A team of Allied saboteurs is assigned an impossible mission: infiltrate an impregnable Nazi-held Greek island and destroy the two enormous long-range field guns that prevent the rescue of 2... Read allA team of Allied saboteurs is assigned an impossible mission: infiltrate an impregnable Nazi-held Greek island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.A team of Allied saboteurs is assigned an impossible mission: infiltrate an impregnable Nazi-held Greek island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.
- Won 1 Oscar
- 4 wins & 12 nominations total
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Featured reviews
What I noticed on first viewing was how quiet it is. Many scenes take place without dialog or score, merely background noises like wind, feet crunching gravel, and the like. Some of the tensest scenes are made more so by our hearing only what the characters would hear. For example, early on in the film, the lead characters undergo a storm at sea and approach a dangerous narrows, and until the scene's climax, all we hear are howling wind, driving rain, and slamming waves.
A musical score tells viewers how they are supposed to feel and often telegraphs shifts in plot or mood. As used in this film, the absence of music heightens the drama and makes the action more immediate. What score there is is thus more effective, earning its composer an Academy Award.
Remember those?
When those two German cannons stretched across the screen, they must have been at least eighty feet long. The special effects of films in those days might have been primitive compared to now, but those days had a trick or two up their sleeve to make the most of them, that we can no longer experience.
And outdoor theaters might as have well have been invented and built for this movie. I can't remember a more suspenseful cinematic experience in my whole life-- or a more dramatic night out with Dad. I was glad that he was there, just a reassuring foot or two away, in case the terror became unbearable.
So it surprised me to learn here that Guns of Navarone appeared only in 1961. That would make me twelve or thirteen years old, not eight. If I remember it so vividly, how could I be so wrong about the time? Perhaps this is further testimony to its impact-- how small and vulnerable it can make one feel in its sweep of events.
The team put together here couldn't be more incongruent with each other. Gregory Peck's world-class mountain climber who becomes the team's reluctant CO, David Niven's hot-tempered, authority-defying sapper, Anthony Quinn's Greek ex-Colonel who has promised to kill Peck at war's end, Stanley Baker's weary soldier who's tired of the unending slaughter, a young Greek national who wants more and more of it...the real miracle is that they manage to get as far and as well as they do. For every step forward, they wind up paying for it. Be it in blood, moral anguish, or pain, no one comes out of this mission unchanged or unscathed. I honestly feel that it is this theme of sacrifice that is the key to the greatness of "The Guns of Navarone".
I first saw this film in the theatre at age 11. I've seen it dozens of times since. It's not Ben-Hur, nor even Citizen Kane. It's just my favorite film.
But specifically this film deals with a pair of menacing looking naval guns embedded in a cliff with a big rock overhang. The RAF can't get at the thing to destroy from air, so a commando team is put together under the charge of Anthony Quayle. A couple of native Greeks are along, Anthony Quinn and James Darren, an explosives man, David Niven, a tough anti-fascist resistance man whose service dates back to the Spanish Civil War, Stanley Baker, and a mountain climber, Gregory Peck.
Peck has to get the team to climb a forbidding cliff which is the only area of the beach the Nazis don't guard because they think nobody can land over there. Peck gets the job done, but Quayle becomes injured and Peck gets the responsibility for the whole mission.
The Guns of Navarone is filled with tension as the men keep getting into and out of one situation after another. The film crackles with excitement and really should be seen on the big screen, it's the only way you can appreciate the special effects which got The Guns of Navarone its Oscar.
The film marked a screen partnership of Gregory Peck and director J. Lee Thompson, they did four films together. Thompson specialized in these action adventure films. Later on Thompson partnered with Charles Bronson in some of his best films of the seventies and eighties.
To get the young into the theater, current teenage heart throb James Darren is in the cast. We even gets to hear him sing in Greek which is in fact Darren's own ancestry. Irene Papas is also in the cast as his older sister and Gia Scala is her silent friend.
Despite setback and betrayal our team continues on. The climax of The Guns of Navarone is exciting and unforgettable and should not be missed.
Did you know
- TriviaThis film was the only time that David Niven, a life-long non-smoker, ever smoked cigarettes on-screen.
- GoofsWhen the Germans are searching the gun positions for explosives, German soldiers are using mine detection equipment and sweeping the tracks leading up to the guns. This is a useless activity since the detection equipment is a metal detector and would give off a signal due to the steel rails.
- Quotes
Mallory: Can you do anything at all?
Corporal Miller: I don't know. There's always a way to blow up explosives. The trick is not to be around when they go off. But aren't you forgetting something? The lady. As I see it we have three choices. One we can leave her here but there's no guarantee she won't be found, and in her case they won't need a truth drug. Two, we can take her with us, but that would make things worse than they are already. And three... well, that's Andrea's choice, remember?
Mallory: You really want your pound of flesh, don't you?
Corporal Miller: Yes, I do. You see, somehow I just couldn't get to sleep.
Mallory: Well, if you're so anxious to kill her, go ahead!
Corporal Miller: I'm not anxious to kill her, I'm not anxious to kill anyone. You see, I'm not a born soldier. I was trapped. You may find me facetious from time to time, but if I didn't make some rather bad jokes I'd go out of my mind. No, I prefer to leave the killing to someone like you, an officer and a gentleman, a leader of men.
Mallory: If you think I wanted this, any of this, you're out of your mind, I was trapped like you, just like anyone who put on the uniform!
Corporal Miller: Of *course* you wanted it, you're an officer, aren't you? I never let them make *me* an officer! I don't want the responsibility!
Mallory: So you've had a free ride, all this time! Someone's *got* to take responsibility if the job's going to get done! You think that's easy?
Corporal Miller: [shouts] I don't know! I'm not even sure who really is responsible any more.
- Crazy creditsOpening credits prologue: The first day 02.00 Hours An Allied Airfield somewhere in the Middle East
- Alternate versionsTo receive a 'U' certificate the original UK cinema version was overdubbed to remove all of Barnsby's uses of the word 'bloody' (the word was replaced with the less offensive 'ruddy'), and this same print appeared on early video releases. The film was restored in 1993 and all later widescreen releases feature the full unedited version.
- ConnectionsEdited into L'ouragan vient de Navarone (1978)
- SoundtracksKaragouna
(uncredited)
Traditional
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Los cañones de Navarone
- Filming locations
- Acropolis of Lindos, Rhodes, Greece(meeting point of party with Maria and Anna)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross worldwide
- $20,616
- Runtime2 hours 38 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1