Les confessions d'un mangeur d'opium

If it's a completely bizarre horror flick you're after, then you can go wrong with Confessions of an Opium Eater as there is NOTHING typical about this flick, and overall it is just as much an oddity as its title suggests it is! I actually saw this film under the alternative title 'Souls for Sale', but 'Confessions of an Opium Eater' does the film far more justice. My main reason for seeing the film was because it's a Vincent Price film that I'd never come across before, and anyone seeing Confessions of an Opium Eater for the same reason won't be disappointed as this is Vincent Price as you've never seen him! Indeed, not even the usually distinctive master of the macabre can deliver the usual in this film. The plot is often confusing and doesn't always flow well, but the themes of opium induced hallucinations, Chinese human auctions and odd little midgets are usually enough to see it through and ensure that it's hard to care about the shortcomings with the plot.

The dialogue is surprisingly lyrical, and it's a huge benefit to the film that Vincent Price is on hand to deliver it. Price's voice always bodes well with dialogue like this, and that doesn't change here. Confessions of an Opium Eater was filmed in black and white, and while the cinematography looks rather cheap; it does fit the feel of the film. Vincent Price takes centre stage at almost all times, and while there are some memorable characters among the supporting cast - it is always clear that this is Price's film. The film is directed by Albert Zugsmith; and the fact that he is better known for his producing credits is hardly surprising as his direction isn't exactly inspiring...but then again, you can't expect brilliance in a B-movie picture like this one. There are a number of standout moments in the film, however, and chief among them is Price's hallucination sequence; which somehow manages to blend well with the rest of the picture. Overall, Confessions of an Opium Eater is a film that is well worth tracking down despite not being one of price's out and out best efforts, and I highly recommend it.

Imagine if The Prisoner had been made with a script constructed entirely by sayings taken out of fortune cookies, the result would be not dissimilar to this. It's got the Tong, dancing, a strange dwarf and a kite. And just wait until you see Vincent Price tripping out on opium! Everything goes SLOW! Its a sequence which is worth the price of admission alone.

Confessions Of An Opium Eater (1962) DVD 7/10

An adventurer (Vincent Price) in 19th century San Francisco becomes involved with Tong wars, slave auctions of Chinese girls and opium dens.

This is one of the most bizarre films I have ever seen. Even more jaw dropping that it got made in 1962. It is exploitation madness at it's best. Price however brings his great talent and class to make this a cut above other strange films made in the 1960s. All the Asian roles are played by real Asians such as busy character actors like Richard Loo and Philip Ahn. Linda Ho plays an evil "Mata Hari" type. She is deliciously nasty and smolderingly sexy in this part, probably the best role she ever had in her short film career. When Price settles down with a pipe in an opium den, there is a incredible druggy fight sequence all done in slow motion, it has to be seen to be believed. Another highlight is a wisecracking female Chinese dwarf (Alicia Li) who provides some wickedly funny quips. It ends with an auction scene where girls are sold for opium. They do some suggestive dances which most have seemed scandalous at the time. Price fans and anyone interested in something weird should seek this out.

The only similarity this bears to Thomas De Quincy's "Confessions Of An English Opium Eater" is that both characters have the name Thomas De Quincy. The novel is an autobiography of the effects on opium on one man's life, while the film is a Vincent Price lead "Lady From Shanghai" like twisting film noir.

Price's De Quincy is a sailor, whose voice over is a Raymond Chandler meets De Quincy poetry, come to San Francisco after a long stay in "the orient", where he involves himself in the dubious world of human trafficking, particularly brides in China Town during the 1800's Tong Gang Wars. The film opens with a brutal scene involving screaming women thrown in a net like freshly caught tuna, and then a violent battle between two gangs on the beach as they try to deliver the kidnapped women to their fate.

Albert Zugsmith produced classics like "The Incredible Shrinking Man", "Written On The Wind", and "Touch Of Evil", along with directing many exploitation flicks, which this film veers into from time to time. The film is more in the Siejun Suzuki brand of wildly inventive, free wheeling pulpy expressionism, than Ed Wood kitschy ineptness. Despite the title the only scene involving opium is when Price takes some in order to get close to the women trafficking ring, and has a particularly impressive Lynchian circa Elephant-Man era hallucination scene (which is worth price of admission alone).

However the best scene comes when Price wakes up surrounded by guards and has to make a slow motion (cus he's high on opium) dash out of the den, and to the rooftops of china town. The scene is also completely silent, and truly marvelous in it's execution. I know slow motion action sequences where Greogiran chanting plays over sweat glistened A-listers shooting each other in mid air are common place now, but in Zugsmith's hands your reminded of excting an action sequence can be when it's done right. The plot is not particularly strong.

Why De Quincy is saving the girl, or what he is doing in China town at all, has many twists and turns, and leaves some gaps to be filled? But the direction, the suspense, and especially Price's performance make lines that would sound preposterous and almost Terrance Malick like in their stream of consciousness like "You wear as many masks as their are stars reflected in a gutter", sound as if he says them everyday. Such are the gifts of Price.

I was very pleased with this movie, that can be found easily on Youtube, though you might want to get a good copy to take in the fullness of Zugsmith's frames.There is a dreaminess and nightmarishness to all of the scenes, like opium was poured over a script to a lesser film, and this movie stumbled out of a smoke ridden room, rambling of dancing girls emerging from cages, crashes through windows, being swept to sea from sewer drains, and teetering on the edge of rooftops with vertigo at a snails pace, and feeling "the abbacus of fate has your number". Good times.

Enter a world of hidden rooms, sliding panels, secret passages, narrow sewers and opium dens; a world where, at the Hour of the Rat, pretty Chinese girls are auctioned off to the highest bidder. When Gilbert De Quincey (Vincent Price) arrives in San Francisco's Chinatown in 1902, he is quickly embroiled in a viscous Tong war between two rival factions. The seductive Ruby Low and her followers organize the picture bride auctions on behalf of ancient Ling Tan. The supporters of the Chinese Gazette's murdered editor, George Wah, oppose them. De Quincey bears the moon serpent tattoo, aligning him with Ruby Low, but his actions suggest he may have other motives.

Albert Zugsmith, better known as the producer of Orson Welles' "Touch of Evil", produced and directed "Opium Eater", a black and white b-grader hastily dismissed by reviewers. It has genuine merit to those who like offbeat cinema. Although it uses Thomas De Quincey's 1821 book title, (actually called "Confessions of an English Opium Eater") it conjures up its own story of deception and murder. Price as Gilbert De Quincey, who also narrates the film, suggests he is an ancestor. "Opium Eater" actually has more in common with the Fu Manchu mysteries or the yellow peril pulps popular in the 1930s. Add to this its fortune cookie dialogue and ramblings about dreams, reality, death and destiny and you have one very strange movie indeed. There is no doubt "Opium Eater" is bizarre, but it is also literate and genuinely mysterious.

Albert Glasser's spooky soundtrack is one of the films great strengths. His eerie electronic score endows it with an ambience of unease and dislocation. In one scene, after Price awakens from his opium-induced nightmare, axe-wielding henchmen chase him across rooftops. Here the music drops right off the soundtrack and we are left with only an unnerving silence. Zugsmith's direction is clumsy at times but many intriguing moments make up for this, including his creative use of slow motion and the nightmare montage in the joss house. This drug scene must have been quite controversial in 1962 and I wonder if it was snipped from certain prints or caused the film to be banned in some areas.

The love/hate relationship between De Quincey and Ruby Low suggests their fate is predetermined and leads to a quite unexpected, but oddly satisfying outcome.

It's a flawed film, but remains a curious, haunting experience deserving of a cult following. >