Un raisin au soleil

When you rent A Raisin in the Sun, get ready for some seriously intense acting and a beautiful script. Usually, when a film is made of a play, one or two members of the Broadway cast are used, and the rest is filled with Hollywood names. In Daniel Petrie's adaptation of Lorraine Hansberry's play, almost everyone in the 1959 original Broadway cast reprised their roles on film. And, while Sidney Poitier and Claudia McNeil, as well as the direction and play itself, were nominated for Tonys, the film was universally ignored at the Oscars.

In a small apartment that doesn't even have a bathroom, there lives the widowed Claudia McNeil, her son Sidney Poitier, her daughter Diana Sands, and Sidney's wife Ruby Dee. They're all dissatisfied with their lives, but each family member deals with their disappointment and frustration in different ways. Sidney throws his heart into untrustworthy schemes, Diana is studying to become a doctor to better herself, Ruby keeps her head down as she tries to get through each day, and Claudia tries to continue mothering her grown children.

Unlike most plays, A Raisin in the Sun isn't overly wordy, and not a single moment is boring. It's terribly sad, but still a bit optimistic at times, and very thought-provoking. Perhaps my favorite element, besides the superbly heart-wrenching performances of Sidney and Claudia, is the character development in the script. Every single person in the story is three-dimensional, and no one is a villain or a saint. Audiences can understand their thought-processes and motivations, and it's nearly impossible to choose a favorite character. Depending on how well you handle sad stories, this might be a staple you add to your collection, or it might be a film you watch only once but remember forever.

An insurance payout amplifies the tensions in a small overcrowded apartment of a three generation family. The resulting misfortune and the prejudice suffered brings them closer. One of the best films ever made, one of the best stories ever told.

Diary entry 1996:

For decades I have been waiting for American TV to see fit to exhibit the movie version of "A Raisin in the Sun". The day will never come. So I grabbed the opportunity to check out the video from the library. I didn't expect to be moved as much as I was when I first saw the TV play. After all, I knew the plot. The novelty effect was no longer there. Yet I was tearful throughout the movie, and was wiping away tears for the last half hour. There are wonderful lines like "Seems God saw fit to give the black man nothing but dreams - but He sure saw fit to give'em children to make the dream seem worthwhile". "A raisin in the Sun" is not only the greatest movie drama, but also the greatest American play. This play transcends race and addresses universal issues. It combines drama with humor with admirable balance.

I watch this film with my children, to show them that although there are no special effects, no explicit sex scences, and very little profane language this is a movie that GRABS you from beginning to end. It breaks beyond race and color, it is about HUMANITY. Sidney and Ruby are BRILLIANT in this film, but the accolades belong to the grandmother. She is the ROCK that holds everything together. I urge everyone to watch this movie. EVERYTIME I WATCH IT I CRY.

The actors in this movie are great actors. That could be said for every one of them. They all knew exactly what to do with the script from their previous work on the stage play version. Unfortunately, when their face is blown up 10 times on the big screen, so are their actions, and some scenes, because of this, come off a little too over the top dramatic than they should be realistically. The story is a simple one, but actually pretty interesting, and most of the time this is entertaining to watch.

The Younger family has just lost a member. Lena "Momma" Younger's (Claudia McNeil) husband died, and because of this the government is giving the family 10,000 dollars. Momma wants to buy a house and move the family out of their tiny apartment into a nice white neighborhood. Walter (Sidney Potier) has the dream of taking the money to start a liquor store. Beneatha (Diana Sands) wants to go to college on this money. The family has problems, and though no real plot is apparent, the characters make the film.

The direction on this is great. The music only adds to it, and helps out greatly in scenes trying to be dramatic. The actors play the scenes off well usually, though as stated earlier, a few times they almost come off campy instead of serious and dramatic. Most of the time this wasn't the case though, and these actor's performances shouldn't be nitpicked like I'm doing, and most won't even notice the over the top goofiness. The writing is very good, and is straight out of the play. The entertainment value is high, though some scenes seem to drag, another better scene generally follows.

Overall, this is not a masterpiece. The play is good, the acting is great, the cheese level is fairly low, and Raisin has a true human touch to it that makes the audience feel for these poor characters, and it's a very hard trait to emulate.

My rating: *** out of ****. 120 mins. PG for violence.