The story of Anne Sullivan's struggle to teach the blind, deaf and mute child Helen Keller how to understand and communicate.The story of Anne Sullivan's struggle to teach the blind, deaf and mute child Helen Keller how to understand and communicate.The story of Anne Sullivan's struggle to teach the blind, deaf and mute child Helen Keller how to understand and communicate.
- Won 2 Oscars
- 13 wins & 13 nominations total
Maribel Ayuso
- Undetermined Role
- (uncredited)
Dale Ellen Bethea
- Martha at Age 10
- (uncredited)
John Bliss
- Admissions Officer
- (uncredited)
Grant Code
- Doctor
- (uncredited)
Michael Darden
- Percy at Age 10
- (uncredited)
Michele Farr
- Annie at Age 10
- (uncredited)
William F. Haddock
- 2nd Crone
- (uncredited)
Alan Howard
- Jimmie at Age 8
- (uncredited)
Judith Lowry
- 1st Crone
- (uncredited)
Helen Ludlam
- 3rd Crone
- (uncredited)
Beah Richards
- Viney - Keller Maid
- (uncredited)
Featured reviews
I haven't seen acting like this in a long time! Patty Duke's portrayal of young Helen Keller shocked me with its intensity, rightness, and sensitivity. Anne Bancroft also played a tough role and did so brilliantly.
The other supporting roles were, of course, a bit stilted in the traditional Southern way, but added to the drama nonetheless. I still gave this movie a "10" despite having issues with the way director Penn handled the flashback scenes...a bit cheesy and not quite in keeping with the underlying plot in all cases. That said, the dinner scene with Patty Duke and Anne Bancroft is 100%+ riveting in a way seldom seen and the movie deserves its accolades just for that scene alone.
The other supporting roles were, of course, a bit stilted in the traditional Southern way, but added to the drama nonetheless. I still gave this movie a "10" despite having issues with the way director Penn handled the flashback scenes...a bit cheesy and not quite in keeping with the underlying plot in all cases. That said, the dinner scene with Patty Duke and Anne Bancroft is 100%+ riveting in a way seldom seen and the movie deserves its accolades just for that scene alone.
Powerfully directed by Arthur Penn and supported by two Oscar-winning performances, The Miracle Worker dramatizes the early years of Helen Keller, the blind and deaf mute who became a famous author and prominent Socialist. Anne Bancroft's first lead role is as Anne Sullivan, Helen's lifelong teacher and friend and her performance is compelling. Patty Duke is also outstanding as Helen, portraying the disturbed child as she works to overcome bad manners and temper tantrums, the result of being overly indulged by her well meaning but ineffective parents. Moving into a small cottage away from her parents, Anne, who was partially blind herself, assists Helen with some tough love and begins to teach her to spell with her fingers.
Until this point, Helen had no understanding of the meaning of words. This changed when Anne led her to the water pump and spelled out the word water as she pumped the water over Helen's hand. She is said to have learned thirty words the same day and eventually learned to read. In 1904 Helen graduated from Radcliffe College, becoming the first deaf-blind person to earn a Bachelor of Arts degree. The film could have easily descended into melodrama, but Penn keeps his focus and the result is enormously moving without being maudlin. The Miracle Worker is a miracle.
Until this point, Helen had no understanding of the meaning of words. This changed when Anne led her to the water pump and spelled out the word water as she pumped the water over Helen's hand. She is said to have learned thirty words the same day and eventually learned to read. In 1904 Helen graduated from Radcliffe College, becoming the first deaf-blind person to earn a Bachelor of Arts degree. The film could have easily descended into melodrama, but Penn keeps his focus and the result is enormously moving without being maudlin. The Miracle Worker is a miracle.
An inspiring movie. I watch it now at the age of 48 and I remember why I idolized Anne Bancroft and tried to emulate her acting style when I was a theatre student. I still cry during the final scene at the water pump when she cries out - mother, father - she knows!!!! Thank God that Penn and Gibson made sure that she got this movie part. I still wish she would have gotten the the part of Gittel Mosca for the movie version of their broadway play "Two For The Seesaw" because I will never be able to see her performance. Patty Duke was magnificent. She was very convincing and there is never a moment when you don't think she is deaf, dumb and blind. There is no doubt that this pair deserved the Academy Award for their performances. Helen's story needed to be told and this film was a beautiful and poignant tribute to her life
With two terrific leading performances, an absorbing and thought-provoking story, and many well-conceived touches by Arthur Penn and his production team, this classic version of "The Miracle Worker" is an exceptional movie that appeals to the imagination and that has much to say about humanity. The story itself is so good that even the lesser remakes have been worth seeing, but there is really no reason at all to look any further than this nearly flawless filming of the story.
