Les Jeunes

This is the kind of movie to spend your fee on when you were a British teenager in the early sixties. But there is hardly a story, and what there is is very predictable. The movie has two strong moments however: the first 10 minutes are really an example of how a musical can start at full-speed, and the part where Cliff Richard sings the title song, strolling along "the serpentine" in Hyde Park, London, with the lovely Carole Gray aside him. A little bit of a cult movie, and a very weak brother of West side story. But it has its place in history and millions have enjoyed it. Cliff's fans probably still do.

I went to see this movie back in 1961 when it was first released, and I saw it at a special Midnight Matinée with Cliff Richard on stage in person at the end of the film. He was also in the lobby afterwards. A pleasant enough musical, the title song is sung at Ruisip Lido which was a popular summer venue in the 1960's. It is still there (2014)but swimming is no longer allowed. The theater where the young ones put on their show really was the Finsbury Park Empire which was designed by Frank Matcham a famous British theater architect,the building was standing empty having closed in 1960, the theater was demolished in 1965.So if you are into old theatres the movie serves as a reminder of that building. Some of the dance routines remind one of West Side Story. Although the film was in Cinemascope ratio it did not have stereo sound which is a pity for a musical. Robert Morley plays the part of Cliffs father well and it is fun to see Robert doing a dance routine near the end of the movie. If you like musicals you will probably enjoy this film as long as you do not expect it to be like a big Hollywood production.

Sir Cliff Richard was then England 's biggest star ,and the thing George Martin had in mind was to surpass his success,which meant a lot! It's 1961 ,still in the pre- Beatles days ,but girls (see the scene in the theater) already scream when the "mystery " singer appears on stage.

Nicky is a millionaire's son but he does not want to let the cat out of the bag ,for fear he may lose all his good pals (only his girlfriend knows);and,you would never believe it, daddy wants to destroy the youth club to build big buildings;and he is so wealthy he can buy everything ,"lock,stock and barrel " to be precise .

Blackman Sr is played by highly talented Robert Morley,who makes his character nicer than ,say ,Uncle Scroodge ( both Dicken's and Barks/Disney's)

Richard ,21,is good-looking ,and there's a good chemistry with Morley (who could easily have stolen most of the scenes he is in);his ballads are tuneful and pleasant ,particularly the title track;he is less at ease with pure rock and roll :Elvis Presley,he is definitely not.The talented Shadows have an instrumental and ,with hindsight,can be considered influential in the future of rock,which is not really the case with their singer.

Too bad the movie tries so hard to emulate the American musicals in an interminable sequence ;the best scenes ,from that point of view,are to be found in the youth club :the scene in which a deadpan Sir Cliff dances with the "star" is worth the price of admission;the illegal TV advertisement is also a good moment.

This is delightfully old -fashioned stuff,which retains a certain pristine charm.

I saw this film aged 11 when it came out and loved it. It seemed fresh and exciting - and importantly it was in colour! It was full of possibility and aspiration to this post war lad.

Film and TV at this time seemed set upon diluting rock n roll by transforming its stars into 'all round entertainers'. Once Elvis had been neutered by his period in the army, films involving popular music involved clean cut clones like Fabian or Ricky Nelson - or a squeaky clean Elvis himself. Cliff was a UK version of this phenomenon - himself an Elvis clone initially smouldering for Jack Good on TV's 'Oh Boy!', but polished up for this film, his sexual threat now removed.

Someday someone will produce a proper study of the period 1958 to 1962, where nothing dangerous seemed to happen and rock lay fallow. Actually rock was just regrouping for the Mersey sound and more.

The film however is a UK version of a typical Hollywood musical, and by UK standards some money has been spent. Looking at it now though, you can see it was a throwback even then.

On a personal note I have a soft spot for the old long gone Finsbury Park Empire - near where used to live - which is the supposed location where 'the young ones' put on a show.

In fact this film may be the origin of the cliche 'Hey - why don't we put the show on right here?!'

Also as a small footnote - reckon the production designer of 'Absolute Beginners' in 1986, owes The Young Ones a debt

Years before Sidney J. Furie went on to direct bone fide screen epics such as the fantastic Ipcress File or the not so epic Iron Eagle movies, He directed Cliff Richard in a couple of his manufactured movie musicals simply designed to cash in on both Cliff's youthful good looks and his raw Rock n' Roll talent.

Back in 1961 Cliff's clout with the record buying public was at it's peak. The Beatles were still a year or so away, and Cliff was our home grown British Rocker. (despite being born in Lucknow, India).

Like Elvis, The movies saw potential in Cliff's box office appeal and immediately put him in the movies. The films didn't really have to be good or entertaining even, the fact that it starred Cliff Richard was enough to but the bums on the seats.

His first two movies (Serious Charge and Expresso Bongo Both 1959), had done well, but neither really gave Cliff the starring vehicle his Godlike status with the teenagers required. However, all this was to change with The Young Ones. For the first time movie audiences were able to see him in both Technicolor and Cinemascope.

Cliff plays Nicky Black a member of a local London youth club under threat of closure from a ruthless property developer, Hamilton Black (Robert Morley). Nicky and his friends become determined to stop this closure by any means necessary. This task is not made easy for Nicky as the aforementioned property developer is actually his own father.

In order to raise £1500, (a HUGE amount of money then), to buy an extension of the lease to keep their club open, Nicky & Co decide to take a leaf out of Mickey Rooney's book, and PUT ON A SHOW. However, Hamilton Black is just as determined, and manages to scupper their plans as soon as they make them.

The youth club gang then decide that they will use pirate radio broadcasts, in order to let their audience know when and where their show will take place so Hamilton Black cannot put yet another fly in yet another tub of ointment.

The Shadows, appear here too, and over the previous two years, they had already emerged from being simply Cliff's backing band and become (and remain to this day), Britian's most successful instrumental band. Because of this, It's a shame that none of the Shadows actually get a speaking part in this movie, but are always on hand whenever a song needs to be performed. They do get their own shining hour though, when they perform their hit "The Savage".

Carole Gray woodenly plays Cliff's love interest, yet her singing voice was dubbed by the ultra-talented Grazina Frame. Why did the producers go to all that trouble? Why did they not just cast Grazina straight from day one? In fact, when you compare Carole Gray and Grazina Frame, Grazina was not only the better singer but their better looking of the two.

Robert Morley is quite amusing in his role, as are Melvyn Hayes, Richard O'Sullivan and Teddy Green in theirs, but it's Cliff & The Shadows that actually make this movie even remotely watchable.

The reason being, is that the film, when viewed as a complete film, is pretty crap, but that is a failing of ALL British musicals dating back to Jessie Matthews time. With each generation since the 1930's, we Brits have tried to make a decent movie musical and have fallen flat on our faces every single time. (Did you ever see Spiceworld?). Our inability to make a decent musical might have something to do with those awful big 'Production Numbers' like the ones displayed in this movie.

The Young Ones is a harmless way of spending a couple of hours, as there is nothing hear to shock or offend anyone, after all this is Cliff Richard we're talking about.

Enjoy.