Hurler de peur

This is quite possibly the best of the Hammer films, it's labeled as 'horror', but is more of a classic psychological thriller. The plot revolves around Susan Strasberg's visit to her father's estate after a decade of estrangement. Her physical condition (in a wheelchair, unable to walk after a horseback riding accident) and the recent death of her long time companion set her up to be the 'perfect victim'.

Her step mother, Ann Todd, and the family chauffeur Ronald Lewis are oh-so accommodating and thoughtful, explaining that her father is out of town. But, Strasberg starts to see dead dad popping up all over, while Todd, Lewis, and family doctor Christopher Lee try to persuade her she's just stressed and overly-imaginative. Is she crazy? Are they gas-lighting her? Although the viewer will remain suspicious, we are wisely kept in the dark as to motives (of all the characters..) until the final twist. The black and white photography is really well done -moody, shadowy - and is probably as important as the characters which is not the usual Hammer screamer in intense shades of red.

Back in 1973 I had a Bell and Howell 16mm projector and used to hire films to show to family and others.

This film was one of them and I can remember it scaring people back then.

Yesterday I watched it again through a modern projector, as BBC 2 had shown it recently, and thought it was just as good now as back in 1973.

It benefits from being shot in black and white, the acting is very good from all the cast, and there are some scary moments, the swimming pool being an obvious one.

It is really good to see an old fashioned horror film with no over-the-top effects, just a genuinely chilling story, well worth waiting for it to be shown again as not sure if available on DVD or video.

Whenever I think of Hammer Horror, I think of bright colourful camp films; but Hammer also made a handful of black and white mysteries, and many of these stand up as some of their best films. Hysteria, Nightmare and Paranoiac are all very good films; but Seth Holt's Taste of Fear tops the lot! This suspenseful mystery draws the viewer in from the start and doesn't let go until the credits role. The film introduces the wheelchair bound character Penny Appleby; an amiable young girl who strives for independence in spite of her disability. The story picks up upon her return home to the French Riviera for the first time in ten years at the request of her father. Her nightmare starts when she begins seeing the corpse of her father at random places around the house and grounds of the place where she's staying. The friendly chauffeur Bob decides to help the girl get to the bottom of the mystery, but everything is turned upside down when it becomes obvious that nobody in the film is what they appear.

Initially, the film plays out like it's going to be quite predictable; and indeed, my prediction for what is going to happen actually does happen...but director Seth Holt doesn't show his hand too early, and there is a major twist at the end that I certainly didn't see coming. Director Seth Holt does a really good job with this film, as he gets good performances out of all his cast, the twists are well worked; and best of all, the atmosphere is scintillating! Holt continually imposes an oppressive air of foreboding over the film, and the creepy house provides a fantastic location for a film like this to take place. The film features a relatively small role for Hammer regular, Christopher Lee, who gets to don a silly accent while remaining mysterious. Lead actress Susan Strasberg is the pick of the cast, however, as aside from being stunning; she's not a bad actress either. The film works principally because it keeps the focus on the mystery, and this means that it retains its thriller intentions throughout. Overall, this might be a lesser known Hammer film; but it's not lesser in quality, and I wouldn't hesitate to name this as one of the best films the studio ever produced.

Yes, this is indeed a very nice little horror film. It is chilling and suspense. The acting of the three major actors is really well done, they all fit the roles, and the whole atmosphere of the film has maked it rather stylish. Using Susan Strasberg for that role is a good choice. She's rather pretty charming actually, especially when compared with those star actresses of nowadays. This is a small production of the early 60's, but none of the big budget Hollywood horror films can compare with it even though they might have tried to copy part of its shadow. I do not know how to explain, but you if have watched the movie, you will feel something, you will feel the film having the style in its own way. You simply cannot find such kind of stylish production often on TV or in theaters. Like the other film fan from UK, I have recorded it down few weeks ago, and watched it in the afternoon the day after. It's good that I have not watched it alone at night. I am really glad that I have now the whole movie in its original theatrical wide screen format on my own DVD. Here I specially thank for the TV-listing information of the Dutch inter net site and the film information in IMDb. They made me have a chance to know and discover this nice film and take action to record it down. If you have a chance to watch this film, don't miss it! You will surely like it in a way!

Considering the movie is essentially a single set, 4 actors, and a "dead man", it's a heck-uva good little thriller. Credit should go to writer Sangster, director Holt, and 4 excellent performances, especially Strasberg's vulnerable young woman. Okay, the whole story is pretty contrived with a number of unexpected twists, but the measure of a thriller is how well you're glued to your seat, and this one uses epoxy.

So, what's up with Penny's (Strasberg) dad. He keeps turning up in odd places like the bottom of a pool. For a guy who looks dead, he sure gets around. And what's with step-mom Jane (Todd) always fussing around in the background, along with her friend the doctor. If I were Penny, I wouldn't let Christopher Lee's doc anywhere near my neck. Good thing Penny has the handsome chauffeur Bob (Lewis) on her side, because that wheelchair keeps going off- track. For some reason, the movie, especially the rancid pool, kept reminding me of the French classic Les Diabolique (1954).

I'm rather curious, however, about actor Ronald Lewis, a strong presence, and perhaps the only actor of the period to appear in a male bikini. He was a suicide at a relatively young age, suggesting a backstory of some kind—too bad IMDb couldn't provide more. Anyway, the movie manages to prove that sunny new mansions can be just as creepy as old dark ones, and that the ritzy French Riviera may not be a good place to vacation, especially if you're trying to get an ocean view from the cliffs.