As Annie Sullivan and Helen Keller, Anne Bancroft and Patty Duke could not have been better. The battle of wills and wits between the two is engrossing, becoming quite involved and very interesting. The lengthy dining room struggle alone would make any movie worth watching - it is worthwhile even beyond the interesting action itself, as it brings out aspects of human nature and human learning that go beyond even Helen's own trials.
There is a great deal of substance to the movie that goes beyond the immediate issues and confrontations, and a significant reason for the greatness of the film is the way that Bancroft and Duke tap into the imagination of the viewer. The concept of seeing an unseen world (and the challenge of helping someone to see it) is brought out in ways that are profound yet accessible.
The two leads carry almost the whole picture, as the other characters are there primarily for Annie and Helen to play off of. Accordingly, the supporting cast keep their characters more simple, and their performances stylized and almost exaggerated, which allows Bancroft and Duke to have most of the moments of significance. The production also enhances the picture through simple but well-conceived settings, use of lighting, and other features that nicely complement the main action.
It's always rather unfortunate that movies like this one, which take a little effort to appreciate fully, are not given more attention. If you stop to consider what Helen Keller had to face in life, it is a situation far more terrifying than facing any of the cartoonish, artificial movie villains that gain so much notoriety. And if you consider the job that Annie Sullivan had to do, her accomplishment is far more impressive and worthwhile than almost any scientific discovery, feat of athletics, or military exploit.
That this movie is able to convey such themes makes it a memorable classic that is much more worthwhile than many movies that have received far more acclaim.
As Annie Sullivan and Helen Keller, Anne Bancroft and Patty Duke could not have been better. The battle of wills and wits between the two is engrossing, becoming quite involved and very interesting. The lengthy dining room struggle alone would make any movie worth watching - it is worthwhile even beyond the interesting action itself, as it brings out aspects of human nature and human learning that go beyond even Helen's own trials.
There is a great deal of substance to the movie that goes beyond the immediate issues and confrontations, and a significant reason for the greatness of the film is the way that Bancroft and Duke tap into the imagination of the viewer. The concept of seeing an unseen world (and the challenge of helping someone to see it) is brought out in ways that are profound yet accessible.
The two leads carry almost the whole picture, as the other characters are there primarily for Annie and Helen to play off of. Accordingly, the supporting cast keep their characters more simple, and their performances stylized and almost exaggerated, which allows Bancroft and Duke to have most of the moments of significance. The production also enhances the picture through simple but well-conceived settings, use of lighting, and other features that nicely complement the main action.
It's always rather unfortunate that movies like this one, which take a little effort to appreciate fully, are not given more attention. If you stop to consider what Helen Keller had to face in life, it is a situation far more terrifying than facing any of the cartoonish, artificial movie villains that gain so much notoriety. And if you consider the job that Annie Sullivan had to do, her accomplishment is far more impressive and worthwhile than almost any scientific discovery, feat of athletics, or military exploit.
That this movie is able to convey such themes makes it a memorable classic that is much more worthwhile than many movies that have received far more acclaim.
I bought this movie after having not seen it for a while, and watching it again was intensely powerful. I had never cried during the "water" scene, but I did this time. The scene in the dining room is magnificently filmed and exhausting to watch...to think Patty Duke and Anne Bancroft performed that scene every night on Broadway! Supposedly they wore multiple layers of padding. I don't know why they didn't create a new category for the Oscars that year, Best Double Performance in Leading Roles. They both richly deserved the Oscars they won, but I really couldn't choose between a leading role and a supporting role in that movie since Duke and Bancroft created such a beautiful and moving partnership. Having read a great deal about Helen Keller, including her own autobiography, I am still always amazed by her story and accomplishments. This movie is a brilliant testament to human strength.
Did you know
- TriviaMark Twain was the first person to refer to Anne Sullivan as "the miracle worker". Twain was a friend of Helen Keller.
- GoofsAnnie Sullivan has to look up the word discipline in a dictionary later in the film even though she's used it in a letter near the beginning; however, she remarks that she must know how to spell it before teaching it to Helen, and may have simply used her best guess in the letter since nothing was at stake.
- Quotes
Annie Sullivan: Pity? For this tyrant? The whole house turns on her whims! Is there anything she wants she doesn't get? I'll tell you what I pity: that the sun won't rise and set for her all her life, and every day you're telling her it will! What good will your pity do when you're under the strawberries, Captain Keller?
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
- SoundtracksHush, Little Baby
(uncredited)
Traditional Southern lullaby
Music adapted by Don Costa
Lyrics by Arthur Siegel
Sung by Anne Bancroft
Also played in the score
Details
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $4,139
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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