The Beverly Hillbillies

The "Hillbillies" has vaudville like gags. Nothing but pure comedy. Just plain great. It's stood the test of time.

The casting was perfect. Buddy Ebsen is a favorite. Donna Douglas is the most beautiful woman I've seen. Could be my favorite TV show of all time.

Normally I don't critique sitcoms because, frankly, it's not worth the effort and are so crassly superficial that they don't require any serious attention. But in the case of "The Beverly Hillbillies" I will make an exception. This is because of one character: Jed Clampett, played by Buddy Ebsen. Jed Clampett is one of the most endearing yet complex characters ever created by the television industry. Superficially, Jed Clamptett doesn't seem to be the type of character that warrants much serious attention. After all he's just a simple, uneducated backwoodsman from the hills who's lived in a shack all of his life, and by pure dumb luck comes into a pile of money which doesn't seem to change him one bit. Which is what makes Jed Clampett such a wonderful character. For Jed Clampett has dignity and integrity and nothing will divert Mr. Clampett from remaining true to himself or altering the way he treats everyone - with openness, honesty and a real desire to be hospitable. Further, Jed Clampett commands respect, and is respected, not only by his immediate family who are utterly devoted to him, but even by that crass and conniving banker who, despite his air of superiority, reveals, episode after episode, what a buffoon he is compared to the calm and self-assured Mr. Clampett. Also, it should be noted the Jed Clampett protects and cares for not only his daughter, but his nephew and mother-in-law, the latter two a constant challenge to Jed's patience, which he never loses. If there were more Jed Clampetts in this world, then maybe we'd all be living in shacks, but at least we'd be getting along with each other and treating each other better.

This is a hilarious 1960's comedy that I grew up with and still never tire of every time I chance to encounter it in re runs. It surely stands among the best of its genre. The series revolves around the sidesplitting culture clash that ensues when the country bumpkin Clampett family moves to Beverly Hills after father, Jed Clampett, stumbles upon oil on his land and becomes a multi millionaire. The rest of the family joining him at their new Beverly Hills mansion include Jed's mother-in-law Granny, pretty daughter Elly May, and nephew Jethro Bodine.

The Clampetts are of course...something else...as they enter this alien world, where their mansion has every luxury imaginable including a cement pond. The superstitious & feisty Granny makes certain her kin always have lots of vittles, especially such delicacies as hog jowls and possum belly. She hangs out her shingle for the purpose of imparting her unique brand of down home doctoring & dentistry, and firmly believes that the South won (or at least is winning) the Civil War. Much of her time is spent chasing her great nephew, Jethro, out of her kitchen with a broom, trying to curtail his endless appetite. The dim witted Jethro is a scheming would be playboy, who's all proud that he graduated sixth grade and can cipher. Jed's sweet, innocent, & beautiful daughter, Elly May, has a penchant for critters, including a pet chimpanzee named Bessie. Granny is terrified that Elly's destined to become an old maid, as alas, she's still unwed at the ripe old age of eighteen. Much of Granny's energy is put into seeking out suitable beaux, although any courtin' & sparkin' in the Clampett parlour must be suitably chaperoned (or rather, cheered on) by spying through the closed door's keyhole.

The gem of the series is Jed, around whose unfailing integrity this ongoing saga revolves. He always seems blissfully unaware that he's wealthy, feels and acts no differently than he did back in the hills, and treats everyone the same (whether rich or poor). He gives generously to country folk and city slickers alike, is equally kind to both neighbours and total strangers...all the while dealing with the crazy antics of both Granny and Jethro and seeing to the lovely & rich Elly's various suitors, not all of whom have the most honourable of intentions. As another commented, if only everyone was like Jed Clampett!

In dramatic contrast to these hillbillies are the wealthy and status conscious Beverly Hills citizenry, as personified by Jed's banker, Mr. Drysdale, whose life revolves around maintaining the favour of his bank's main customer, Mr. Clampett, and protecting that thirty million dollars (or whatever the figure). His wife, Mrs. Drysdale, is a superficial & snooty dame who comes into frequent conflict with her neighbour, Granny. Jane Hathaway is Mr. Drysdale's very properly spinsterish but man hunting and bird watching secretary. She is the constant victim of her boss's greedy schemes and actually becomes quite a genuine friend to the Clampetts.

