Trahison sur commande

The beginning-the first third overall-is rather tedious ,with too much voice-over.No interesting character emerges and it essentially consists of William Holden's shuttling back and forth between Suede and Germany. One feels like calling it a day but wait....

The second third makes Lilli Palmer's character the center of the plot:a very interesting one,this German wealthy woman who betrays her country because of her Christian belief.This spy is not a routine femme fatale but a human being,who is smitten with remorse because the bombing which her informations allowed led to children's death.She has wonderful lines:"in a war,every victim becomes a brother".Two marvelous scenes:the first one ,probably the strongest in the whole movie,shows Palmer in a confessional,telling her sins to a man she thinks is a priest;the second one,she's to be shot in a jail,while Holden desperately tries,behind his bars, to say a last goodbye to her.Lilli Palmer's performance is moving,responsible and sensitive.

By the third part,no more Palmer,but the movie has hit its stride.Holden's return to Suede becomes an odyssey,with a lot of traps and his character has grown wiser and more human.He's able to show some compassion,probably the woman's influence.One of the most intriguing characters plays a small part now:a young boy,about 12,member of the Hitlerian Youth,proud of his uniform,he will make your hair stand on end.At the end of the movie,Holden has completely understood Palmer's line about the victims/brothers as the scene with Klaus Kinski testifies.

George Seaton has made an entertaining movie,which does not forget to ask questions and to moot responsibility.He does flay the nazi horrors,but he also puts the blame on the English agents ,stuffing themselves with lobster and sipping Champagne,while other people die unnoticed ,simply because the victims are their brothers.

When I hear the title THE COUNTERFEIT TRAITOR, I immediately think of my father because he often said it was his favorite spy film.

Seeing it, years later, I understand why. WILLIAM HOLDEN was in the middle of a winning streak of films at this time and establishing a secure foothold on his reputation as one of Hollywood's finest actors.

Since his role requires him to start as a cynical character, before he becomes convinced of the justness of his cause, it's a role that might well have gone to someone like HUMPHREY BOGART. But Holden, fortunately, got the part of the Swedish oil merchant who, through extortion and blackmail, is chosen by HUGH GRIFFITH to act as a spy against the Nazis in Denmark.

He does so, unwillingly at first, but gradually, through his meeting with another spy, LILI PALMER (in one of her best roles), comes to see things the way she does. The moment Palmer comes into the film, the plot thickens and interest mounts. The final result is a spy film that is truly mesmerizing, able to get a powerful grip on your heart and emotions, full of colorful action and intrigue.

Stunning location photography in and around Copenhagen is a plus factor, as is the rousing score by Alfred Newman. Holden has never been more persuasive in a role that fits him like a glove.

Taken from a true-life story, espionage tales don't come any better than this.

A pretty engrossing film based on a real character and true events. Holden is excellent, as is Lilli Palmer. A somewhat slow start, but picks up fairly quickly. The ending takes a tad long to unwind. Technicolor is so superior to the color techniques used today; the movie is great to look at. Also, a good portrayal of the atmosphere of life in totalitarian Germany. Thank you, American Movie Classics for showing us this one.

There really isn't much more to say except this gripping portrayal by Holden and Palmer is well worth the watching. Without exception the actors gave a fine performance, but the true heroes are the real people who risked their lives during WWll. Thank you AMC for bringing us this superb, often under rated film.

I've seen this movie a few times and each time its gets better. William Holden plays a true life character who was a Swedish Oil executive who is blackmailed into becoming an agent for the Allies in Nazi Germany. Holden's performance is true to life in this film. His character is not a glamorous secret agent who takes on the entire Gestapo and makes love to scores of beautiful women with no ill-effects on his person. Holden's character narrates the story much through the film and one is genuinely engrossed in his exploits and how he will escape out of the country in the film climax. In addition, the producers filmed the story in postwar Germany using authentic locations. Plus the atmosphere of the film captures much of the ordinary day to day life during the latter days of Nazi Germany. Great Film and one of Holden's better performances