West Side Story
- 1961
- Tous publics
- 2h 33m
Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.
- Won 10 Oscars
- 31 wins & 11 nominations total
Anthony 'Scooter' Teague
- Big Deal
- (as Scooter Teague)
Harvey Evans
- Mouthpiece
- (as Harvey Hohnecker)
Featured reviews
WEST SIDE STORY changed my life. I first saw this movie when I was about 13 years old. It was the first musical I ever saw, and it opened up my eyes to the joys of musicals and the classic films of Hollywood.
The romance is heartbreaking and the Leonard Bernstein-Stephen Sondheim score is one of the best ever written. Jerome Robbins' choreography is also amazing. The film itself is visually stunning.
One of my faves!!
The romance is heartbreaking and the Leonard Bernstein-Stephen Sondheim score is one of the best ever written. Jerome Robbins' choreography is also amazing. The film itself is visually stunning.
One of my faves!!
I enjoyed Natalie Wood of course, talented stunningly attractive actress. Richard Beymer too... However, of all the reviews I have read here, hardly a one makes mention of the composer of the music in the film, Leonard Bernstein's music... The melodies are beautiful and romantic beyond compare. Bernstein was a genius, a great composer and conductor of orchestras... Stephen Sondheim had penned the lyrics, but the music came from Bernstein. Well known in the world of classical music, as a conductor he had championed a number of classical musicians, and he was a powerful prominent force on the International and New York orchestral music scene. A man of supreme importance in the field of classical music interpretation. I guess we could say that in the world of "popular music" he will be best remembered for his work here in West Side Story... This music is lovingly crafted by Leonard Bernstein, the master... Comment from Malcolm in Toronto 18th October 2007
Viewing WEST SIDE STORY last night on TCM for the first time in years, I realized what an impact this made on film musicals with its innovative use of dazzling choreography and high-flying camera-work that made it a cinematic experience rather than a stage-bound one.
Robert Wise and Jerome Robbins directed this poignant and powerful musical with a talented cast of performers--Natalie Wood at her dewy-eyed loveliest as the Juliet-like heroine and Richard Beymer doing his best to bring some heart-felt passion to the role of the Romeo-like Tony, but he's too refined to be believable as an ex-gang member. At least he does have some chemistry with Natalie and obviously put his heart and soul into his performing. The voice dubbing for both is done skillfully, but I would have preferred a stronger voice for Beymer.
Rita Moreno (not Chita Rivera as another commentator named her) and George Chakiris are beyond reproach as Anita and Bernardo--and all of the gang members do superb footwork and acting as the Jets/Sharks. Most impressive is the actor playing Ice (Tucker Smith) who figures prominently in the finger-snapping "Cool" number.
This is the quintessential 1960s musical with some expert choreography (the rooftop version of "America" is a standout) and stellar work from everyone in the cast. Leonard Bernstein must have been proud of this film version of his Broadway musical. Robert Wise's firm control in blending the music with the "book" is craftsmanship at its finest.
By all means, a musical that deserved all of its Oscars!!
Robert Wise and Jerome Robbins directed this poignant and powerful musical with a talented cast of performers--Natalie Wood at her dewy-eyed loveliest as the Juliet-like heroine and Richard Beymer doing his best to bring some heart-felt passion to the role of the Romeo-like Tony, but he's too refined to be believable as an ex-gang member. At least he does have some chemistry with Natalie and obviously put his heart and soul into his performing. The voice dubbing for both is done skillfully, but I would have preferred a stronger voice for Beymer.
Rita Moreno (not Chita Rivera as another commentator named her) and George Chakiris are beyond reproach as Anita and Bernardo--and all of the gang members do superb footwork and acting as the Jets/Sharks. Most impressive is the actor playing Ice (Tucker Smith) who figures prominently in the finger-snapping "Cool" number.
This is the quintessential 1960s musical with some expert choreography (the rooftop version of "America" is a standout) and stellar work from everyone in the cast. Leonard Bernstein must have been proud of this film version of his Broadway musical. Robert Wise's firm control in blending the music with the "book" is craftsmanship at its finest.
