Le Lion

I was fortunate enough to watch this film in its original CinemaScope format (THANK YOU, Fox Movie Channel!), and I'm glad I did. Jack Cardiff directed a TERRIFIC cast (Holden, Howard, Capucine, and Franklin) in this story about a mother who sends for her daughter's biological father when she fears that the daughter may be turning savage, the concern being reinforced by the fact that the girl's best friend is a full-grown lion with whom she has an EXTREMELY close friendship. The cast is terrific, especially Franklin, who is both irresistibly charming yet downright scary when she really taps into the African way of life. The direction, performances, Edward Scaife's beautiful widescreen cinematography of the African landscape and Malcolm Arnold's wonderful score make this film great.

In Kenya, a little girl (Pamela Franklin) lives really the African nature by befriending a fully grown lion and following native rites , as her mother (Capucine) , worried that her daughter may be turning into a savage , summons Tina's American father (William Holden) to help to return her to domesticity and the States (Conneticut) and as attempt to civilise this wild chid . Meanwhile, her veteran hunter stepfather (Trevor Howard) believes this is a marvellous environment for her to grow up in and her mom becomes increasingly concerned by her behaviour . Two Men Obsessed By a Woman Who Desired Them Both..."He'd tear you to pieces if I gave the word."

A cross-eyed savannah drama with a lot of wildlife , in which a little girl allegedly turns a Wild Child and adding a triangular romance among Holden-Capucine-Howard . The plot is light and simple , as a free small girl named Tina lives with her mother and stepfather on a wildlife reserve in Kenya but things go wrong when comes her biological father along with his fostered one . Quartet starring are frankly fabulous . Capucine is very good as the mummy who attempts to bring Tina back to civilization and give her a civilized upbringing . William Holden is fine as Tina's biological father , who is called and invited by his ex-spouse to come over from America in the hope that he can take her back to civilization to civilise this wild child ; ironically , in real life Holden liked Kenya so much that he decided to live there . Trevor Howard as the game warden stepfather who has to swallow his pride is pretty good . But is Pamela Franklin who steals the show as the little girl Tina whose best friend results to be a lion and along the way she embraces local customs . Special mention for colorful and brilliant cinematography by Ted Scaife . Shot on location in Kenya , being sumptuously photographed in exotic locations in the best travelogue style . As well as rousing , impressive mussical score by Malcolm Arnold , incuding an attractive and enjoyable leitmotif .

The motion picture was competently directed by Jack Cardiff . This cameraman/fillmaker made a few films as Dark of the sun, The girl on the motorcycle, Sons and Lovers ,My Geisha, Intent to Kill, The long ships , The liquidator , The Mutations , but his biggest successes were as a great cinematographer . As Cardiff become impressed with the use of light and color in paintings by the age of seven or eight, and described how he watched art directors in theaters painting backdrops setting lights. His friendship with Edward Scaife who photographed splendidly this The Lion and Ted Moore led them to work as camera assistants in this period when both worked in a camera department run by Freddie Young , who would also become a legendary cinematographer . Jack worked for Alfred Hitchcock during the filming of The skin game (1931). This led to his operating camera for the first Technicolor film shot in Britain , Wings of the Morning (1937). He finally was offered the full position of director of photography by Michael Powell for A matter of life and death (1946), ironically working in B&W for the first time in some sequences. His next assignment was on Black Narcissus (1947), where he acknowledged the influence of painters Vermeer and Caravaggio and their use of shadow. He won the Academy Award for best color cinematography for this film . Jack certainly got to travel when it was decided to shoot African Queen (1951) on location in the Congo and in Africa also filmed this The Lion (1962) .

I remember seeing this film in 1962, as a child. I would love to see it again as an adult and show it to my grandchild. I felt it was captivating. The characters may not be totally believable, but performances are good, especially from "King" the lion.

Although Jack Cardiff was a better cinematographer than a he was a director, he wasn't a bad director, and I believe "The Lion," along with "Dark of the Sun" are his best films. In "The Lion" Christine (Capucine) lives in Kenya with her second husband, big game hunter John Bullit (Trevor Howard), and her daughter Tina (Pamela Franklin) from a previous marriage. Tina has so taken to the African wild that Christine fears her daughter will one day just become an unreachable savage, so she contacts her first husband, Robert Hayward (William Holden), to come to Africa and help civilize Tina so she can return to the U.S. and live a normal, less dangerous, life. This idea is acerbated because Tina's best friend is a full grown lion she calls King. They grew up together and she spends most of her time in the jungle with King. She also believes King will do whatever she says, including attack and kill someone.

Of course Bullit resents the arrival of Robert, particularly since it becomes clear Robert continues to have feelings for Christine. The performances of the entire cast are quite good, if very much of their time. Franklin is especially good. She really does wrestle and play with the full grown lion on screen. It's actually quite remarkable to watch and apparently Franklin actually did bond with the animal. On the other hand, the love relationship that grows between Christine and Robert is less impressive, but Holden and Capucine have some effective moments, and the rebirth of their feeling for each other feels natural. So does the gradual changes that happen with hunter Bullit. Trevor Howard plays him in a strong performance that makes you dislike him but also understand his situation. He loves his step daughter and he does what he can to keep her in Kenya. One sequence where Bullit takes his wife, daughter and Robert on a wild drive through the African plain exposes his character. He purposely tries to upset big game like rhino, hippo and elephants in order to scare Robert by driving through the herds, taunting them. Of course this is exciting but annoying to watch because he's showing no respect for the animals. It almost makes you hate him, but there are more sides to him, and as the story plays out, we can't help but feel for him.

Woven through this story are two native tribemen, a chief and his arrogant son who will become chief when his father dies. This is actually well integrated into the plot. The stories of Tina and her lion King, Christine, Robert, Bullit and the two tribesmen all come together in an inevitable climax. Some viewers might see it coming, but I think they might be surprised by how it happens.

The score by Malcolm Arnold is one of his finest, full of thunderous drums and a beautiful main theme. It has a jazzy Gershwin-esque quality to it, which makes sense, since jazz is America's connection to Africa, an art form created by African Americans, and the story is about Americans' connection to Africa. The film is beautiful to watch, but be sure to see it in widescreen. The African landscapes and skies are stunning, and the scenes in camp during the character drama maintain a constant sense of place. You can be carried away by the atmosphere. The cinematographer was Edward Scaife, but the look of the film has Cardiff all over it. Try to find a widescreen version of this film, I think you'll find it a pleasant surprise.

I fell in love with this movie when I first saw it as a kid. I had the opportunity to watch it again recently and found that it was as captivating as I remembered it to be. However, what impressed me the most this time was not the story or the magnificent African scenery & animal footage, but this young girl's ability to play such a difficult role to perfection. Pamela Franklin (only 12 years old at the time I believe) stole every single scene out from under the film's big-name adult stars: Holden, Capucine and Howard. Her performance alone is enough reason to see this great drama if ever given the opportunity!