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An extremely difficult film to watch, knowing what we know now that the makers of this film did not know then, so many decades ago, about pedophiles / child predators and (if any) treatment. The film's heart is in the right place - it comes from a place of faith that any mental disease is curable, that every person can be restored to a normal life around vulnerable people with proper treatment, etc. - ideas that we know now, very clearly, aren't true for child predators, but you have to admire how much the film-makers support mental health services and therapy. But the film's incredibly outdated ideas and characters committing dangerous actions can make you oh so uncomfortable - like a psychiatrist talking about the seductiveness of prepubescent girls, same psychiatrist condoning his pedophile patient being around a young girl and even giving his patient alcohol, his patient not telling the woman he's dating, a mother of a young girl, why he was in prison, etc. None of those activities would be tolerable or condoned now - in fact, some would be criminal. On the other hand, the movie remains valid in its accurate portrayal of some pedophiles that know realization of their propensities would incredibly harmful and who are tortured by those inclinations and a lack of cure: Stuart Whitman is remarkable, truly, in the lead role, giving a powerful but, at times, very subtle performance, and is absolutely worthy of his Oscar nomination.

One of the best films of the 1960's is almost forgotten today, along with its superb lead performance by Stuart Whitman, who was nominated for the Oscar for this movie and whose career was downhill from then on. Whitman is given expert support by Rod Steiger as his psychiatrist and Maria Schell (her career high) as his girlfriend. Dicey subject matter (sex crimes) handled with taste and talent.

This movie deals well with an unpopular but sadly common problem in our society. Child molestation is repulsive and rightfully condemned by society; but, short of executing the offenders, what can be done to prevent the offenders from harming others? Stuart Whitman plays the paroled molester as a very troubled man trying to control his sexual disease with the help of his psychiatrist (Rod Steiger)and also tries to establish a normal relationship with a mature woman (Maria Schell). There are very good performances in this movie by Whitman and Rod Steiger especially, with very good supporting performance from Maria Schell. It will be interesting to compare this movie with the new movie on the same subject starring Kevin Bacon as the paroled child molester.

The groundbreaking "The Mark" has now been released on a splendidly restored widescreen DVD with commentary by director Guy Green and star Stuart Whitman. Green admits that if the Whitman character had actually followed through on his child molesting tendencies and attacked the little girl he takes for a drive, the film would never have been made, as it would have been too difficult to keep the audience caring and sympathetic to such a man. While Whitman has fantasies and comes close to acting them out, he recognizes that he has a problem and turns himself in for psychiatric treatment, which is largely successful. The focus then shifts from his attempts to reintegrate himself back into society to the misunderstanding and persecution he experiences from those around him once they hear of his arrest. Thus the film can congratulate itself on being daring while staying well within the "safe zone." It's one of those movies that can pretend to be controversial while carefully editing out all the elements in it that would really make it so. This may be why it has been largely forgotten today. "The Mark" is engrossing as far as it goes, and avoids overt titillation (other than the kind that comes from dealing with such a story at all). It's expertly directed and acted by a fine cast. However, for a film that deals with the psychology of a child molester with complete honesty and candor, you would have to turn to Todd Solandz's heartbreaking, yet brilliantly funny and insightful "Happiness."

I caught this film on TV back in the late 70s. A local station showed it late one night with no cuts and no commercial interruptions. Over 20 years later I still remember it. Even when I saw it (about 1979) it was strong stuff for TV. For one thing it shows the child molestor (Stuart Whitman) in a sympathetic light...you see he has no power over his impulses and, at one point, gets sick just before he's about to molest a small girl. Then there are the scenes of group therapy when he's in prison--the language is pretty frank (again, for its time) and it doesn't hold back in its subject matter.

It doers have its slow moments when him and Maria Schell were falling in love, but the performances by Whitman and Schell pull it through. The film is (almost) ruined by a stupid happy ending (probably imposed by the studio)...almost. It's sadly a forgotten film today...purportedly there was a DVD release earlier this year with no fanfare whatsoever. Still, this is worth searching out. It deals with a sensitive subject intelligently and with taste. See "Happiness" for a much more graphic view.