Aventures de jeunesse

In this classic episodic drama, Richard Beymer sinks his teeth into the meaty role of young Ernest Hemingway. Technically, he has a different name, but Papa's not fooling anyone with this story. It's no wonder that this movie drew together an all-star cast to be a part of the titular young man's adventures, and the result is a top-notch film.

In the small town from which Richard dreams of fleeing, his dad Arthur Kennedy is an alcoholic doctor and his mom Jessica Tandy never stops browbeating him. His girlfriend Diane Baker is pleasant enough, but Richard doesn't want to settle down and turn into his father. So, he buys a railroad ticket from James Dunn and leaves town. Along the way, he hitchhikes, walks, hops a train, fights in the war, and of course, falls in love with a nurse. This is Ernest Hemingway, after all.

Susan Strasberg plays the love of his life, and while she effectively tries out an Italian accent, it makes you wonder why they didn't just pick an Italian actress, especially since there were so many to choose from during that era. You'll get to see Dan Dailey, Eli Wallach, Fred Clark, Ricardo Montalban, Whit Bissell, and Corinne Calvert in the supporting cast as well. The star of the show, however, is the segment "The Battler" starring Paul Newman and Juano Hernandez. Originally a tv special in 1955, Paul Newman's unrecognizable and heartbreaking performance was so well received, Hollywood decided to make the entire movie of Hemingway's episodes. I'm always shocked by the incredible acting chops Paul shows when given the chance. He was pigeon-holed as Hud for the vast majority of his career, but the few chances he had to branch out were marvelous. Set to the lovely music of Franz Waxman, this long drama is not to be missed.

To be quite honest, not everyone will be taken with this movie, particularly if they are not already familiar with the Hemingway stories. These stories were written sporadically, but most readers of the collected Nick Adams tales have not found it difficult to see in them an arc of a young man's life, from his hell-raising days in the thick woods of Michigan, through to his growing maturity in World War I. The problem, of course, is that the story format makes the whole thing highly episodic: like a photo album of significant moments.

To some extent, the movie manages to blend this away, although at cost to the integrity of the original stories. Still, it is such a help to see these stories made visual that any objections are overcome. Further, the performances of the many distinguished actors involved -- above all, Paul Newman as the punch-drunk Battler -- are truly distinguished.

I liked this movie thoroughly, although it needs to be said that "The Killers" (1946), from another of the Nick Adams stories, is undoubtedly better as an adaptation. Still, it's hard not to admire the audacity of those who put together "Adventures." It's probably about as good as it could be.

It is really very irritating, at any rate to those who know the originals, that the Region 1 version is still censored, and for absolutely no discernible reason.

This film attempts to compile all or most of Hemingway's Nick Adams stories into one complete whole. The effect is a coming of age story that ends on a bitter/semi-sweet note. Along the way you see a series of stories populated by well known actors and actresses.

There is a sequence that reminds one of Farewell to Arms (wounded ambulance driver falls in love with nurse, who eventually dies in his arms).

There is the overbearing, controlling, religious mother and the anguished father (who eventually takes his own life).

There is the hard boiled newspaper editor, who gives sound hard boiled advice.

I liked the movie, but I am unsure whether I would recommend it to someone else.

Hemingway's Adventure's Of A Young Man was still in the making when word of Papa Hemngway's suicide broke on the world. We'll never know what he would have thought of this film, he was not fond of most of the films done from his work. In fact since it's initial release, this film has not been exhibited too often for some reason.

The film is based on Hemingway protagonist Nick Adams and his coming of age as an ambulance driver in World War I. Ernest Hemingway's first experience with love and death came during those years when he was serving on the Italian front in their army as an ambulance driver. Watching this film you'll see the origins of the stories in The Sun Also Rises and A Farewell To Arms.

Hemingway's sparse style has always really been difficult to capture on film and the same is true here. Richard Beymer is the callow Nick Adams who is from a small town in rural Michigan which even today is as rural as you can get in the USA. Beymer does his best, but the part seems to have been tailor made for the late James Dean had he only lived. Hemingway's Adventures Of A Young Man would have been a well remembered classic with Dean in the title role.

The rest of the cast has some well placed cameos along Beymer's journey of life. Juano Hernandez and Paul Newman play a trainer and a long past his prime boxer who Beymer meets while bumming it to New York. This rarest of Newman films affords his fans a chance to see him in something totally different than anything he ever did before or since. Newman had done The Battler for a television film based on that particular Nick Adams story, but this is still a revelation.

In war Beymer's two closest companions are Ricardo Montalban his commanding officer and Eli Wallach as his interpreter/orderly. They will also be memorable as will Susan Strassberg in whom the origin of Catherine Barkley from A Farewell To Arms is found.

As they do with just about all film adaptations Hemingway purists will find fault with this film, but Hemingway's Adventures Of A Young Man will give one a good introduction to what was the origin of Papa.

Hemmingway's life represents the trials and tribulations of the silver spoon set of the WW1 and WW 2 eras. You can tell about a man by whom his friends are. He used to hang out with F Scott Fitzgerald and other upper middle class (or upper middle class wannabes). These people wrote about heroic struggles of others who were also silver spoons, and amazing as it might seem, these stories appealed to the great masses of both American and world readers. Why? Because everyone who is not of that class certainly aspires to it in most instances. And if you are to be of that class, then you must understand the profound problems of those in that class as well. You will not see any Angela's Ashes or Streetcar Named Desire lives in these writings. No, these are people who have the option of going to a war or leaving it as they see fit, of entering into a life of deprevation for a period of time, and then abandoning it when it becomes tiresome or boring. The other 95% of us have to play the cards we are dealt; we can not just get up and leave if we don't like the way things are turning out. That is the plight of those in the working class, and even the middle class. God forbid we should mention the poor. Hemmingway was a very competent writer, and his Young Man saga is satisfying at many levels. The acting here is so-so, but the production values are excellent. Coming of age is difficult for all classes, and everyone has passed through it before, and everyone will pass through it in the future. Hemmingway does capture that one basic idea well.