L'Épée enchantée

I was 7 years old when this movie came out, and although I didn't see it then, I bet I would have loved it. Swashbuckling knights, a quest, plenty of adventure, some pretty evil bad guys, and a few memorable creepy images. Of course, I wound up seeing it at the age of 47, and I have to admit it's for the most part pretty cheesy. Gary Lockwood and Anne Helm are so badly miscast it's hilarious, the attempts at humor are excruciatingly bad, the plot is kind of lumpy (the 7 curses don't seem to have any pattern to them), and so on. But hey -- some films are for kids and not adults, and this is about as good as you're going to get from Bert I. Gordon. Let's give him his due on this one.

The Magic Sword (AKA: The Seven Curses of Lodac/St. George and the Seven Curses) is directed by Bert I. Gordon who also co-writes with Bernard Schoenfeld. It stars Basil Rathbone, Estelle Winwood, Gary Lockwood, Anne Helm, Liam Sullivan and Danielle De Metz. Music is by Richard Markowitz and cinematography by Paul Vogel.

A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.

Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.

In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10

To compare this film unfavorably to the high standards we hold for today's films would be unjust. This film has to be judged by the era that made it. Great films like "Jason and the Argonauts", "Hercules Unchained" and others of that ilk were popular and had an audience albeit a limited one. I remember seeing this film at the ripe age of six and being awestruck and terrified. Basil Rathbone was sinister as the evil wizard. The dragon seemed an insurmountable obstacle to the hero. There were little people inside a large bird cage crying for help,an evil temptress witch with green glowing eyes that lured one of the good guys to his doom and a horrible bubbling swamp that ate the flesh off of one of the good knights when his horse stumbled and he fell in. I'm glad I was six when I saw this film. I've remembered it for years and just thought to pay it a visit again on this site.

THE MAGIC SWORD (1962) is a fantasy film that enthralled me as a child when I sat in a Bronx theater with a packed house of kids on a summer afternoon. We talked about it for days afterwards and acted it out in our street games. As a grown-up, when I returned to it on TV, I may have found some of the effects less than convincing, particularly the dragon, but I still found the film quite engaging and consistently memorable. The images have a bold graphic quality reminiscent of the best comic book art. Each shot cuts right to its essential information and uses whatever low-budget means at the filmmaker's disposal--make-up, costumes, color, lighting, simple optical effects--to make the image stand out. In addition, there are strong performers on hand who have a kind of comic book/fairy tale aspect to them, e.g. Estelle Winwood, as the hero's spell-casting guardian; Basil Rathbone, as the sorcerer villain; and Vampira as a beautiful woman the knights meet on the road, who turns monstrous at a moment's notice.

The film is not afraid of grotesque imagery and doles it out in small, effective portions. As an adult I was struck by the horrific nature of some of the images, e.g. the withered old hag that Vampira turns into; the acid pool that yields up the skeleton of a victim who'd fallen into it just moments earlier; the burned, reddened skins of two of the knights as they're caught in some kind of intense sun ray. But as a child, I wasn't frightened by these images; they helped make the story more believable and more involving. Filmmaker Bert I. Gordon (THE AMAZING COLOSSAL MAN) was not afraid to show us the dark, gruesome side of this mythical tale. He wasn't trying to shield the kids in the audience the way bigger-budgeted Hollywood films of this stripe would have at the time (e.g., Harryhausen films like SEVENTH VOYAGE OF SINBAD and THREE WORLDS OF GULLIVER). There was an honesty to Gordon's approach that I think we, as kids, even without being able to articulate it, appreciated and respected. As an adult, I can't get this film out of my mind, while more recent spectacles like the overstuffed LORD OF THE RINGS are but a dim memory.

I saw this film at a matinée in 1962 when I was seven. I remembered it over the years as 70 minutes of pure excitement. I watched it again on DVD with my kids. Yes, it is low budget. Yes, it has cheesy special effects by today's standards. Yes, it has a corny plot and weak acting from some of the characters. Yet, I found it to have charm and my kids were just as enthralled as I was 43 years ago when I suspended my disbelief in the dark of the Saturday matinée. This film is, in its genre, a minor classic. Further, Basil Rathbone as the heavy is very good in the waning years of his life and career--much better than Torin Thatcher who played similar "heavy" roles in similar adventure movies.