Snow White and the Three Stooges

''Snow White And The Three Stooges'' was the most lavish film the famous comedy team was ever associated with. (not counting their brief cameo appearance in ''It's A Mad,Mad Mad Mad World''). Released in 1961, ''Snow White'' had a budget of 3.5 million dollars. Originally, director Frank Tashlin, who had directed Jerry Lewis in the fairy tale farce ''Cinderfella'' was set to helm the film. However, when production got underway in late 1960, he had been replaced by famed director Walter Lang, known for the many musicals he made during ''Hollywood's ''Golden Age''.In fact, ''Snow White'' was his last film. Somehow, 20th Century-Fox, who were then in serious trouble after a series of expensive duds (and pouring tons of money into the fiasco ''Cleopatra'') gave the OK for the 3-plus million dollar budget, which was originally set at a mere $750,000. The star of the film was Olympic skating champion Carol Heiss. She was 20 years old at the time and had won her Gold Medal the year before. In fact, ''Snow White'' was always intended as a vehicle for her skating talents, with the Stooges aboard merely as support. Cast in the dual role of the Wicked Queen and the Witch she turned into was veteran leading lady Patricia Medina, who had recently married the actor Joseph Cotten. Edson Stroll, a virtual unknown, played Prince Charming, while British character player Guy Rolfe (beating out Martin Landau) was the evil Count Oga, henchman to the Queen.Also present were Blossom Rock, sister of Jeanette MacDonald, who would gain fame later as ''Grandmama'' on the ''Addams Family'' TV series, as the Prince's onetime Nurse, and Herbie Faye as the Head Cook.And look for veteran ''codger'' Burt Mustin (''Detective Story'') cast as a disgruntled spectator in the ''Medicine Show'' sequence. The plot is basically the same as the Grimm fairy tale, with the skating sequences added to showcase Carol Heiss' talents on ice. The Stooges are substitutes for the vacationing Seven Dwarfs, and are ultimately responsible for uniting Snow White with her Prince. He has grown up with the Stooges, who have a traveling medicine show, and he becomes part of the act after they rescue him from an assassination attempt engineered by the Queen. ''Snow White And The Three Stooges'' has long been reviled by critics, fans of the Stooges and even the Stooges themselves, who felt cheated by the rather subordinate roles they play. When it was released in the summer of 1961, it proved yet another flop for the beleaguered studio. It is, however, a wonderful fantasy with fine performances by Carol Heiss, who made a lovely Snow White in what was both her film debut and her swan song, the beautiful Patricia Medina (as the Wicked Queen) who conveyed the evil in her character without overdoing it, Guy Rolfe, as sinister a villain as one could wish for, and Edson Stroll, a ''charming'' Prince of whom little was heard from since, outside of a part in the ''Mchale's Navy'' TV series. He and Ms. Heiss have a few songs together (though both are dubbed) and have good chemistry in their romantic scenes. Ms. Heiss sings courtesy of Lawrence Welk's ''Champagne Lady'' Norma Zimmer. Stroll's ''ghost voice'' was none other than Bill Lee, who dubbed for, among others, Christopher Plummer, in ''The Sound Of Music. The voice he uses in his ventriloquist act is that of Mel Blanc (''Bugs Bunny''). As for the Stooges, they are fine in their parts, and prove they can be touching as well. The CinemaScope production is truly beautiful. with sets and costumes in gorgeous color, which convey the perfect fairy tale mood, as well as establishing where a good deal of the budget went. The music score by Lyn Murray, and the songs by Harry Harris and Earl Brent are delightful as well. Two of them, (''Snow White And The Three Stooges'' and a number by the Stooges themselves ''Looking For People Looking For Fun'') were sadly deleted from the final cut, though the latter tune can be heard on the Columbia soundtrack album, and the former on a 45 backed with the title tune, ''A Place Called Happiness''. Although the film was also criticized for toning down the Stooges antics, there is, after all, little room for all-out slapstick in a fantasy of this kind without destroying the mood. There is a brief pie-throwing scene, of course. But though it's better appreciated by fans of fantasy than Stoogephiles, the film is successful as a lavish and satisfying adaptation of a classic fairy tale, and no apologies need be made for it.

