Cochons et Cuirassés

Typical high school relationship turmoil pales in comparison to this. A young couple are looking for a more prosperous life in early 60s Japan, however, the young man thinks that running with a gang will help him clear some financial debts quick along with selling swine on the black market in the grittier parts of Japan. His girlfriend wants him out of that stupid gang while her parents are far from model parents as they try to steer her into prostitution. The story follows Kinta as he wrestles with becoming a man and trying to find a way out of the gang world as his girlfriend would be happy if he had a traditional factory job; something he bristles at. Will they be able to detach themselves from bad influences or will they collapse under the pressures? This film had really nice shot framing and a few really innovative transitions, especially for the era. The acting was solid and the drama slowly increased built upon well-crafted characters. One key scene has similarities to Scarface but swap cocaine with pigs. Ha Ha.

It's really interesting to see one of the early works of Imamura. This film includes epitomes of the overall style of the great director: depiction of the lower, outlaw parts of Japanese society; criticizing both the authority and the society for their conformism with prevailing conditions; use of animals(namely pigs for this film) as an allegory for individuals (here it should be underlined that this object of allegory beats up its master!); and characterizing women as determined individuals who have power within the society, and who are more conscious than men. In order to trace the sources of the stylized director who made brilliant films like Kuroi Ame, Narayama bushiko, and Unagi, this film is a must see.

This movie takes place in post-war Japan which is under American occupation and essentially focuses on a young man named "Kinta" (Hiroyuki Nagato) who basically does what he can to make ends meet. One day he decides to join an extortion racket and is put in charge of feeding hogs that belong to the local gang. Although she truly loves him, his girlfriend "Haruko" (Jitsuko Yoshimura) not only disapproves of his decision but is also one month pregnant by him as well. Knowing that Kinta isn't quite ready to settle down and support a family she decides to have an abortion which Kinta helps pay for. Meanwhile, the gang Kinta has joined gets involved in murder and soon things become quite complicated for all involved. Now rather than reveal any more I will just say that this was a complex film for which I may have missed a few nuances here and there. For example, the manner in which the American military was depicted certainly wasn't favorable--but then the depiction of the Japanese gangsters wasn't that favorable either. That said, it seemed to me that the overall message of the story pertained equally to deplorable members from both Japanese and American society and subsequently upon their negative effect on the culture of Japan as a whole. At least, that is how it seemed to me. In any case, I found this to be an interesting film and I have rated it accordingly. Above average.

Teen hoodlum Kinta is excited to be given the plum job of supervising the pig pen at the local US base, for which he'll be responsible diverting the food scraps to the black market, and scoring a good income for his yakuza gang. His girlfriend Hiroku earnestly hopes he'll leave the yakuza and get an honest job, but neither is she a paragon of virtue - she is drawn into prostitution and petty thievery. The story mostly follows their troubled relationship, against a backdrop steeped in corruption, which results from the clash of US Forces occupation against the poverty and aspirations of the people of post-war Japan.

A scathing, even cynical critique. There is no tenderness at all here. Even the young lovers embracing is shown more as a desperate clinging than emotional attachment. And corruption is everywhere - there are no good guys. Confronting stuff, well-photographed, memorable as a vivid nightmare.

There are some interesting faces in this flick. The head of gang Tetsuro Tanba, who thinks he is dying hits it big some years later as the Japanese male lead opposite Sean Connery in "You Only Live Twice" (1967). An old guy who defends the honor of the female lead ends up playing Admiral Nagumo in "Tora, Tora, Tora" (1970).

Beyond those interesting connections, this flick is fairly complex and has a bit of a fatalistic theme. Some the main characters have to break out of their environment to change their destiny. Only one is able to do that. There are a few comedic moments. It is worth the time to see the plot. :-)