Bon Voyage!

Fred MacMurray, Tommy Kirk, Kevin Corcoran. 3 classic Disney stars that you can't go wrong with. But somehow this just missed. A good concept but just didn't have laughs. Its more about annoying love spats. I've been watching all of the late 50s and into the 60s live action Disney movies. Some of them are awesome. Some of them are good but a little slow and then by the time you get to the end, the music and the story have you captured. Others yet left a little to be desired but are still good family fare. This one, well it just doesn't make the cut. Well, if you are like me and want to watch every Disney live action movie from the time period, its OK, its not that bad, scenes in France will keep you interested.

This turned out to be a good movie. Fred MacMurray and Jane Wyman finally take the European trip they've always dreamed of, including taking their three children along. Tommy Kirk and Doborah Walley are their teen-aged children and bring along their romantic escapades. On location shooting make for a better than average Disney film. Saw this on the Disney channel.

This Disney Romantic Comedy is just plain too long for its own good. Fred MacMurray and Jane Wyman star as an Indiana couple finally getting their trip to Paris, but with three "kids" in tow. They get involved in all sorts of complications, especially with the older kids.

Amy (Deborah Walley) has met a rich young man (Michael Callan) who is also taking the ocean liner trip. She's a cold fish and he's a neurotic pain. Elliott (Tommy Kirk) is a sullen little thing, but he perks up when he gets to Paris and meets some girls. Then there's little Skipper (Kevin Corcoran) who makes some trouble for Dad.

While this could have been a fun film, it's so slow and draggy, the pacing kills it dead. Wyman and MacMurray have very little chemistry but go through their paces as the pros they were. Wyman is further hampered by those hideous mid-century clothes and hats.

Jessie Royce Landis provides a punch of fun and color as Callan's flamboyant mother. Ivan Desny makes for a dreary masher. A few other familiar faces like James Milllhollin, Howard Smith, Doris Packer, Max Showalter, and Richard Wattis, don't have much to do. Carol White, a British actress famous (later in the 1960s) for gritty British films like POOR COW, is oddly cast as one of Kirk's girl friends.

MacMurray does have a few good comedy scenes, but there's not enough punch to make this more than an extended sitcom. The film won Oscar nominations for sound and the hideous costumes.

BON VOYAGE (1962) is a curious, mildly entertaining live-action Disney artifact about a typical American family's long awaited trip to France, and an odd attempt at semi-sophisticated comedy from a studio not exactly known for the genre.

In the mom-and-pop leads are the Disney period Fred MacMurray, a long way from DOUBLE INDEMNITY, and the ex-Mrs. Reagan, Jane Wyman, whose dignity manages to hold up better than Fred's. As the two sons we have Disney protégés Kevin "Moochie" Corcoran in a relatively tolerable appearance, and Disney maverick, Tommy Kirk, in a buzz cut that does nothing for him.

For the young love interest daughter Deborah Walley and cynical playboy Michael Callen (Riff in the original stage cast of WEST SIDE STORY) are re-teamed after 1961's GIDGET GOES HAWAIIAN. As Callen's expatriate mother Jessie Royce Landis does her best to bring a touch of giddy sophistication to her Paris soirée sequence.

Around this time they used to say Disney got their live-action performers on the way up (Julie Andrews) or the way down (most of the cast here). It's also somewhat difficult to gage the target audience - adults, teens, family? - because there's not much here to hold a child's interest.

Certainly interesting is the authentic (if brief) footage of vintage ocean liners and their NYC piers (including a comically confused boarding and departure sequence), and location shots of an early '60s Paris.

Most curious sequence: MacMurray meeting what is subtly coded as a Paris street walker, played by the authentically French and rather grave Françoise Prévost, who seems to have inexplicably wandered in from a Godard film. Later she also picks up Kirk, an encounter dad is quick to defuse.

So it's no spoiler to mention that American Family Values triumph at the end in spite of a climactic trip to the decadent French Riviera. On the plus side the film presents a generally positive, even admiring view of French life and culture.

And Bunuel and Dali would surely love the extended sequence in which Fred MacMurray's wiggling finger protrudes from a street level Paris sewer lid.

I guess a trip to France is as good a reason as any to be in a film and Walt Disney took a whole bunch of American players over to France to film a rather innocuous and over long comedy Bon Voyage. Everybody here has done much better work.

The Willard Family of Terre Haute consisting of parents Fred MacMurray and Jane Wyman and kids Deborah Walley, Tommy Kirk, and Kevin Corcoran all head to Paris on a long anticipated vacation. Each of them has some issues to deal with.

MacMurray just can't seem to do what he wants to do, some family crisis is always interrupting. Walley has fallen for American playboy Michael Callan who is dying to get out from under his rich dowager mother Jessie Royce-Landis. Wyman has attracted the attention of a gigolo in Ivan Desnys. Kirk is having the old badger game run on him by Georgette Anys, the mother of a girl he met on the Riviera beach. Only Kevin Corcoran seems to have no problems, but he gets separated from MacMurray in a tour of the Paris sewer system. That by the way provides the best laughs in Bon Voyage.

Given the Disney parameters Bon Voyage had certain restrictions placed on it that the more successful National Lampoon's European vacation didn't have. That was a far better film and the Griswolds will linger in your memory way after the Willards have gone.

In a recent biography of Fred MacMurray, Tommy Kirk did not have fond memories of the film. His sexuality had come to light at the studio and Jane Wyman treated him horribly. As for Fred MacMurray he and Fred had a decent relationship from previous films, but it was never quite the same after that. In addition Kirk felt his character was something of a doofus and I'm inclined to agree with him.

Even with the European locations Bon Voyage is probably the weakest of all the films Fred MacMurray did for Disney.