to his having had a vision of God! At this, the private is considered mad – so, his superiors think of passing him on to a psychiatrist; however, before taking this step, they request the intervention of a priest. The latter queries Potter about his idea of religion – to which the young man replies that he wasn’t a devout believer…so, why would God choose him as a vessel?

Incidentally, Potter’s interrogation is intercut with that (by a debuting Frank Finlay) of an injured local – the narrative is set in Cyprus – who had tried to warn his people of the approaching British troops; by the way, I’ll be watching soon another film dealing with the UK intervention in this country – namely THE HIGH BRIGHT SUN (1964) and which, coincidentally, stars Dirk Bogarde. Potter – a mild-mannered young man with an unhappy childhood – makes no discernible progress and, eventually, is assigned to a mental hospital; however, on the way there, he manages to escape. The CO, on his part, goes to see the Brigadier to seek his advise whether to proceed with the court-martial or not; being a soldier of the old school, he feels only contempt for Potter’s behavior and even asks his subordinate if Potter is a homosexual! At the end, Potter is returned to base (after he’s caught taking a bath in a lake) and receives a visit from the CO wishing him good luck for the upcoming trial.

Courtenay – who would eventually reteam with director Wrede for ONE DAY IN THE LIFE OF IVAN DENISOVICH (1971) – was a fine actor (albeit with a limited range) who emerged during the “Angry Young Men” era of British cinema; this film, as I said in my introduction, isn’t one of his more celebrated – having been superseded by the higher-profile (and somewhat more absorbing) KING AND COUNTRY. Having mentioned once more the connection with Losey’s film, I recall comparing that one back then to PATHS OF GLORY (1957); as for PRIVATE POTTER, it reminded me of the Richard Widmark vehicle I watched recently – TIME LIMIT (1957), given that both deal with the gathering of facts prior to a court-martial (rather than with the trial itself).

I went to the trouble of registering just so I could say my personal piece about this movie. I saw it by accident on television in about 1972 when I was in Southern California doing my M.A. This "little" movie cut right through to me. I dropped whatever useful thing I was doing and sat down to watch it through, thoroughly fascinated. I loved the fact that nobody knew the least thing about what was going on. Least of all, Private Potter. Or, possibly, least of all, the Padre. There was no pretense of being able to comprehend so unexpected, and even intolerable, a thing as the immediate presence of God/god/?. The likelihood that this extraordinary movie has gone down to the dirt in a vault somewhere actually grieves me.

A rare film set in the Cyprus Emergency with some excellent character acting. Sensitive acting by Tom Courtney but also those playing the crusties.

Note that National Service had just ended. The swinging sixties had not yet begun.

Eric Thompson who plays the adjutant went on to write and narrate the magic roundabout.

If you liked this for its take on the moral dilemmas of soldiering you could try "Tunes of Glory" although that is in colour and set in Scotland starring Alec Guiness. Another gem in my view is "Guns at Batasi" starring Richard Atteborough.