Landru

Claude Chabrol was a very good and very prolific French film director. He worked uninterruptedly between 1958 and 2010, sometimes also producing three feature films per year. Named "The French Hitchcock," he had in my opinion his own unmistakable style. Charles Denner was an excellent French actor who made memorable roles in some of the best French films of all time, working with the greatest directors, Truffaut, Lelouch, Marcel Carné, Costa-Gavras. One of my favorite films of all time is "The Man Who Loved Women" (1977) L'homme qui aimait les femmes (original title). In this "Landru" Denner does also an extraordinary role. Along with him, many great names of the French cinema, Stéphane Audran, Michèle Morgan, Danielle Darrieux, etc. Jean-Pierre Melville, the great director, makes a small excellent role. Mario David, who usually makes in most of the movies the slapstick idiot, here he makes a very good and subtle Prosecuter. Very funny scene when, waiting in front of the door to arrest Landru, one of the policemen says, "He sings out of tune!" Do not go to Gambais, Yvelines, France, Landru may still be active, you can never know with the French...

During the World War I, in France, the middle-aged, bearded trader of furniture Henri-Desiré Landru (Charles Denner) is married with four children. He spends a few time with his family since he has a secret life. He publishes advertisements looking for lonely wealthy women and seduces them with his politeness. Then he travels with them to a house in Gambais, where he kills them and burns them to the ashes in his stove. Then he returns home with money claiming that he earned in business trips. When he meets the beautiful Fernande Segret (Stéphane Audran), she becomes his mistress. He kills at least eleven women until the day the sister of one of his victims recognizes him. But the police need to find evidence but there is no body.

"Landru" (1963), a.k.a. "Bluebeard" tells the true story of the French serial-killer Henri-Desiré Landru, known as Bluebeard, by Claude Chabrol. The dark story is entwined with funny scenes to break the gruesome behavior of Landru. The part of his trial is too long and could be shorter. The cinematography is very beautiful as well as the actresses. It is another great film by Chabrol and worthwhile watching. My vote is seven.

Title (Brazil): "A Verdadeira História do Barba Azul" ("The True Story of Bluebeard")

At the time of the First World War, a Parisian father (Charles DENNER) murders wealthy women on an assembly line. The French director Claude CHABROL made this film in 1962. His later sharpness in many socially critical films already shines through, but this film still seems a bit too theatrical. The ladies who are chased down the chimney by Monsieur Landru are worth seeing: Stephane AUDRAN, Danielle DARRIEUX, Juliette MAYNIEL and Michele MORGAN. The German actress Hildegard KNEF (1925-2002) has a very special say in this. Her role is small but nice.

The previously missing French scenes have now been added to the German dubbed version. This also gives you more information about the trial against the convicted woman murderer.

Not a masterpiece, but definitely interesting for film enthusiasts!

Landru aka. Bluebeard may not be one of Claude Chabrol's best films, but it's still a good and interesting one that does a lot right. Landru and his life and crimes are fascinating but infamously shocking and complex, the film follows the subject very closely and deals with it also in a way that entertains and interests. If you are interested in Landru you're not going to be short-changed here and there's a good deal to like judging it as a film too.

As with all Chabrol films, Landru looks great. The colour photography is very handsome and tasteful, the period costumes are sumptuous and evocative and the scenery nothing short of exquisite. Chabrol handles the atmosphere, cultures and environment of early 20th century Paris masterfully to the extent one feels like they're actually there in the era. He also directs beautifully with charm and tension, Landru's scenes with his victims are both charming and chilling like Landru himself(in how he managed to get women to fall for him while being such an irredeemable monster on the inside) and his crimes wrench the gut in how shocking they are(even if some details are still ambiguous). The way Landru's written is enjoyable on the whole too, considering the subject Landru could easily have been melodramatic but the script opts for the sly and sardonic approach and does so cleverly and wittily, without being too cartoonish, that the most acidic moments are very juicy and the most cynical parts bite. The cast are stellar, with a brilliant Charles Denner, who cuts a very magnetic presence, whether funny, cold-hearted, cynical, urbane or charm-on-the-surface, and even looks eerily like Landru. Some may find that Landru is like a cartoon figure here but to me that added to how chilling a person he was. Michèle Morgan, Danielle Darrieux, Juliette Mayniel and Catherine Rouvel are beguiling and poignant, not with a lot to do but you really care what happens to them and Stephane Audran also really comes to life.

The film's not without its problems, once Landru is captured the pace does slacken and the film loses its charm, the trial being on the tedious side rather than suspenseful and would have benefited from tighter pacing and more developed writing. What also would have helped was having Landru arrested a little earlier and dwelling a little less on his methods, the film covers them well enough and I did wish that the same amount of detail went a little more into the trial. The music is also a little intrusive at times as well. Overall, lesser Chabrol, and I did prefer Charlie Chaplin's Monsieur Verdoux as a (loose?) version of the story, but still very interesting. The part of the film covering the arrest, trial and execution doesn't come over as strongly as the parts detailing his life and crimes but the look of the film, the atmosphere, the direction, most of the writing and the acting make it a most worthwhile film. 7/10 Bethany Cox

One of Chabrol first investigations of bourgeois morals was this ambitious depiction in colour of the activities of France's most notorious serial killer - who had already inspired Chaplin's Monsieur Verdoux' - the failure of which would confine Chabrol to spending the next five years on journeyman work.

The scene that serves to remind you that it was the work of one of the nouvelle vague is an extended take in which the police head for the exit, pile through the wrong door and run straight into a brick wall. Any normal director would have simply done it again; but Chabrol obviously liked the effect. So in it stayed.