By all means, a musical that deserved all of its Oscars!!
This masterpiece is already 56 years old and as it happens with masterpieces, it has kept intact all of its energy all of its power and it remains a mind blowing novelty. "Singin'n'the Rain" has those qualities but the setting is a natural for the infections musical numbers. In "West Side Story" we visit Romeo And Juliet in New York among feuding street gangs. Robert Wise and Jerome Robbins create an experience for the ages. Natalie Wood is devastatingly gorgeous and even if the singing voice is not hers she manages to make it hers. The blandness of Richard Beymer works wonders for his Tony and Russ Tamblyn is a dynamo of youthful exuberance. But perhaps, Rita Moreno and George Chakiris steal the limelight. They are spectacular - As Oscar time they won Oscars over Judy Garland and Montgomery Clift in "Judgement At Nuremberg" To conclude let me reiterate "West Side Story" is a film to visit and revisit.
"Hold my hand and we're half-way there... Hold my hand and I'll take you there...."
Even though I'm not a big fan of this particular genre of film. I found West Side Story to be so impressively produced that it somehow transcended far beyond being just a mere "Musical" in the strictest sense of the word.
West Side Story is literally bursting at the seams and filled to capacity with vivid imagery. This highly-energized film clearly captures the vibrant atmosphere of the late 1950s, where rival youth gangs get their prejudiced, little noses out of joint and prepare to rumble in the streets of NYC.
With its memorable music and songs, dazzling choreography, striking sets and superb direction by Robert Wise, West Side Story is truly a triumph on every level.
This film is a magnificent achievement that (back in 1961) set a whole new standard for modern-day movie Musicals.
Even though I'm not a big fan of this particular genre of film. I found West Side Story to be so impressively produced that it somehow transcended far beyond being just a mere "Musical" in the strictest sense of the word.
West Side Story is literally bursting at the seams and filled to capacity with vivid imagery. This highly-energized film clearly captures the vibrant atmosphere of the late 1950s, where rival youth gangs get their prejudiced, little noses out of joint and prepare to rumble in the streets of NYC.
With its memorable music and songs, dazzling choreography, striking sets and superb direction by Robert Wise, West Side Story is truly a triumph on every level.
This film is a magnificent achievement that (back in 1961) set a whole new standard for modern-day movie Musicals.
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno Breaks Down 6 of Her Iconic Roles
Rita Moreno breaks down 6 of her most iconic roles, discusses the struggles she's faced in Hollywood, and shares what it felt like to return to West Side Story 60 years later. She also dives into her revealing documentary Rita Moreno: Just a Girl Who Decided to Go for It.
Did you know
- TriviaThe actors in the rival gangs were instructed to play pranks on each other off the set to keep tensions high.
- GoofsNear the end, when Maria yells "Don't you touch him!", two different voices can be heard at the same time in the first half of the phrase (in fact, this is singer Marni Nixon overdubbing for Natalie Wood).
- Crazy creditsThere are no opening credits; a stylized, tinted aerial still of Manhattan is shown as the overture plays. The background changes color as the themes change throughout the overture. As the overture ends, the tinting is blue, the title appears, and the shot segues to aerial photography of Manhattan streets and landmarks.
- Alternate versionsMost of the releases, except for the HD version that had the 2008 opening and closing MGM logos with the 1995 roar, open with a different United Artists logo. like the 1968 logo in the 1981 VHS, 1982 logo in the 1984, 88 and 91 VHS prints, the short version of the 1987 logo in the 1993 VHS, and the 1990s logo in the post-1998 VHS prints and 2003 DVD. The latter also added a closing MGM logo. Post-2024 digital version uses the short version of the 2012 MGM logo and closing 2012 MGM logo.
- ConnectionsAlternate-language version of West Side Story (2021)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Amor sin barreras
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $44,055,492
- Opening weekend US & Canada
- $207,145
- Jun 24, 2018
- Gross worldwide
- $44,135,556
- Runtime
- 2h 33m(153 min)
- Color
- Aspect ratio
- 2.20 : 1
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