That title threatens, at all times, to put this film in the same category as "Santa Claus Conquers the Martians" or "King Kong vs Godzilla", so disparate are the names Snow White and The Three Stooges. However, though the pairing is as oddball as the others, the film is not quite as badly made or ludicrous as it may sound at first. Olympic gold medal skater Heiss plays Snow White. She is the apple of her father the King's eye, but an obstacle to his evil wife Medina. When he expires, Medina locks Heiss away so that she can claim the throne for herself. Meanwhile, Stroll, a prince himself who doesn't realize it, is working alongside the Stooges in a traveling minstrel show. It seems he was betrothed as a youth to Heiss in order to join their kingdoms, but the Stooges foiled an assassination plot (never realizing who he was) and have raised him ever since as their own. When Heiss escapes Medina's wrath and winds up in the cottage of the seven dwarfs, it turns out that they're away for the season and Stroll and the Stooges are there as guests! Apart from this unique twist, the story follows the fairy tale relatively closely, including Medina's transformation into a horrible witch and Heiss's bite of the famous poisoned apple, until the requisite happy ending. Heiss is attractive, but predictably amateurish in her acting. She gets two glittery, extraordinarily colorful skating numbers that, if nothing else, exist as something fun to show her grandkids now. The Stooges (actually playing characters called The Stooges!) don't have an opportunity to do a great deal of the brand of pratfalls and comedy they are famous for and when they do indulge, the results are pretty sub-par for them. They do provide a few easy laughs occasionally, though, and actually attempt to act as real characters rather than just appear as pawns for slapstick. (This may displease some of their die-hard fans.) Stroll is handsome (sort of a softer Hugh O'Brian), but is given some ridiculous things to do (such as play with a goofy ventriloquists dummy.) Medina doesn't pull any punches in her bitter, driven role. She looks great and clearly enjoys herself both as the queen and the wart-covered witch. The impossibly slender Rolfe provides some sinister support as her magic-dabbling right-hand man. The film lacks the effervescence, wit and overall talent to be a true classic, but it's not offensively bad either. A certain amount of care and money went into the making of it. It's colorful enough and fast-paced enough to entertain small children, but has the merit of Medina's vinegar and some striking costumes, sets and fight sequences to keep some adults interested as well.

It would seem that I agree with about half of the other reviewers of this film. It HAS been unfairly blasted by Stooges fans because the emphasis is on the fantasy and not on the slapstick humour of the much-beloved trio. Personally, although I enjoyed their antics as a child, I was never a fan of the Stooges and would never put them in the same class as Abbott and Costello, for example. Nevertheless, they prove in this film that they are not bad actors at all. The sets and opulent costumes boost this film considerably, as do the presence of the very dark, traditional elements of European folklore, and I think this movie would have been a GREAT fantasy film if there had been seven dwarfs in it! I would agree that Carol Heiss is not a very good actress, but the character of Snow White does not call for the use of great thespian skills. I think that Patricia Medina makes this movie: she is gorgeous and exudes delicious villainy as the Queen/Witch. She was the major draw for me when I watched this film as a child. Guy Rolfe, as Count Oga, is also very effective, and the siege on the castle well-mounted. Fantasy film fans are bound to like this better than Stooges fans.

No, this is not your usually Stooge fair. I grew watching them on Saturday afternoon. I was 9 years old when this movie came out. I thought this is going to the stupidest movie ever and ruin the Snow White story. I live in Central Florida where there was a drive-in movie every ten miles. We went to the movies once a week. I saw the movie and surprised that I liked it. I and my children like this movie. No it is not great Stooge comedy or great acting. I still like the movie and watch it from time to time. It is entertaining, pleasant, and no cursing. I like the skating sequences, they much to the movie and my enjoyment of it.

Based on IMDb ratings I would give a 5 Star rating.

Lavish if overlong version of the popular fairy-tale (most famously incarnated on screen via the 1937 Walt Disney animated milestone) which incorporates a skating star (whose numbers go on forever), the comic trio's brand of violent slapstick (replacing the Seven Dwarfs – though they feel constrained by the material, much like the Laurel & Hardy of THE BOHEMIAN GIRL [1936] and SWISS MISS [1938]) and saccharine songs; the familiar plot is further enlivened by an amiable ventriloquist act and numerous swashbuckling routines. It's colorful and pleasant – certainly more enjoyable than I had anticipated, and wholly undeserving of Leonard Maltin's unflattering BOMB rating – emerging, all in all, to be perfect unassuming entertainment for the festive season.

Guy Rolfe and Patricia Medina convey appropriate comic-book villainy in their respective roles (each receive their just desserts in memorable fashion – but while his is particularly gruesome, hers is done in a rather clever way); burly Buddy Baer is their evil henchman who subsequently has a change of heart. Incidentally, this was the first of five belated feature films starring The Three Stooges – the others being the equally improbable THE THREE STOOGES MEET HERCULES (1962), THE THREE STOOGES IN ORBIT (1962), THE THREE STOOGES GO AROUND THE WORLD IN A DAZE (1963) and THE OUTLAWS IS COMING (1965).

Frank Tashlin is said to have contributed to the film under review but, at any rate, the producers involved did have their hearts in the right place by employing director Lang (whose last effort this proved be) – having been responsible for the splendid Shirley Temple fantasy vehicle THE BLUE BIRD (1940) – and screenwriter Noel Langley – who had co-scripted the classic MGM version of THE WIZARD OF OZ (1939). By the way, this viewing of SNOW WHITE AND THE THREE STOOGES came in anticipation of my acquiring a 2-Disc collection of the comic trio's vintage shorts...