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La rumeur

Original title: The Children's Hour
  • 1961
  • Approved
  • 1h 48m
IMDb RATING
7.8/10
20K
YOUR RATING
POPULARITY
4,932
2,739
Audrey Hepburn, Shirley MacLaine, and James Garner in La rumeur (1961)
Watch Trailer
Play trailer1:49
1 Video
66 Photos
TragedyDramaRomance

A schoolgirl ruins her two headmistresses with a scandalous lie.A schoolgirl ruins her two headmistresses with a scandalous lie.A schoolgirl ruins her two headmistresses with a scandalous lie.

  • Director
    • William Wyler
  • Writers
    • Lillian Hellman
    • John Michael Hayes
  • Stars
    • Audrey Hepburn
    • Shirley MacLaine
    • James Garner
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    20K
    YOUR RATING
    POPULARITY
    4,932
    2,739
    • Director
      • William Wyler
    • Writers
      • Lillian Hellman
      • John Michael Hayes
    • Stars
      • Audrey Hepburn
      • Shirley MacLaine
      • James Garner
    • 172User reviews
    • 49Critic reviews
    • 49Metascore
  • See production info at IMDbPro
    • Nominated for 5 Oscars
      • 1 win & 12 nominations total

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    Trailer 1:49
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    Photos66

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    Top cast25

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    Audrey Hepburn
    Audrey Hepburn
    • Karen Wright
    Shirley MacLaine
    Shirley MacLaine
    • Martha Dobie
    James Garner
    James Garner
    • Dr. Joe Cardin
    Miriam Hopkins
    Miriam Hopkins
    • Mrs. Lily Mortar
    Fay Bainter
    Fay Bainter
    • Mrs. Amelia Tilford
    Karen Balkin
    • Mary Tilford
    Veronica Cartwright
    Veronica Cartwright
    • Rosalie Wells
    Mimi Gibson
    Mimi Gibson
    • Evelyn
    Debbie Moldow
    • Student
    Diane Mountford
    • Student
    William Mims
    William Mims
    • Mr. Burton
    Sallie Brophy
    Sallie Brophy
    • Rosalie's Mother
    Hope Summers
    Hope Summers
    • Agatha - the Tilford Maid
    Jered Barclay
    • Grocery Boy
    • (uncredited)
    Paul Bradley
    Paul Bradley
    • Parent at Piano Recital
    • (uncredited)
    Stuart Hall
    Stuart Hall
    • Mourner
    • (uncredited)
    George Holmes
    George Holmes
    • Mourner
    • (uncredited)
    Pete Kellett
    Pete Kellett
    • Taxi Driver
    • (uncredited)
    • Director
      • William Wyler
    • Writers
      • Lillian Hellman
      • John Michael Hayes
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews172

    7.819.8K
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    Featured reviews

    ebandit

    A child's lie destroys lives, a parable for the present

    In this remarkable film, a child's malicious lie destroys the lives of two young teachers. The child lies to avoid school because "everyone there hates me." The lie is believed because it is compounded by idle ramblings. Then it is upheld by a girl who is lying only to protect herself. This piece plays remarkably well today as it shows that children do lie even when they don't really know what they are talking about. Audrey Hepburn and Shirley MacLaine are remarkable in this work as they show the emotional upheaval that a simple lie can cause.
    strose

    A very intriguing film.

    I just watched "The Children's Hour" for the first time this evening. I must say that I was very impressed. Hepburn and MacLaine gave brilliant performances as the two headmistresses of a girl's school. The cinema photography was outstanding and the direction and writing were fantastic.

    Turner Classic Movies ran this gorgeous film this evening and the comments that were made after the run brought several thoughts to mind. After viewing the movie, I decided to get on-line and see what others had to say about this film.

    The one comment that was made tonight was that it was thought that the film didn't really `appeal' to the heightened sensibility of the audiences of the 60's. However, I felt that the movie was timeless in its observations and portrayals of its two main characters. Grant it, homosexuality was NOT the main focus of this movie but it does play a very important, albeit, small role.

    In today's society, homosexuality is more widely accepted than it was at the time this play was written. However, there is one area in society that it is still 'taboo' to be gay and that is in the teaching profession. There are STILL, more than 40 years after this movie was made, teachers that cannot be who they really are for fear of losing their jobs, the respect of their peers and the trust of parents. Grant it this is not in every part of the country, in every town, but it is still as thus in small-town America. I know this for fact, as I am the life-partner of a teacher. I know what it is like for him to have to hide who he really is and the torture that he goes through because of it. Children can say some very vicious things and I have seen what it can do to a person first-hand. This is why I feel that this picture is very 'true to life'; because in so many ways this is still the way things are today.

