Harakiri

When I first saw this movie, I did not know much about it. I saw it for a class so I was given a little background of the time period. In fact I was pretty much just told this:

This movie takes place during the time where many Samurai were left ronins, or masterless. These samurai were unable to find work and thereby were left in poverty. Eventually many would go up to clans and ask to commit seppuku.

It was dishonorable to refuse such a "noble" request, but most clans did not want samurai to kill themselves on their property so they would just pay the samurai to go elsewhere.

So I watched the movie and well... I loved it. During the class discussion the next day I found most people hated the movie. Not because it was a bad movie, but because of how it made people feel about themselves. And that's exactly why this movie is genius. If you're interested in watching this movie, do not read the summary in detail - reading the summary in detail will deprive you of what one of the key things that made the movie great IMO.

The story of a Samurai, who requests to commit harakiri.

I have read many of the reviews with a great deal of respect, many have such an understanding of the culture, and a very deep understanding of the content of the film, for my ignorance I come here as a novice, with no understanding, so from my viewpoint, I'm watching a film I've been told I'd love. I've seen one samurai film prior to this.

First off, I had to check it was actually made in 1962, it felt way more advanced than that, the concepts and production.

I thoroughly engaged with it, the story was fascinating, and where I expected it to tell a general story, the focus was pretty much on one single character, Hanshiro Tsugumo.

Some of the pacing me be hard for some, the long drawn out scenes, I find very purposeful. The music is engaging, the acting terrific.

I wasn't surprised to learn that the swords and multitude of blades used in this movie were real, and that I think is one of the film's most successfully aspects, its authentic, a story presented in a very real fashion.

It's a powerful story, 9/10.

Harakiri is an excellent human drama set in feudal Japan that involves a ronin presenting himself to a powerful clan and asking to commit harikiri. However, through a series of flashbacks we see that this ronin is motivated by more than the idea of dying honorably. The events that follow are a critique of the feudal system and a celebration of dying for one's beliefs.

Every frame in Harikiri is wonderfully composed and a treat to view. The cinematography is crisp, the sets wonderful and the actors are spectacular. Much can be said about this film's technical merits as well as its social implications. I found out about this film through my love of Akira Kurosawa's samurai dramas (who else...) and I must say that it is very different from Kurosawa-sans work although it draws inevitable comparisons. Due to its themes, Harikiri is more of an anti samurai film. Generally Kurosawa's work seems to glorify the honor of the samurai and celebrate them as Japanese heroes by showing them gloriously in battle. Kurosawa is the Japanese John Ford, taking an icon from his culture and celebrating it. Harikiri exposes the virtues that Kurosawa portrays as being "a facade" to directly quote the film.

I say this so as not to mislead any potential viewers, I do not know enough about Japanese history to judge what the samurai really stood for and really I am not concerned with the idea. This is the only Kobyashi film I have seen and it has been brought to my attention that many of his films deal with similar themes. All in all I think that Harikiri is a wonderful film that offers a new take on feudal Japan.

"Harakiri" ("Seppuku") (Japanese, 1962): It is the 17th century. A young Samurai warrior arrives at a mansion, asking to perform his ritual death there. In a series of flashbacks, we learn who he is, why he came, and what has occurred since. Although quietly told by another ex-warrior (about whom we also learn more), this is an interesting story that builds in complexity and tension. Debates about rituals and appearances may at first seem to hold more significance in old Japan than in the contemporary United States, but it is not difficult to translate and implement such thoughts. Love, honor, duty, family, children, saving "face", determination, desperation…they all exist in OUR everyday lives. Dramatically photographed in beautiful black & white, given a strong Japanese score, and paced so that even the mildly patient will be glad they saw it, "Harakiri" is epically huge, and a must-see for story & film lovers.

This film is the purest distillation of the spirit of Greek tragedy ever put on celluloid. Yes, this is a review of Seppuku, a Japanese film released in 1962. Perhaps it took a non-Westerner, free of all of the cultural baggage and ridiculous associations, to see straight into the heart of the tragic mode and make it palpable and alive in the twentieth century. That is not all: the black and white cinematography is both formally assured and often outrageously daring; the soundtrack is one of the finest efforts of the greatest Japanese composer of the 20th century (or any century for that matter); the acting is demonically inspired; and the narrative is relentlessly gripping and involving. The film illuminates the relationship between the individual and society and between society and history. It is a tender meditation on familial love and the ties of friendship that transcend even death. This film will cut open your bowels, pull your soul out, and force you to stare it in the face. There may be other films that attain similar heights, but I cannot imagine any film, ever, being more perfect. Forget Citizen Kane, Seven Samurai, the Godfather, etc. etc. all of those commodified canonical works that everybody raves about because everybody else is raving about them. Don't get me wrong, they're fine--but this stuff is 200 proof. See it today. Buy it yesterday.