Les comancheros

I Recently got The Comancheros on DVD and watched it last night. I believe that is the first time that I have seen this film completely. I must admit to having a preference for John Wayne's earlier films from Stagecoach into the late 40's. This was the period when the studios were stills casting John Wayne in assorted roles with greater for lesser degree of success(who could forget him as the Mongolian emperor?) So only recently, I have been rediscovering his great performances in his middle period. But this is about another actor in this film. I just read all the other user comments listed about this film. Several correctly praised the small part played by Lee Marvin. He is always reliable for standout performances. But not any of the comments mentioned the truly standout performance by unknown "Guinn 'Big Boy' Williams" in the part of Ed McBain, the gunrunner. It was a small role but to my thinking probably the best acting in this or many other movies. Well, that's my two cents. "Nuff sed"

John Wayne made better films with John Ford and Howard Hawks and he even made more historically accurate films. But for pure entertainment value this is the quintessential Duke.

Cecil B. DeMille was of the opinion that motion pictures have to move. He wouldn't have anything to complain about The Comancheros on that score. There's not a dull moment in the film. This was the last directorial effort of Michael Curtiz and he kept the action flowing.

Three things stand out in The Comancheros. First Elmer Bernstein's music keeps the action going. You will be humming that theme days after viewing this film. Secondly the Cinemascope photography is breathtaking even viewing a formatted VHS copy. I remember seeing The Comancheros in the Sheepshead Bay Movie Theatre in Brooklyn as a lad and a theater is where this film should really be viewed.

But mostly since the two of them are on the screen together for about half the film, the chemistry with John Wayne as Texas Ranger Jake Cutter and Stuart Whitman as fugitive Paul Regret is what sets the whole tone of the film. Wayne and Whitman only worked one other time together and that was in The Longest Day. They were such a perfect fit it's a pity they didn't do more together.

This was also the first time the Duke worked with Lee Marvin. Marvin's character is only on screen for about 10 minutes, but you remember him throughout. This is also the final screen appearance of Guinn "Big Boy" Williams who must have done at least fifteen films with Michael Curtiz back in the heyday of Warner Brothers.

The Comancheros deserves an honored place in the performances of John Wayne and can't be beat for entertainment. A MUST for Duke fans.

The scene where the Duke Wayne character (Texas Ranger Jake Cutter) meets the Joan O'Brien character (Melinda) after a long time away. The powerful Elmer Bernstein soundtrack combined with the beautiful cinematography of the Old Homestead make this scene one of the best of any Western. Also the scenes where The Duke is jesting with his real life son ("we didn't beat this boy enough when he was growing up") and where he lovingly takes his real life daughter in his arms (scene at Melinda's small farm) are first rate. I give the movie a 9 out of 10.

Never a huge fan of John Wayne, I watched this because I knew it was the last film by Michael Curtiz (he died soon after filming was completed). I thought it would be an average diversion.

I was pleasantly surprised. This movie is a lot of fun, as long as you do not try to make sense of it, and do not take it seriously.

Beautiful landscapes, a great score by Elmer Bernstein, a terrific, performance by Wayne (who looks like he's having the time of his life surrounded by his real-life children on the set) and a show stealing role by Lee Marvin, who looks as though he has a bunch of "Silly Putty" sitting on top of his head (not the best make-up job, guys).

I'm so glad I invested the time to watch this. You will be too.

I really enjoy this film, though it's more about how much I love the sights in the American Southwest, and William Clothier's Cinemascope photography of locals in Utah and Arizona is simply stunning here, and the wonderful Elmer Bernstein score, and less to do with the conventions of the Western genre in general and John Wayne movies in particular. Both had become pretty stale by the time this picture was made. As a 'serious' Western it can be dismissed; it's about as historically accurate as "Blazing Saddles" and I don't know what's supposed to look worse, the scalped head make-up Lee Marvin (who practically steals the film) wears or the wig-pieces Wayne sports. However, this forty-year-old movie plays as better entertainment than most movies made today. It's hardly cynical, tries to reinforce ideas of right and wrong, and knows it's not to be taken seriously anyway. You can also tell that everyone seems to be having a very good time making this movie. It's also the last of more than 150 films directed by Michael Curtiz (though Wayne had to direct a lot of it himself when Curtiz fell ill [Curtiz died shortly after filming ended]). A beautiful letterboxed transfer of this movie was done for laserdisc in 1993. It also featured commentary by stars Stuart Whitman, Patrick Wayne, Michael Ansara and Nehemiah Persoff, as well as production stills, script pages, posters and lobby cards. Somebody at Fox at the time thought the movie deserved this 'Collector's Edition' treatment, so I can only hope that person is still there and that this will be replicated on DVD soon.