    Indeed, more people should see this movie! Maybe people would think before spreading rumors. This is a prime example of what one comment can do to a person's life and how it can snowball.
    8bondgirl6781

    The Crucible Lillian Hellman Style

    Lilliam Hellman was a modern female writers and ahead of all of the female writer of her time (except for my fave Zora Neale Hurston). The film "The Children's Hour" based on Hellman's play tells the story of two young women whose lives and reputations are destroyed after a horrible little girl tells everyone that the two young women are lesbians. In a time period from which the play was set does not use the words "lesbian" or "homosexual" and are substituted with "unnatural." Homosexuality in the play/film was treated the same way as it was back then: a tragic and horrible disease punishable by death for certain. It is a painful film to watch. Audrey Hepburn is lovely as always as Karen and she was also one of the few actresses who was not afraid to take on a role that was avaunt garde. She has tender and sweet moments with James Gardner, who is also wonderful as Dr. Joe Cardin, Karen's fiancée. And then there is my favorite: Shirley MacClaine who steals scenes with such agony as Martha, a young woman who realizes that she is in fact different and is a lesbian, but lives in a time and place that would not never allow her to be free to express her feelings. In a touching and agonizing scene, Martha reveals her true feelings for Karen. MacClaine breaks your heart and many can relate to her. She wins us over and breaks our hearts. Other supporting actors included are Fay Bainter as Mrs. Tilford, the rich and powerful woman who is made the pawn of spreading the lies told by her granddaughter; the wonderful Miriam Hopkins is Martha's judgmental and hypocritical Aunt Lilly Mortar; Veronica Cartwright is sweet and innocent as the young girl tortured into confirming the lie. And of course, the little girl we all love to hate: Mary played by Karen Balkin. Mary is a nasty little girl and throughout the film all you want to do is strangle her. Why the character of Mary Tilford didn't make the AFI list of 100 Greatest Villains I will never know because here is an "innocent" child telling a horrible lie without realizing the consequences of her actions. "The Children's Hour" is a very hard film to watch at times, but one of the most important films pivotal to the 1960s.
    9emilyh113

    Stands the test of time, Excellent acting, good story line, heartfelt

    My favorite review of this film is a short, concise one entitled WOW written in 2000 (read it and you'll read my feelings exactly!). I believe it says a lot that over 40 years later, we still want to comment and view this movie (a movie that is not necessarily a popular classic that people know about). I had never heard of this movie until looking on Netflix and deciding to rent all the Audrey Hepburn movies. While she is fabulous, I thought Shirley M was the shining performance in this movie. James Garner is so genuinely loving and likable (as usual!) The other characters are also fabulous but for length I won't list them all! I highly recommend this film to someone who appreciates dramatic film with good character development. It is definitely not what I expected from something on an Audrey Hepburn list (which makes me love her more)! Some raters feel that this movie has homophobic undertones and is not appropriate for today's society (because we are so open minded now???). As someone who has worked with youth of today in a small town, I believe it is still relatable. I think it would open up a good discussion because I felt hope in the midst of tragedy (I don't want to give away anything but basically a "what could you have done instead" dialog).

    I weeped at the end but would watch it again as it is superb. I would give it a 10 but having only seen it once, I feel biased as I'm sure there are minor flaws somewhere! I give it a 9.9/10 instead!
    Chris-564

    Ripe for re-release!

    A 'classic' film, (whatever that may be), can almost never be re-made in quite the same way again. It's something that we've thought about for quite a while, though - and noted filmmakers (including Gus Van Sant and Sydney Pollack) have tried and failed to re-make films to jazz up their appeal, and make them more accessible to a wider audience. It's something that passed through my mind quite a few times as I watched "The Children's Hour" today. Quite clearly, this is a film that more people deserve to see and know about, and it would certainly be interesting to try and re-make it, but we would definitely lose something in the translation.

    The largest reason for this is because it is a film of a definite period - the issues raised in the film are widely discussed these days, whereas in the period the film was set, homosexuality was something to be feared and despised. Similarly, we do not have the various elaborate codes of honour that are so prevalent in the film, and dictate the actions of almost all characters. It's a pity, then, that this film will be alien to lots of people today. The answer, however, is not in a re-make (the film is itself a re-make of a 1936 film by the same director called "These Three", and an adaptation of a play of the same name by Lillian Hellman), but a re-release of this fine example of moviemaking.

