À travers le miroir

Original title: Såsom i en spegel

IMDb RATING

7.9/10

28K

YOUR RATING

Play trailer2:16

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Drama

Recently released from a mental hospital, Karin rejoins her emotionally disconnected family in their island home, only to slip from reality as she begins to believe she is being visited by G... Read allRecently released from a mental hospital, Karin rejoins her emotionally disconnected family in their island home, only to slip from reality as she begins to believe she is being visited by God.Recently released from a mental hospital, Karin rejoins her emotionally disconnected family in their island home, only to slip from reality as she begins to believe she is being visited by God.

See production info at IMDbPro

IMDb RATING

7.9/10

28K

YOUR RATING

See production info at IMDbPro

Won 1 Oscar
- 3 wins & 5 nominations total

Videos1

Trailer 2:16

Official Trailer

Photos137

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Storyline

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Did you know

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Trivia
The first Ingmar Bergman film to be made on the island of Fårö. Bergman would later buy a home on the island.

Goofs
As Minus paints the chair, the amount of paint on the chair changes between shots.

Quotes
Karin: It's so horrible to see your own confusion and understand it.

Crazy credits
There are no end credits. After Minus (Lars Passgård) says the final line, the film fades to black and ends. The entire cast and crew were credited at the start, and there isn't even a "Fin" or "Ende".

Connections
Featured in Reel Radicals: The Sixties Revolution in Film (2002)

Soundtracks
Sarabande from Suite No. 2 in D minor for Violoncello
Written by Johann Sebastian Bach
Performed by Blondal Bengston.

User reviews98

Featured review

8/10

Karin Through the Looking Glass...

Her eyes could not deceive what her mind made her believe, though to others she's disturbed and increasingly perturbed, as a cocktail of delusion, creates confusion and illusion, and there's nothing they can do, except observe as she looks through.

There are outstanding performances and there are Harriet Andersson performances and there is a difference between the two, especially under the guidance of this director, as she takes you on the nightmare that Karin lives, the struggles she endures (and of those that surround her), as her world cascades through torment and torture that she can do very little about, and at the time nobody else could be of much help either.