Dr. Crippen

Historical accuracies aside, a first class cast and adequate directions provide an interesting diversion for the duration of this film.

The film, especially in B&W, has a claustrophobic feel of foreboding.

That being said, there are some inaccuracies, a major one being that Crippen and his wife were Americans, and there's zero trace of that in Coral Brown's accent not detectably in Pleasance's. Pleasance was absolutely a wonderful actor, but his ability to do an American accent was never good (see his Dr. Loomis in Halloween) and I'm wondering whether that had something to do with his not bothering trying.

As a piece of acting, certainly nothing bad and imminently watchable.

A compact, modestly budgeted movie that looks perfectly at home on home video (which is how I saw it). "Dr. Crippen" boasts flavorful performances by Donald Pleasence as the not-so-good doctor, Coral Browne as the long-suffering as well as insufferable Belle, and a pre-"Collector" Samantha Eggar as Ethel Le Neve, every unhappily married middle-aged man's fantasy. Casting the British-born Pleasence and Australian native Browne as the American Crippens hardly seems to matter. Eggar may have been too beautiful to play Le Neve (who, judging from photographs, was still a darkly attractive young woman). The movie is, perhaps, too economical; although we do get to see Crippen and Le Neve disguised as father and son for their ill-fated ocean voyage, I wished other colorful details of the case had also been re-created, such as Crippen's recklessly escorting Le Neve to a charity ball shortly after his wife's disappearance. As for the movie's suggestion that Crippen wasn't truly guilty of premeditated murder, my reply is: perhaps - but that doesn't really explain why Crippen cut up his wife's body and buried the pieces in the coal cellar.

The real Ethel Le Neve was still alive when this film was first released (she died in 1967). One wonders if she saw it. One wonders what she thought if she had.

A dour little movie, with flat out ugly photography and ill-matched pairings. In short, the 90- minutes is something of an ordeal to sit through, that is, if you have the usual movie expectations. I don't know what the director told lead actor Pleasance (Crippen), but he acts like he swallowed a lemon throughout, even when in the loving company of the luscious Eggar (Ethel). I know he's supposed to be repressed, but his permanent paralysis appears unreal. Then too, seeing this unpleasant little middle-aged man paired with the lovely young Eggar amounts to more than a stretch. Then there's Belle (Brown), his boisterously unfaithful wife. About five-minutes into the film and I was hoping someone would strangle her and rescue my ears. The movie's only mystery is why it took him so long.

The case itself, from books I've read, was pretty much open-and-shut against the doctor. Certainly he had reasons to commit the crime, which coincides with the movie. However, I suspect the element of doubt about his intentions that the movie introduces was an invention to add a provocative note to an otherwise unremarkable screenplay. Certainly, Crippen is presented as a somewhat sympathetic character by movie's end, which looks like a belated effort to humanize an otherwise one-note performance. Anyhow, the lead characters come across more like stereotypes than real people. And that along with the truly grim-faced production amounts to a forgettable movie experience.

A Rather Dry and Low-Key Re-Telling of the Infamous Real-Life 1910 Case involving a Prominent Doctor, a Domineering and Battle-Axe of a Wife, an Attractive Mistress, and a Grisly Murder and Dismemberment. The "Good" Doctor was Tried and Hanged, but like so many of these Cases, the Jury, at least Publicly, is Still Out.

This Movie is a Well Cast, Talky, Claustrophobic Story that Attains a British, Stuffy, Tone and never Varies. It is Compelling, if not a Top-Notch, Thriller or Mystery Who-Done-It or Courtroom Drama. The Film just sort of Whispers its way from one Scene to Another with just Enough Intrigue to keep one Interested.

Nicholas Roeg's Cinematography is Crisp but Confined and it is the Performances that Grip this True Story and make it Involving with Samantha Eger and Donald Pleasence Standing Out, but Everyone Contributes to this Somewhat Creepy, Fireside, True-Crime, Turn of the Century Tale.

I remember seeing Dr. Crippen in theaters way back in 1963 and have some vivid impressions. Seeing it again more than 50 years later confirmed those same impressions.

It's a simple but impressive work with three very sharp characterizations of the principals of one of Great Britain's most notorious murder cases/love triangle.

Donald Pleasance who was playing mostly villainous roles back in the day is the ill-fated Hawley Crippen, MD., one of London's most prominent physicians in Edwardian England. His success in his profession is not matched with a successful marriage.

But he's got certain joys on the side with young Ethel LeNeve, a typist in his office played by Samantha Eggar. He can hardly believe that this pretty young thing has fallen for a late forty something man who is hardly any kind romantic ideal.

But the performance that really riveted me back in the day was that of Coral Browne as Mrs. Crippen. I could not believe what an evil witch this woman was. You have to wonder what he saw in her back in the day to marry her. It was my impression of Browne that really made me remember the film, as it turns out exactly as I remember it. What a horrible human being Mrs. Crippen was.

The movie opens with the trial of Pleasence and Eggar with flashbacks to the events which include Browne's behavior, the affair of the two lovers and their escape to America which did not quite work out.

The questions about the Crippen case revolve around was her death deliberate or an accidental poisoning? Pleasence himself makes a confession of sorts, but the case is debated to this day by criminologists professional and amateur.

Pleasence and Eggar are fine in their roles and I consider this film to be one of Donald Pleasence's best performances. But Coral Browne got her best part in her career. You will remember her from this film most of all.