Flaming Creatures
- 1963
- 45m
IMDb RATING
4.6/10
1.8K
YOUR RATING
Several vignettes which follow an ensemble of drag performers.Several vignettes which follow an ensemble of drag performers.Several vignettes which follow an ensemble of drag performers.
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Jack Smith's 1963 short Flaming Creatures might be one of the most sexual perverse film ever made. It has ever amount of sexual deviance that made up the New York underground in the 1960's- transexuals, S&M, lines such as "do they make a lipstick that doesn't come off when you s*** c****?", drug use, and a radically innovative orgy scene that plays more like a Greek tragedy than a work of pornography. On the surface, Flaming Creatures appears to be art at its lowest, but a closer examination of the film proves that Flaming Creatures is not only high art, but a siminal piece of film in the cannon of The New American Cinema. Filmed on top of Smith's New York studio on a basic 16mm camera, Flaming Creatures embodies the true independent spirit of The New American Cinema. The orgy scene in the film is perhaps the greatest combination of art and film. The "creatures", as Smith puts them, engage in a rape-orgy scene of sailors and a transexual. The orgy plays like a tragic meeting the old America with the freshly birthed new morality in America. What is even more remarkable is the "earthquake", caused Smith's shaking camera at the end of the orgy. It as if the world is opening up on Smith's creatures and swallowing them and all their perversions. No one can deny that Flaming Creatures is a difficult film to watch- both in its content and deep artistic meanings, but the spirit of the film is the reason it should be preserved for generations to come.
Funny story about how this movie was loved by police forces in the 60s is much better than movie. Enormous tons of drag, bizarre scenes of sex, lots of dancing... In 42 minutes it's easy to feel a bore just to watch this stuff. Of course a long time ago this would be very shocking for public who grew up on Leave It To Beaver or The Honeymooners. But today...
Today homosexual people can marry each other, drag can't surpirse anyone and avant-garde filmmakers make better pictures. Seeing this today is like see a very old home movie made by crazy psychopats who never knew better things to do with 300$.
So, is this movie can make you change your opinion about sex or sexuality? You can be that stupid asking questions like this. It never tries and you should never try to watch this.
Today homosexual people can marry each other, drag can't surpirse anyone and avant-garde filmmakers make better pictures. Seeing this today is like see a very old home movie made by crazy psychopats who never knew better things to do with 300$.
So, is this movie can make you change your opinion about sex or sexuality? You can be that stupid asking questions like this. It never tries and you should never try to watch this.
I've just seen the movie and his first (only ?) quality is to make me writing my first commentary here. Like a previous writer here, I have nothing against avant-garde especially transgressional one but I think we are in this picture far away from an interesting point of view on the subject of eroticism or whatever the purpose is. On such works as Bataille's books or Bunuel's movies, the transgression was upon the things we're hiding when our representation is giving us something to look at (and eroticism is only one of the way to reveled the invisible and constitutive side of art) ; and I think jack smith made a huge mistake with this "cliché" orgiac scenes where everything is explicitly directed to "shock the bourgeois". The line about the lipstick on the male attribute is just the first wave of the so-called sexual "liberation" which is only a new way to stay under the alienation of what is obvious. This film has probably an historical interest but it's the better way to have no artistic one. ps : sorry for my English which is not fluent.
US 43m, B&W Director: Jack Smith; Cast: Francis Francine, Sheila Bick, Joel Markman, Mario Montez, Arnold Rockwood, Judith Malina, Marian Zazeela
Flaming Creatures is an often comedic sexually explicit experimental film which begins with an "advertisement" for lipstick which features close-ups of men and women applying lipstick adjacent male genitalia. Deemed "obscene" upon its release, Flaming Creatures is a surreal jumble of moving sexual images, often shot in close-up which serves to further confound the already sexually ambiguous participants, including a vampire in drag who rises from the coffin to the unlikely country vocal styling of Kitty Kallen and 'It Wasn't God Who Made Honky Tonk Angels". Irreverent and shocking, Flaming Creatures might be described as pop pornography, and along with the likes of Scorpio Rising (1964), inspired the films of Andy Warhol and John Waters (Klaus Ming July 2013).
Flaming Creatures is an often comedic sexually explicit experimental film which begins with an "advertisement" for lipstick which features close-ups of men and women applying lipstick adjacent male genitalia. Deemed "obscene" upon its release, Flaming Creatures is a surreal jumble of moving sexual images, often shot in close-up which serves to further confound the already sexually ambiguous participants, including a vampire in drag who rises from the coffin to the unlikely country vocal styling of Kitty Kallen and 'It Wasn't God Who Made Honky Tonk Angels". Irreverent and shocking, Flaming Creatures might be described as pop pornography, and along with the likes of Scorpio Rising (1964), inspired the films of Andy Warhol and John Waters (Klaus Ming July 2013).
Somewhere in between the poetic and manic lies "Flaming Creatures", Jack Smith's infamously odd avant garde classic. I find this to be a movie that is very difficult to rate because it really isn't a typical movie. Even for experimental underground cinema, it comes across as really weird and unsettling.
The first half is easily the highlight. The notorious "rape" sequence is one of the most f*cking crazy and disturbing scenes I have ever witnessed. The chaotic atmosphere is only boosted by Smith's drunkenly soaring camera, capturing the ear piercing shrieking of the film's "creatures".
The second half is less compelling, but still interesting. It is the much more positive and comical half, as the "creatures" joyously dance with one another behind old pop music. It is entertaining and amusing to an extent, despite dragging on a bit.
Most people probably will not enjoy this little oddity nearly as much as I have, which is totally okay. This movie is so damn bizarre, graphic, unsettling, confusing, and chaotic that it is almost surprising that ANYONE could appreciate it that is not mentally ill. However, I did manage to find much within Jack Smith's mad masterpiece to adore.
The first half is easily the highlight. The notorious "rape" sequence is one of the most f*cking crazy and disturbing scenes I have ever witnessed. The chaotic atmosphere is only boosted by Smith's drunkenly soaring camera, capturing the ear piercing shrieking of the film's "creatures".
The second half is less compelling, but still interesting. It is the much more positive and comical half, as the "creatures" joyously dance with one another behind old pop music. It is entertaining and amusing to an extent, despite dragging on a bit.
Most people probably will not enjoy this little oddity nearly as much as I have, which is totally okay. This movie is so damn bizarre, graphic, unsettling, confusing, and chaotic that it is almost surprising that ANYONE could appreciate it that is not mentally ill. However, I did manage to find much within Jack Smith's mad masterpiece to adore.
Did you know
- TriviaThe film caused a national scandal upon its original underground release; it was banned in 22 states and in four countries. Critic Jonas Mekas brought it around to various screenings in the 1960s, but was arrested at several of them.
- Quotes
[first lines]
Francis Francine: Today Ali Baba comes. Ali Baba comes today.
- ConnectionsFeatured in Divine Trash (1998)
- How long is Flaming Creatures?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Pasty Thighs and Moldy Midriffs
- Filming locations
- 412 Grand Street, New York City, New York, USA(on the rooftop of the Windsor Theatre)
- See more company credits at IMDbPro
Box office
- Budget
- $300 (estimated)
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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