A schoolgirl ruins her two headmistresses with a scandalous lie.A schoolgirl ruins her two headmistresses with a scandalous lie.A schoolgirl ruins her two headmistresses with a scandalous lie.
- Nominated for 5 Oscars
- 1 win & 12 nominations total
- Grocery Boy
- (uncredited)
- Parent at Piano Recital
- (uncredited)
- Mourner
- (uncredited)
- Mourner
- (uncredited)
- Taxi Driver
- (uncredited)
Featured reviews
I weeped at the end but would watch it again as it is superb. I would give it a 10 but having only seen it once, I feel biased as I'm sure there are minor flaws somewhere! I give it a 9.9/10 instead!
Based on a Lillian Hellman play (that's your cue to prepare yourself for a very heavy movie), Audrey Hepburn and Shirley MacLaine play two teachers at an all-girls school. One of the students is a terrible, pot-stirring brat, and she starts a rumor about her two teachers. She claims she saw them kissing, and the aftermath of her accusation wreaks havoc on the good friends' careers and lives. In the original film, the evil-minded child says she saw one woman's fiancé go into the bedroom of the other woman. That was all that could get past the censors in 1936. Audrey Hepburn does have a fiancé, James Garner, but there are no sparks flying between him and Shirley MacLaine. In fact, when you watch the movie for a second time, you can really see the animosity and resentment Shirley feels towards him.
The acting in this movie is fantastic. Fay Bainter's supporting role as the little girl's grandmother is the best of her career. Given very little dialogue, her face speaks volumes during every scene. Miriam Hopkins, another old timer, gets to play Shirley's self-centered aunt - and in a cute casting choice, she played Shirley's role in the original version. This is one of the last movie you'll get to see James Garner do any real acting, before he got typecast as "the scrounger". Shirley really steals the show, though. She knows when to take the backseat, and she knows when it's her turn to shine; when she does, she sends goosebumps up your arms. The Academy made her wait until 1983 to receive an award. Here at the Hot Toasty Rags, we were very happy to award her in 1961 for The Children's Hour.
This is a tough movie to watch, so only rent it when you're in the mood for something heavy. Obviously, moral discussions will abound afterwards, but what gets under my skin the most is the trouble-making child. So often, children and teenagers do damage without realizing the consequences. I hope someday young people will be less selfish and learn to see the bigger picture. Revenge, self-righteousness, and deception are terrible qualities. Hopefully The Children's Hour can teach a valuable lesson.
The largest reason for this is because it is a film of a definite period - the issues raised in the film are widely discussed these days, whereas in the period the film was set, homosexuality was something to be feared and despised. Similarly, we do not have the various elaborate codes of honour that are so prevalent in the film, and dictate the actions of almost all characters. It's a pity, then, that this film will be alien to lots of people today. The answer, however, is not in a re-make (the film is itself a re-make of a 1936 film by the same director called "These Three", and an adaptation of a play of the same name by Lillian Hellman), but a re-release of this fine example of moviemaking.
Boasting a terrific cast including Audrey Hepburn, Shirley MacLaine and James Garner, "The Children's Hour" is the story of two teachers, Miss Dobie and Miss Wright, who found a school for young girls in an idyllic town in America. Then, out of boredom, spite and plain maliciousness, a child tells a vicious lie that will bring about the downfall of the school, the teachers, and all caught up in the horrible set of affairs. It is quite possible to see the creeping evil and hatred that stems from Mary, the child concerned (played wonderfully by Karen Balkin). Eventually, it reaches out and destroys all it touches.
The photography is great (it was nominated for an Oscar) - there are many scenes which are so wonderfully composed that each frame paints a thousand words: the climax of the movie is a great example. The relationship between MacLaine and Hepburn is delicately and sensitively portrayed, especially for a cast who didn't know what they were doing (according to MacLaine in an interview for "The Celluloid Closet"). James Garner is also good in his role as the doctor about to marry Hepburn, although the movie is clearly not aimed at giving him the best lines. There are also many, many superb supporting roles - and the film's strength comes from a great ensemble performance.
It doesn't really matter what the child accuses the teachers of (indeed we only find out a good hour into the film, although it has been strongly implied), because the film isn't really about homosexuality. As MacLaine points out in "The Celluloid Closet" (a cracking documentary about the history of homosexuality in the movies), it is about "a child's accusation". It is also about the power held by a town to bring about the downfall of two perfectly nice, perfectly ordinary young people. The are lines in the film that one should never forget and it should also make us think about the way our words shape the situations in which we live: ("unnatural" is a great example).
