The Dead One

This film (also known as "Blood of the Zombie" ) is one of those movies that could have been much better if the acting had been at least average. But it wasn't and the results speak for itself. Essentially, "John Carlton" (John McKay) is a young man who by getting married inherits a plantation as stipulated in a will. So he and his bride, "Linda Carlton" (Linda Ormand) drive into the Louisiana countryside to legally claim it. The problem is that his cousin, "Monica" (Monica Davis) has no intention of giving it up even though John Carlton offers her half of it. Realizing that the plantation will be all hers if something happens to the bride, Monica resorts to voodoo and raises a zombie to kill Linda. Anyway, rather than giving the entire story away I'll just say that this movie had a good location and decent storyline. John McKay turned in an adequate performance as did Linda Ormand and the nightclub dancer "Bella Bella" (Darlene Myrick) to a lesser degree. But what really killed this film was the acting of Monica Davis who sounded as if she was reading her lines for the very first time. In short, this film is worth a look only if you're an extreme fan of zombie films. Otherwise, just skip it.

The Dead One (1961)

* (out of 4)

Johnny (John McKay) and his new wife Linda (Linda Carlton) travel to a property that now belongs to him but once there he notices that a voodoo priestess is bringing a man back from the dead to kill for her.

Barry Mahon was a filmmaker who dealt with a variety of subjects but the majority of his pictures were in the sexplotiation genre. He created some pretty bad movies and some rather bizarre ones but this one here is pretty darn boring from the opening scene to the closing one. With that said, it's interesting to see what he attempted to do with such an early zombie movie and one that most people haven't seen or haven't even heard of.

The film was eventually released to DVD under the "new" title of BLOOD OF THE ZOMBIE and the zombie is about the only reason to watch the picture. It's interesting seeing another zombie movie made before NIGHT OF THE LIVING DEAD so this one here has more in common with WHITE ZOMBIE and I WALKED WITH A ZOMBIE. Once again we've got someone using voodoo to bring the dead back to life in order to do her killing.

Everything about this movie shows it's "C" grade. Everything from the performances to the direction to the way the story is told. There's really not too much that happens in the 68 minute running time and usually all of the scenes are padded to the point where you might start laughing. Just check out the scene where the zombie is climbing up a flight of steps and moving incredibly slow. How anyone would get caught by this thing is just hilarious.

The Dead One stars John McKay and Linda Carlton as newlyweds John and Linda (what inspired names!) who, after a tour of New Orleans jazz joints and girlie bars (what new wife doesn't enjoy a visit to a strip joint on her wedding night?), drive to John's ancestral plantation Kenilworth, which he is due to inherit as a result of getting married. En route, the couple stop to help exotic belly dancer Bella Bella (Darlene Myrick), whose car has broken down, and invite her to spend the night at the plantation.

On arrival, John, Linda and Bella are greeted by John's cousin Monica (Monica Davis), current owner of Kenilworth, who isn't at all happy that the property will soon be taken from her. In order to prevent the deeds from being transferred, Monica conducts a voodoo ceremony with the help of her loyal staff, resurrecting her dead brother Jonas (Clyde Kelly) and sending him on a mission to kill John's new wife. Proving that you can't trust a shuffling corpse with even the simplest of tasks, Jonas kills Bella by mistake. On discovering Bella's body, John investigates (leaving his wife alone in the house with a gun) and catches Monica in mid-ritual—but can he save Linda before Jonas carries out his mission?

Directed by Barry Mahon, who would later go on to carve himself quite a career in the 'nudie' film industry, this obscure voodoo zombie film is, like the 'dead one' of the title, a bit of a shambling mess, with unbelievably bad performances, dreadful dialogue, lacklustre direction, and obvious padding in the form of the excessive New Orleans nightlife footage (viewers are treated to two jazz performances and a couple of exotic dances) and overlong voodoo sequences. What is rather remarkable, however, is quality of the crisp, colour-rich photography, which is far better than one might imagine for such a cheap production, and the look of zombie Jonas, who is supremely creepy with his gaunt face, talon-like fingernails and long hair of death (shame that he moves so bloody slow; it detracts slightly from his scariness).

Not great, but worth a look for zombie movie completists and any time-travelling jazz fans planning a trip to 1960s New Orleans.

Yeah, I get that the pace of this movie is almost glacial at times, while some, if not most of the actors are amateurish ( although John McKay was solid enough ), that the narrative is simplistically straightforward and that director Barry Mahon is well known for his cheezy and/ or sleazy cinematic catalog. Nonetheless, this film has a certain character driven, vintage charm that can't be explained in film books. I think that we're all getting acclimated to zombie movies sodden with so much in-your-face special effects that our senses have been dulled to the point of being transformed into the undead ourselves. The characters here, presented as newlyweds are believable and empathetic, qualities that often go neglected in modern film making. The exterior cinematography is strong, featuring bold colors of classic Louisiana imagery. " The Dead One " begins with a taste of NOLA culture via a couple of entertaining jazz bands and a hypnotic dance number featuring Darlene Myrick. I wondered if Linda Ormond, who played the new wife, was related to the Ormond Brothers that created the classic swamp flick " The Exotic Ones " aka " The Monster and the Stripper " from the same era. The titular walker here seems like a cross between a heavy metal front man and a waiter at a high end restaurant, but at least he was refreshing in his lack of raggedy attire and excessive guttural groaning. The undead dude is slow moving and quiet like a zombie oughta be, although at some points admittedly you're like reel it in already. Strongly composed interior shots express an authenticity of a rural southern milieu that may be no more than a memory now, and all-in-all makes for a genuine atmosphere that seems custom tailored for the seamy swampy Nawlins area undead genre. Maybe I'm operating on nostalgia or my southern roots, or call it a guilty pleasure, and don't necessarily take my largely favorable review as a heavy recommendation, but in the words of The Cramps, " Well I don't know about art but I know what I like I'll be a surfin' in a swamp on a Saturday night ".

I now know of 2 people in the world who have seen this rare movie from Barry Mahon, myself and my girlfriend. A lost movie has been found. Now we just have to ask, was it worth it? Barry Mahon is best known for his "Adults Only" films from the early 1960's. Perhaps best remembered for THE BEAST THAT KILLED WOMEN, a story about a killer gorilla loose in a nudist colony (hey I just review 'em I don't write 'em!). You cannot take any of those so-called "nudie cuties" seriously because they never took themselves seriously; they were there to enjoy and that was that. THE DEAD ONE on the other hand is . . .dare I say it? . . .deadly serious. Set in the back country of Louisiana it involves a plantation run by a woman who fears losing control to her recently married cousin. To fight losing the business she has run single handed for many years she uses voodoo to bring her dead brother back to life to kill off her relatives. Makes sense to me. The zombie, who at times resembles Alice Cooper, is very effective. The plot is very well handled, the photography is competent and the acting is . . .well . . .okay in most cases. Barry could indeed handle a serious genre entry and it was nice to re-discover this film. Sam Sherman, head of Independent International has . . .er . . .dug up the film and released a beautiful print in widescreen and colour under the title BLOOD OF THE ZOMBIE. Oh yes, the low budget shows. The film is padded with scenes of 2 hot jazz bands (one of which plays a hot version of "When The Saints Go Marching In")and a stripper called Bella-Bella; and at times the dialogue is hilarious. One classic moment occurs when the husband and wife discover a victim of the rampaging zombie. The husband grimly says "She's dead." and the wife responds with "But can't we help her?" Is THE DEAD ONE or BLOOD OF THE ZOMBIE worth seeing? Yes! You just might find yourself having fun in spite of yourself.