Les vierges de Rome

Wow! I wish all my Sword and Sandal films looked this good. He print shown on TCM was crystal clear and in widescreen! The story is OK but it is the Cinematography that really makes this film shine.

Sylvia Syms is absolutely gorgeous in this one and I don't agree with the reviewer who says that Louis Jordan is miscast for the part. Oh, I agree he is no barbarian. But that isn't his role. His charismatic portrayal is perfect for the part. The opening battle scenes is where he steals the show.

Seeing this one in widescreen good quality was a real treat. It's too bad all of the other Sword and Sandal movies couldn't be viewed the way they were meant to be seen. That is good quality and widescreen. See this TCM print!

Amazingly, this is the third "Amazon Women" film I've watched in a month but, unlike the others, this is a relatively serious undertaking and, in any case, the American title is misleading - but, then, probably so is the Italian one, which translates to "THE VIRGINS OF ROME"! When it was shown on late-night Italian TV, I had never heard of it but was willing to give it a try considering the talent involved (director Cottafavi and stars Louis Jourdan, Sylvia Syms and Michel Piccoli) - but also due to the fact that French director Bertrand Tavernier, apparently, considers this one of his favorite films!

Distressingly, I came across very few reviews of the film and these were all-too-brief; besides, the only other two comments on the IMDb aren't very favorable! Despite the scratchy print with washed-out colors that was shown on TV, I'm glad I taped it because it turned out to be one of the most satisfying peplums I've ever watched and, consequently, the film ought to be much better known! Besides, it allowed me to understand a bit better Cottafavi's cult reputation (given the type of films he dabbled in!) - though, apparently, he was replaced after 3 weeks by Bragaglia because Cottafavi couldn't see eye to eye with star Jourdan (though the change in director didn't effect the film in any perceptible way).

I had only watched four Cottafavi films prior to this: the modern-day melodrama NEL GORGO DEL PECCATO (1954) and the following peplums - GOLIATH AND THE DRAGON (1960), HERCULES AND THE CAPTIVE WOMEN (1961) and I CENTO CAVALIERI (1964; perhaps the director's best work and which I was lucky to watch, along with the hilariously awful GOLIATH, at the 2004 Venice Film Festival with lead Mark Damon in attendance!). Likewise, I had seen four by Bragaglia - three of them starring the popular Italian comic Toto' and, eons ago, HANNIBAL (1960) - another one of his peplums and which was co-directed by Edgar G. Ulmer!

The casting of the two leads is surprising, but they certainly number among the most talented ever featured in this type of film: Jourdan is quite amusing as the leader of the barbarian horde who's seen constantly, and nonchalantly, munching on fruit - even when leading his men into battle!; the beautiful Syms adds grace and intelligence to the film - but, apart from Nicole Courcel (who is also pretty good as an unusually sympathetic villainess, sharing a secondary love interest with Piccoli!), is the only female character who is developed in any substantial way. The battle scenes - highlighted by a running duel between Jourdan and a one-eyed Roman general played by genre regular Ettore Manni - are nicely handled, though mainly relegated to the opening and closing moments of the film.

I really love the crack another viewer made about casting the urbane Louis Jourdan as a barbarian warrior. Was not Cary Grant available? I could not possibly top that.

Other than ludicrous casting Amazons Of Rome is a passably interesting peplum picture concerning those events in early Roman history when it was just trying to survive as a city against some very nasty Etruscans who rule the countryside. The legendary hero Horatio is played by Italian actor Ettore Manni who did more than a few of these kind of films.

While Horatio is trying to regroup and retrain an army, the women of Rome take to the field led by the aristocratic Sylvia Sims. It's there that she meets Jourdan. If they can make peace, is it possible for the rest?

The Etruscan leader is played by Julien Chevrier who would like a permanent peace, but has some folks who are looking for glory and conquest and as long as they get it doesn't matter how much blood is spilled.

Poor Louis Jourdan, he looks like he is annoyed that a table at Maxim's isn't ready.

You know you might be in for a less than stellar time when a film has more than one screenwriter. There are exceptions, of course, but this one has at least four, and thus is no exception to the rule.

My favorite part in this turkey is during the fight at the flimsy wooden bridge at the beginning of the film when one of the extras playing a barbarian puts his hands up to his face and you can clearly see a Band-Aid on his thumb. Once you see something like this, it's hard to take the rest of the film seriously.

It's amazing when you think that Sylvia Syms played the female lead in the excellent Dirk Bogarde film, "Victim," in the same year she appeared in "Amazons of Rome."

AMAZONS OF ROME is certainly a well-mounted peplum of the era, with the right kind of budget to do justice to the sets and costumes, so it's a pity that in terms of plot this one's a bit of a yawner. The story begins well with the obligatory Roman battle sequences, but then we move to barbarian intrigue and the unwelcome introduction of a bunch of 'Amazonian' female warriors, led by British import Sylvia Sims. These actresses, complete with their obligatory early '60s hairdos, are utterly unconvincing and the women's lib-style plotting rings hollow throughout. A shame, as seasoned professionals like Louis Jourdan and Ettore Manni were on hand to add some solid performances here.