    Boasting a terrific cast including Audrey Hepburn, Shirley MacLaine and James Garner, "The Children's Hour" is the story of two teachers, Miss Dobie and Miss Wright, who found a school for young girls in an idyllic town in America. Then, out of boredom, spite and plain maliciousness, a child tells a vicious lie that will bring about the downfall of the school, the teachers, and all caught up in the horrible set of affairs. It is quite possible to see the creeping evil and hatred that stems from Mary, the child concerned (played wonderfully by Karen Balkin). Eventually, it reaches out and destroys all it touches.

    The photography is great (it was nominated for an Oscar) - there are many scenes which are so wonderfully composed that each frame paints a thousand words: the climax of the movie is a great example. The relationship between MacLaine and Hepburn is delicately and sensitively portrayed, especially for a cast who didn't know what they were doing (according to MacLaine in an interview for "The Celluloid Closet"). James Garner is also good in his role as the doctor about to marry Hepburn, although the movie is clearly not aimed at giving him the best lines. There are also many, many superb supporting roles - and the film's strength comes from a great ensemble performance.

    It doesn't really matter what the child accuses the teachers of (indeed we only find out a good hour into the film, although it has been strongly implied), because the film isn't really about homosexuality. As MacLaine points out in "The Celluloid Closet" (a cracking documentary about the history of homosexuality in the movies), it is about "a child's accusation". It is also about the power held by a town to bring about the downfall of two perfectly nice, perfectly ordinary young people. The are lines in the film that one should never forget and it should also make us think about the way our words shape the situations in which we live: ("unnatural" is a great example).

    All in all, a lovely film from director William Wyler ("Ben-Hur", "Roman Holiday", "Funny Girl"), and one that deserves to be seen by a wider audience - re-release, please!

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    Storyline

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    Did you know

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    • Trivia
      Veronica Cartwright (Rosalie) said in an interview that she and the other children were told not to hang around with Shirley MacLaine on set because she "cursed a lot". They all did, however, because they thought she was "cool" and "very generous". She also became Cartwright's mentor throughout the making of the film.
    • Goofs
      Upon learning that Mrs. Tilford is telling everyone in town she's a lesbian, Martha Dobie (a schoolteacher who should know the difference) threatens to sue her for libel (which pertains to printed defamation of character), rather than slander (oral defamation). However, later in the film, "slander" is used correctly.
    • Quotes

      Martha: There's always been something wrong. Always, just as long as I can remember. But I never knew what it was until all this happened.

      Karen: Stop it Martha! Stop this crazy talk!

      Martha: You're afraid of hearing it, but I'm more afraid that you.

      Karen: I won't listen to you!

      Martha: No! You've got to know. I've got to tell you. I can't keep it to myself any longer. I'm guilty!

      Karen: You're guilty of nothing!

      Martha: I've been telling myself that since the night I heard the child say it. I lie in bed night after night praying that it isn't true. But I know about it now. It's there. I don't know how, I don't know why. But I did love you! I do love you! I resented your plans to marry. Maybe because I wanted you. Maybe I've wanted you all these years. I couldn't call it by name before, but maybe it's been there since I first knew you.

      Karen: But it's not the truth, not a word of it is true! We've never thought of each other that way.

      Martha: No, of course you didn't. But who's to say I didn't. I'd never felt that way about anybody before you. I've never loved a man. I never knew why before, maybe it's that.

      Karen: You're tired and worn out.

      Martha: It's funny. It's all mixed up. There's something in you, and you don't know anything about it because you don't know it's there. And then suddenly, one night a little girl gets bored and tells a lie, and there, for the first time, you see it. Then you say to yourself, did she see it? Did she sense it?

      Karen: But you know it could have been any lie. She was looking for anything to...

      Martha: But why this lie? She found the lie with the ounce of truth. Don't you see? I can't stand to have you touch me! I can't stand to have you look at me! Oh, it's all my fault. I have ruined your life and I have ruined my own. I swear I didn't know it! I didn't mean it! Oh, I feel so damn sick and dirty I can't stand it anymore!

    • Connections
      Featured in Homo Promo (1991)
    • Soundtracks
      Loch Lomond
      (uncredited)

      Traditional Scots-Gaelic song first published in 1841

      Included in piano medley

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    Details

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    • Release date
      • April 25, 1962 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • La mentira infame
    • Filming locations
      • Shadow Ranch, Sylmar, California, USA(Shadow Ranch Park, West Hills, CA)
    • Production company
      • The Mirisch Corporation
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $3,600,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 48m(108 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.85 : 1

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