All in all, a lovely film from director William Wyler ("Ben-Hur", "Roman Holiday", "Funny Girl"), and one that deserves to be seen by a wider audience - re-release, please!
Karen and Martha are best friends who share a home together, they also work at the same all Girls school. Mary Tilford is a spiteful little child, when she is caught out for a lie she is duly scolded. In retaliation she starts casting doubts about the nature of Karen & Martha's relationship, pretty soon the gossip spirals out of control and the ladies are faced with empty classrooms and strained relations at home. A court case is in the air, but just what will be the outcome with a society so quick to frown on something that they deem unnatural?, regardless of it being truth or fiction.
Coming as it did in 1961, The Children's Hour was something of a brave picture, possessing as it does, a plot strand about lesbianism. Yet the film is itself a remake of These Three from 1936, tho also penned by Lillian Hellman {William Wyler directing both pieces}, These Three was built around a heterosexual tryst. The force driving The Children's Hour on is its willingness to explore a then frowned upon topic, whilst simultaneously running a plot arc about the power of a devious tongue, the innocence of youth a cloak shielding bitter intentions. Audrey Hepburn is a wonderful piece of casting, her portrayal of Karen is very restrained, giving the character an aura of worth and gracefulness. James Garner plays Karen's beau, Dr. Joe Cardin, he's a crucial part of the story but Garner never really dominates the screen in the way you feel the character should, however in the face of the films best performance, it's probably understandable that Garner is hardly worth a second glance. That best performance comes from Shirley MacLaine, it's a towering acting job full of wrought emotion and steely determination, it's only during the films last quarter do you realise just how well MacLaine has layered Martha. MacLaine and Hepburn are very different in acting styles, and this makes The Children's Hour a character piece to savour in any decade. 8/10
Did you know
- TriviaVeronica Cartwright (Rosalie) said in an interview that she and the other children were told not to hang around with Shirley MacLaine on set because she "cursed a lot". They all did, however, because they thought she was "cool" and "very generous". She also became Cartwright's mentor throughout the making of the film.
- GoofsUpon learning that Mrs. Tilford is telling everyone in town she's a lesbian, Martha Dobie (a schoolteacher who should know the difference) threatens to sue her for libel (which pertains to printed defamation of character), rather than slander (oral defamation). However, later in the film, "slander" is used correctly.
- Quotes
Martha: There's always been something wrong. Always, just as long as I can remember. But I never knew what it was until all this happened.
Karen: Stop it Martha! Stop this crazy talk!
Martha: You're afraid of hearing it, but I'm more afraid that you.
Karen: I won't listen to you!
Martha: No! You've got to know. I've got to tell you. I can't keep it to myself any longer. I'm guilty!
Karen: You're guilty of nothing!
Martha: I've been telling myself that since the night I heard the child say it. I lie in bed night after night praying that it isn't true. But I know about it now. It's there. I don't know how, I don't know why. But I did love you! I do love you! I resented your plans to marry. Maybe because I wanted you. Maybe I've wanted you all these years. I couldn't call it by name before, but maybe it's been there since I first knew you.
Karen: But it's not the truth, not a word of it is true! We've never thought of each other that way.
Martha: No, of course you didn't. But who's to say I didn't. I'd never felt that way about anybody before you. I've never loved a man. I never knew why before, maybe it's that.
Karen: You're tired and worn out.
Martha: It's funny. It's all mixed up. There's something in you, and you don't know anything about it because you don't know it's there. And then suddenly, one night a little girl gets bored and tells a lie, and there, for the first time, you see it. Then you say to yourself, did she see it? Did she sense it?
Karen: But you know it could have been any lie. She was looking for anything to...
Martha: But why this lie? She found the lie with the ounce of truth. Don't you see? I can't stand to have you touch me! I can't stand to have you look at me! Oh, it's all my fault. I have ruined your life and I have ruined my own. I swear I didn't know it! I didn't mean it! Oh, I feel so damn sick and dirty I can't stand it anymore!
- ConnectionsFeatured in Homo Promo (1991)
- SoundtracksLoch Lomond
(uncredited)
Traditional Scots-Gaelic song first published in 1841
Included in piano medley
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Details
- Release date
- Country of origin
- Languages
- Also known as
- La mentira infame
- Filming locations
- Shadow Ranch, Sylmar, California, USA(Shadow Ranch Park, West Hills, CA)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,600,000 (estimated)
- Runtime1 hour 48 minutes
- Color
- Aspect ratio
- 1.85 : 1