Cartouche

Those who like the genre should not miss the (rare) occasion to see this movie. It is a splendid cloak and dagger story, full of adventures, fights and love. Of course, somewhat incredible at times. Unforgettable is the scene in which the bandit Cartouche (Jean-Paul Belmondo) with the corpse of Venus (Claudia Cardinale) in his arms demands jewels in ransom from French nobles, in order to have a treasure to be buried with his beloved Venus, who has been killed in a fight.

Louis-Dominique Cartouche (1693-1721) was one of the two famous brigands in France of the XVIII th century the other being Mandrin the smuggler.Cartouche's "career" took place during the Regence (interregnum Louis the XIV th /louis the XV th) whereas his colleague appeared later under Louis the XV th 's reign.He was another Robin Hood ,stealing from the rich and giving to the poor (not only legend).He was a gallant man,seducing many women , collecting the lovers .In the movie ,"Venus" (Cardinale)might represent some of them.His relationship with an aristocratic woman (Odile Versois in the movie) is plausible for he had friends in the nobility .Once he had dinner with one of these high born ladies and he thought her champagne was undrinkable:the day after ,he sent a case of bottles to her.The tragic death of Cartouche is not shown in the movie:like Mandrin ,and like other brigands ,he perished on the wheel ,a terrifying torture .

Belmondo who was also De Broca's "L'Homme De Rio" is a dashing handsome chivalrous Cartouche .He gets good support from a stellar cast .The last scene,often praised ,is ,with the "burying at sea" scene of Enrico's "Les Aventuriers" ,one of the most beautiful scenes of the French cinema of the sixties!And,no,they were not Nouvelle Vague ,either De Broca or Enrico !

This lush and lively swashbuckler is notable for it's slapstick humor and blatantly romantic finale. The silliness works thanks to director DeBroca's whimsically light touch and Belmondo's atypical athletic charm. It's an elegant and sumptuous looking production and a surprisingly romantic adventure. The ravishing Ms. Cardinale alone is worth the price of admission. Delightful in spirit, charming in delivery, with appropriately gorgeous music by Georges Delerue. The superb widescreen DVD from Anchor Bay is the best way to appreciate this movie.

While this certainly isn't one of the deeper or meaningful costume dramas I have seen, I must admit it's a lot of fun--even though the character played by Jean-Paul Belmondo is crazy when it comes to his relationship with the lady played by Claudia Cardinale. It's in many ways a re-telling of the Robin Hood story in 18th century France--with a much more flawed main character. Like Mr. Hood, Cartouche steals from the rich and gives to the poor, but unlike Robin (who was quite happy with Maid Marion, thank you very much), once Cartouche got the girl of any man's dreams, it just wasn't good enough. Claudia Cardinale played a ravishing young thief who was desperately in love with him and ultimately would do anything for Cartouche--and the idiot keeps looking at other women! Ultimately he understands the stupidity of this, but by then it's just too late.

The story excels when it comes to exciting fights and costumes. However, at times, it lets the viewer down because the mood of the film seems to shift too much--almost like there were several versions of the film and they morphed them together. On one hand, it's a romance and in that department it does an excellent job. On the other, it's an exciting adventure yarn and once again it succeeds in this department. But, at some points in the movie (particularly when Cartouche is in the army), it also tries to be a pretty broad comedy. I actually think the film might have been better if the entire thing had been comedy or they removed the comedy altogether. It just seemed disjoint and odd the way it changed styles. However, regardless of this, the film is still worth seeing and is a lot of fun.

There were some fun scenes to be found in Cartouche, but I found the way it was all put together pretty awkward. Even if there's always something happening in each individual scene of the film, those scenes just don't flow together very well. It's not as breezy as the ideal kind of swashbuckling movie should be, but I can't deny it comes alive at certain points.

I also think it manages to be watchable because of the star power, and yeah, seeing Jean-Paul Belmondo and Claudia Cardinale in the same film is reason enough to check out Cartouche I guess. Hot take, though: I think Alain Delon was better in these sorts of roles than Belmondo. The latter is somewhat charming here, but I don't know; there's just something about his style and charisma that makes him so much better suited to 20th-century crime movies. He doesn't have iPhone face, but I guess he has the 1960s equivalent. I can't entirely buy him in this role, but I think that's more on the casting than him specifically. He does what he can.

Cardinale is as good as always, but as is often the case, she's a bit underused... so maybe the star power isn't all that? Eh, it's still something.

This movie is fine, is I think what I was trying to eventually get at.