The actors are all stellar in their roles...Irene Ryan (Granny), Donna Douglas (Elly May), Max Baer Jr. (Jethro), Raymond Bailey (Mr. Drysdale), Nancy Kulp (Miss Hathaway), and especially the wonderful Buddy Ebsen (Jed).

It's a hilarious and side splitting romp, each episode funnier than the last. Through it all, Jed's integrity and honesty always shine through. The humble and good hearted neighbourliness of the Clampetts stands in sharp contrast to their affluent environment. It's Jed Clampett's desire for the simple pleasures of home, family, friends, and hard honest work versus Milburn Drysdale's blatant materialism. Every viewer realizes that, despite all the absurdity and the utterly ridiculous scenarios, the Clampetts know exactly what's important in life and that this family of uprooted hillbillies has a real life lesson to teach us all.

If only there were more TV shows like it today! Alas, our society has become far too sophisticated for its own good.

In 1971, when "The Beverly Hillbillies" was canceled, "All in the Family" premiered. While "All in the Family" is praised as the first "socially relevant" sitcom, "The Beverly Hillbillies" was the first to satire our society - "The Beverly Hillbillies" did it with screwball comedy. "The Beverly Hillbillies" changed the face of television - to date, it still holds the record for some of the highest-rated single half-hours of television. And, the performance of Irene Ryan in this series is right up there with the likes of Lucille Ball and Mary Tyler Moore on their respective series. It is a shame Ryan never won an Emmy for perhaps one of the most endearing, energetic performances in the history of television. While the first five seasons of the series were undeniably the best, and the writing suffered by the late 1960s, "The Beverly Hillbillies" changed the face of television. It opened the door for creativity, wild plot lines and colorful characters that dominated television in the world of sitcoms of the 1960s. It is the era of the 1960s that produced some of the most beloved sitcoms in history, and all of it was due to a little groundbreaking sitcom about a man named Jed.

The original series THE BEVERLY HILLBILLIES was probably the most genuinely funny sitcom ever made with the possible exception of I LOVE LUCY. This endearingly wacky comedy is both audaciously cutting edge and family-friendly wholesome, no mean feat. I would put some of the finest Hillbillies episodes up against the best films of Preston Sturges for sheer pandemonium glee. Most of the episodes are excellent, several are brilliant. The cast is superb, especially Irene Ryan as the hot-tempered yet sentimental Granny, a five-foot elderly spitfire who was afraid of no one - and had no reason to be. Miss Ryan was twice nominated for the Best Actress Emmy award for Granny - she should have WON at least four times! Buddy Ebsen is excellent as Jed but Donna Douglas and Max Baer were equally fine as the "young uns". Donna's free-spirited, tomboy with curves Elly May is a total joy while Max is hilarious as the dim-witted Jethro (and quite wonderful in drag as his twin sister Jetherine, playing the character seriously as an over-sized female, not going for cheap "man-in-a-dress" laughs.) Raymond Bailey and Nancy Kulp are fine as their city friends and I cherish the episodes in which Harriet MacGibbon (as Mr. Drysdale's snooty socially prominent wife) and Bea Benaderet (as Cousin Pearl) appear - Mrs. Drysdale and Pearl often had to go head-on against Granny and both actresses rose to the challenge beautifully.

The Beverly Hillbillies are often closer to the classic comedy shorts of the 1930's and 1940's than a conventional sitcom. Their importance on television history can not be overstated - not only for the "country comedies" that came along after them but for opening the door to an "alternative universe" on television where 'real life' was thrown out the window and fantasy prevailed. THE MUNSTERS, BEWITCHED, I DREAM OF JEANNIE, STAR TREK, GREEN ACRES, WILD WILD WEST, THE ADDAMS FAMILY, GILLIGAN'S ISLAND, etc. - all the shows of the 1960's that pushed the reality envelope owe a debt to the Hillbillies and they probably wouldn't have been around with out the pioneering work done on this series.