Viridiana

"Viridiana" and "Tierra Sin Pan" (a documentary) are two of the most cutting portraits of Spanish misery and poverty in the 20 that passed after 1936's Civil War. Buñuel had no mercy and put everybody in their place.

The pious Viridiana (Silvia Pinal, wonderful!) who leaves the convent to come to live with his uncle in the country. His uncle (Fernando Rey, magnificent!), a man defeated by life who lives in the past and, finally, suicides. His cousin (Paco Rabal, the man!), which come to the country house looking for his inheritance. The tramps that Viridiana takes in... Some of the best characters in the history of cinema, and some of the best sequences ever filmed (that one with the tramps celebrating such a crazy party).

A fierce look against Spanish society, against religion and against the human condition itself. I'd pay for watching the face of dictator Franco's censors when they watched "Viridiana". They could have Buñuel shot for that. Luckily, he went to Mexico.

Well, this is a movie to talk about for hours and hours... Anyway, you just watch it and prepare to feel what cinema's about.

*My rate: 10/10

Beautiful and devout Viridiana (Silvia Pinal in an impressive performance) is about to take her final vows as a nun, and enter a convent. At the urging of her Mother Superior she takes a short break to visit her estranged Uncle and benefactor Don Jaime (Bunuel regular, the always wonderful Fernando Rey). Reluctantly she does so thinking it will be the last time she sees him before devoting her life to God. Don Jaime, a complex man, has other plans for Viridiana - he wants to take her as his wife. What follows is unpredictable, fascinating and an almost perfect piece of film making. Highly controversial in its day, and accused of blasphemy, it may not be as shocking to our cynical, secular eyes, but it still packs a punch, and is highly recommended. One of Luis Bunuel's greatest achievements.

Viridiana (1961) is a tale about a young nun who's so into her faith that she tries to do what she feels is morally and ethically right. Sadly, the world has changed and no matter how hard she tries to help those around her, it all winds up biting her in the end. Viridiana is a rare masterpiece that reflects the attitudes of the society that people (such as that "lovable" despot Franco) had created and the archaic teachings of the Catholic Church. The poor nun is one of the last of the true believers who adhere's to the dogma of the Church even when most of their leaders have abandoned it. Even the poor masses (whom she relies on) fail her. Can she remain true to her faith when everyone else around her ignores it?

A classic Brunuel film. I enjoy his style of film-making. Especially the way he uses social commentary and makes it entertaining instead of being preachy and hitting the viewers over the head with his "ideals". A hard film to find but it's highly enjoyable. The best scene in the film his the beggars re-enactment of the "Last Supper" painting. Film-making at it's best!

Highest recommendation.

A

This is a great movie. It is an investigation of the human nature and attempts to tell an interesting story about the suppression of our inner instincts. Bunuel, once again, compares the morality that comes from inside us, i.e., the morality of the subconscious, against the morality which imposed by society and the various religious organizations.

Bunuel seems sacrilegious, but I think that his movie attacks false piety as opposed to the deeper mysteries of the Catholic faith. Viridiana in the movie is not considerate of her uncle's passion for her and that kills the old man. Her punishment comes later from the unworthy beggars. The moral of the story is that we'd better investigate our flaws and strengths before attempting any encounter with other members of the society. Nobody is perfect and there are different ways to help people out there effectively. Honest work is sometimes more effective than useless acts of charity. If we do not know our selves and we cannot understand others we may deeply hurt people we care for.

All these ideas came to my mind while watching "Viridiana". What a great movie it is. One of the great moments of the movie is a side by side viewing of the honest workers renovating the mansion and the unworthy beggars praying in the fields.

This is a thoughtful and thought-provoking film initially banned in Spain and completely denounced by the Vatican . Although it was voted best Spanish film by professionals and critics in 1996 Spanish cinema centenary . It deals with the novice Angelic Viridiana (Silvia Pinal) who visits his uncle Jaime (Fernando Rey) in the mansion prior to taking her religious vows . Jaime is stunned by her remarkable resemblance to deceased spouse who passes away on their wedding night . Later on , there appears his nephew (Francisco Rabal). Meanwhile Viridiana attempts to help some local beggars .

This prohibited movie is widely considered a Luis Buñuel's masterpiece . It's a parable based on a Benito Perez Galdos' novel titled Halma concerning about a young nun full of illusions and kindness along with some tattered beggars . It is packed with some humor , hilarious situations , brooding drama , corruption and criticism to Catholic Church and useless altruism . The original ending of the film showed Viridiana knocking on her cousin's door, entering, and the door closing slowly behind her , this version was rejected by Spanish censors . After years of living in Mexico, Luis Buñuel was persuaded to make his first film in his native Spain since 1936 by the vanguard of young contemporary Spanish film-makers who admired his work . Buñuel returning his native country , Spain , by making 'Viridiana' but this film was prohibited on the grounds of blasphemy , then Buñuel with his screenwriter Julio Alejandro go back Mexico where realizes in low budget 'Simon of the desert' and also produced by Gustavo Alatriste . The script was initially approved by the Spanish authorities with a few minor changes. They had no opportunity to view the finished film until it played at the Cannes Film Festival where it won the Palme d'Or . Nevertheless they were sufficiently horrified by what they saw to ban the film. Splendid main cast gives superb acting as Fernando Rey , Francisco Rabal and Silvia Pinal as idealist ascetic ex-nun . Large secondary cast formed by ragged beggars as Lola Gaos , Jose Calvo , Jose Luis Martin , Joaquin Roa, and Maria Isbert ,daughter of the great Jose Isbert . It appears uncredited as a little girl Teresa Rabal , Francisco Rabal's daughter . Good and atmospheric cinematography by excellent cameraman Jose F. Aguayo . Religious and classic music score including ¨Haendel's Messiah¨ and the ethereal strains of Alelluya . The picture was originally realized by 'the maestro of Calanda' , Luis Buñuel's location of birth , and was immediately banned . Despite the government's massive efforts to confiscate all copies , some of them were exhibited and the movie won deservedly the Palme dÓr at the Cannes Film Festival . Nice strange story for Luis Buñuel aficionados , being hauled by some reviewers as one of his best films ever made . Rating : Above average, worthwhile watching.