Le sous-marin de l'apocalypse

I had ordered Voyage to The Bottom of The Sea on DVD and at 3:00 in the morning I found myself watching it. Okay, the idea of the Van Allen radiation belt catching on fire is silly, but it's just the premise for a really good sci-fi adventure film that I wish I could've seen in the theaters on a wide screen. But the rich colors on the DVD and Dolby sound is a good substitute for the real thing.

In looking at it, I can't help but compare the movie with the series that followed as there are some of the actors from the movie who ended up in the show. Seeing this Lee Crane constantly arguing and second-guessing Admiral Nelson is a little disturbing, yet the movie inspired one of the best sci-fi series of the '60s. And the movie itself, like Fantastic Voyage, shows great creativity. Irwin Allen is always being underestimated by people with 60 second attention spans, but this movie shows how much of a creative artist that Allen was.

I gladly give this movie 8/10

A fantastic submarine encounters dangers.

Voyage is a sci-fic movie, a disaster movie about a fire, an end-of-the-world movie, a movie with striking sets/miniature effects, and finally, the very first Irwin show to highlight the need of a top (and loud) musical score, thanks to composer Paul Sawtell.

This epic begins with Frankie Avalon singing - "Come with me, come with me, on a Voyage, to the Bottom, of the Sea" - and this totally under-rated song (it compares with the best of Sinatra!) should have been re-used in the Voyage/Sea TV series...as everything else in this picture was lifted into the series.

Shortly after, the film then moves into Admiral Nelson giving us a tour of the submarine Seaview, which resembles the opening minutes of the Irwin Allen directed Time Tunnel pilot (1966) when we were also given a Tunnel complex tour.

The Paul Sawtell scored footage of the icebergs pounding on the Seaview and the footage of the Seaview surfacing in a red sea would rank as some of the most striking bits of footage in Irwin's long history of film/TV making! Outstanding!

The cast of this motion picture is fine but I know this cast from other quality productions (Forbidden Planet, I Dream Of Jeannie) and am not all together comfortable seeing this cast on the Seaview. Give me Richard Basehart (and the flying sub!).

Some fans will put down this film because it features no Richard Basehart or David Hedison, but remember this, without this film there would have been no Voyage/Sea (1964-68) TV series. That is recorded fact! The budget for all of these sets, props and effects was HUGE, too huge for a TV series of the 1960s. The series happened because it could lift everything from the film.

One of my very favourite movies ever!

Saw 'Voyage to the Bottom of the Sea' as somebody who considers the cast very talented and who has liked some of Irwin Allen's other films (i.e. 'The Towering Inferno' and 'The Poseidon Adventure' that he produced). The premise was great also.

'Voyage to the Bottom of the Sea' unfortunately is not one of Allen's better efforts though and doesn't live up to its great premise. It's one of the more famous submarine films but for me not one of the best ones. This saddens me to say that, absolutely no vindictiveness here, because there was a lot of talent on board, who can go wrong with Walter Pidgeon, Peter Lorre and Joan Fontaine. Can see why some people find it entertaining and why others find it underwhelming, but it generally didn't do much for me.

Starting with the positives, the submarine is quite rightly the star here and a very big one it is too. It is aided by some colourful and atmospheric cinematography. The lively music score also adds a lot and the theme song is a memorable one and a deserving one.

The film's underwater sequences look pretty good still and while ridiculous the climax is entertaining. Generally the cast are not used to their full potential, but Walter Pidgeon is good in the lead, while Michael Ansara and Barbara Eden add some charm to the proceedings.

Peter Lorre on the other hand is criminally underutilised and looked like he was in ill health. Like Joan Fontaine a lot, but she was out of her depth and out of place while the rest of the cast were better off not being there. While the underwater sequences don't look too bad, they generally lack excitement and go on far longer than they needed to, also not placed very well. Some of the effects, like the octopus, look really hokey now.

Furthermore, the pace tends to be ponderous, trimming the underwater sequences would have helped, the film is too long and the direction is stodgy. Add to that a silly and too talky script and a story that lacks suspense, surprises and excitement and falls on the wrong side of daft and nonsensical constantly and you have a far from terrible but very problematic film.

Recommended for a one-time watch, but there is not enough to make me want to see it on repeat viewings. 5/10 Bethany Cox

Irwin Allens 1961 submarine flick. Although the special effects are on the antiquated side the film when it came out in 61 was state of the art. The movie led to the TV series of the same name but with a different cast. Once again Peter Lorre is on a futuristic submarine on a dangerous mission (as in Disney's 1954 20,000 Leagues Under The Sea) The world is teetering on destruction from a force of nature. The submarine Seaview with its genius Admiral Nelson aboard played by Walter Pidgeon knows how to save the world. However there are those who don't want him to succeed. All in all a good Sci Fi feature. Best if viewed in letter box. Barbara Eden is included in the cast and as always is gorgeous. Frankie Avalon, Michael Ansara, Joan Fontaine co-star. Also look for Howard McNear best known for playing Floyd the barber on the Andy Griffith show as a congressman onboard to check out the submarine.

Ever wonder where "Star Trek" and all the other Sci-Fi series got there starts?

I used to watch the series as a kid back when the UK only had 3 television channels, and they were offline more than online back in the 1960s when this was the State-Of-The-Art.

Now, over 40 years after it was made and most of the cast are either dead or retired, this movie is still standing the test of Time.

The plot is a little silly, with glaring holes that submarines could be driven through, and the acting is a little on the hammy-side sometimes, but for an entertaining look at how movie-makers in the 50s/60s thought the future might look, this is an excellent peek into how Hollywood was thinking at the time.

The cast seem to mesh well together around stilted dialogue ("Military Police swim like fish - it's part of their training"), and the prodigious talents of the likes of Joan Fontaine and Peter Lorre are somewhat reined-in, but overall this movie is still great to watch over four decades after they made it.